Aramaya Dön

Bottle

İsim	Bottle
Yazar	Unknown
Basım Tarihi:	1650
Basım Yeri	Iran (made) -
Konu	Gazelle Ruyi Arabesques Foliation Birds Flowers Trees
Tür	Diğer
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	Height: 26.4cm, Diameter: 21.3cm
Kütüphane:	Victoria and Albert Museum
Demirbaş Numarası	1091-1876
Kayıt Numarası	1091-1876
Lokasyon	Middle East Section
Tarih	1650
Notlar	In 19th century Qajar Iran, before a contemporary export market had emerged, a commercial market for historical artefacts arose, fuelled by Western collectors and museums. Historically, fragmentary material culture, particularly ceramics, including 17th century Safavid fritware, and Chinese porcelain, which had been damaged through use, was often repaired or re-purposed with metal mounts, frequently brass, to replace missing spouts, handles, lids and necks. Many examples were acquired for the Victoria and Albert Museum by Major-General Sir Robert Murdoch Smith (1835-1900) in Iran in the 1870s and 1880s. Among these is a large corpus embellished with a minutely engraved repertoire of figures from 19th century Iranian visual culture: youthful Qajar princes, veiled women, dervishes, acrobats, as well as monstrous supernatural beings, known as divs, and a range of bizarre humanoid creatures. These mounted vessels of Safavid fritware are therefore couched in a Qajar environment and re-fitted according to contemporary taste.
Malzemeler ve teknikler	Fritware, underglaze painted in blue; brass, engraved Fritware Brass (Alloy) Painted Glazed Mounted
Fiziksel açıklama	Bottle of fritware, with bulbous body and elongated neck, mounted with chased brass to hide the broken neck. Painted in underglaze blue and black, respectively from the neck down to the shoulder with bands of plantain leaves, reserved-painted panels, arabesques and ruyi heads. On the body are two cavorting deer, one landing bird and two more in flightanimate the scene which includes Kraak clouds, small birds, weeping willows, large baulstrades and branches. A band of ribboned panelsl with plain dividers, runs round the bottom between two plain bands. The style of the flowers and weeping willows strike an odd note on a conventional imitation Kraak setting. Imitation Chinese square mark in blue.
Üretim	Register
Üslup	Safavid

Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru

Victoria and Albert Museum

Bottle

Yazar Unknown

Basım Tarihi 1650

Basım Yeri Iran (made) -

Konu Gazelle Ruyi Arabesques Foliation Birds Flowers Trees

Tür Diğer

Dil Belirlenmemiş dil

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar Height: 26.4cm, Diameter: 21.3cm

Kütüphane Victoria and Albert Museum

Demirbaş Numarası 1091-1876

Kayıt Numarası 1091-1876

Lokasyon Middle East Section

Tarih 1650

Notlar In 19th century Qajar Iran, before a contemporary export market had emerged, a commercial market for historical artefacts arose, fuelled by Western collectors and museums. Historically, fragmentary material culture, particularly ceramics, including 17th century Safavid fritware, and Chinese porcelain, which had been damaged through use, was often repaired or re-purposed with metal mounts, frequently brass, to replace missing spouts, handles, lids and necks. Many examples were acquired for the Victoria and Albert Museum by Major-General Sir Robert Murdoch Smith (1835-1900) in Iran in the 1870s and 1880s. Among these is a large corpus embellished with a minutely engraved repertoire of figures from 19th century Iranian visual culture: youthful Qajar princes, veiled women, dervishes, acrobats, as well as monstrous supernatural beings, known as divs, and a range of bizarre humanoid creatures. These mounted vessels of Safavid fritware are therefore couched in a Qajar environment and re-fitted according to contemporary taste.

Malzemeler ve teknikler Fritware, underglaze painted in blue; brass, engraved Fritware Brass (Alloy) Painted Glazed Mounted

Fiziksel açıklama Bottle of fritware, with bulbous body and elongated neck, mounted with chased brass to hide the broken neck. Painted in underglaze blue and black, respectively from the neck down to the shoulder with bands of plantain leaves, reserved-painted panels, arabesques and ruyi heads. On the body are two cavorting deer, one landing bird and two more in flightanimate the scene which includes Kraak clouds, small birds, weeping willows, large baulstrades and branches. A band of ribboned panelsl with plain dividers, runs round the bottom between two plain bands. The style of the flowers and weeping willows strike an odd note on a conventional imitation Kraak setting. Imitation Chinese square mark in blue.

Üretim Register

Üslup Safavid