Aramaya Dön

Necklace

İsim	Necklace
Yazar	Unknown
Basım Tarihi:	1700
Basım Yeri	TÃ©touan (made) -
Konu	Jewellery Metalwork Traditional Jewellery (Europe)
Tür	Diğer
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	Height: 26.5cm, Width: 16.5cm, Depth: 1.8cm
Kütüphane:	Victoria and Albert Museum
Demirbaş Numarası	607:1, 2-1902
Kayıt Numarası	607:1, 2-1902
Lokasyon	Middle East Section
Tarih	1700
Notlar	The imperial urban jewellery of Morocco is traditionally made of gold, unlike the jewellery worn by the tribal people, who had a strong preference for silver. While it is clearly related to the jewellery worn elsewhere in North Africa, it often retains a richness and sophistication, derived from the medieval Islamic culture of southern Spain, which is absent in many other countries. This necklace shows many of these characteristics. The cylindrical beads, called qannuta in Morocco, are directly descended from a pattern used by the Moors of Andalusia before their expulsion in the 15th century. The same design continued in use among Spanish Christians in such places as La Alberca until the 19th century. The symbol of a double-headed eagle, representing power throughout the Islamic Mediterranean region as much as in Europe, may date from the same period. There was no information about the origins of this necklace when it arrived in the Museum in 1902. It may have been made in TÃ©touan, a centre of Andalusian culture on the north coast of Morocco, where similar necklaces were worn in the 18th century.
Malzemeler ve teknikler	Silver-gilt filigree set with pearls, emeralds and rubies, on a necklace of swags of pearls, with beads of silver-gilt and cloisonne imitation enamel Silver-Gilt Pearls Filigree
Parçalar	Pendants, Chains
Fiziksel açıklama	Necklace of swags of seed pearls, eight strands in each swag, interspersed by decorative silver-gilt beads, with a pendant shaped like a crowned double-headed eagle. There are two spherical open filigree beads, one on each side, on the necklace, and two cylindrical beads. The cylindrical beads are covered with cloisonnÃ© imitation enamel, and have a circle of small filigree beads round each end. The pendant consists of six pieces linked by jump rings and hooks. The body, tail and two wings are made of silver-gilt filigree. The lower feathers of each wing, and the border of the tail, are made of sheet silver, gilded, and engraved to look like feathers. These engraved feathers are alternatively gilded in yellow and red. The head is made of gilded hollow sheet silver, and the two legs are made of cast gilded silver. All the pieces are set with gems (emeralds, rubies and pearls), and there is a string of seed pearls round the neck of the eagle, and a pearl hanging from each beak. The filigree is all open work, and decorated with applied granules.

Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru

Victoria and Albert Museum

Necklace

Yazar Unknown

Basım Tarihi 1700

Basım Yeri TÃ©touan (made) -

Konu Jewellery Metalwork Traditional Jewellery (Europe)

Tür Diğer

Dil Belirlenmemiş dil

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar Height: 26.5cm, Width: 16.5cm, Depth: 1.8cm

Kütüphane Victoria and Albert Museum

Demirbaş Numarası 607:1, 2-1902

Kayıt Numarası 607:1, 2-1902

Lokasyon Middle East Section

Tarih 1700

Notlar The imperial urban jewellery of Morocco is traditionally made of gold, unlike the jewellery worn by the tribal people, who had a strong preference for silver. While it is clearly related to the jewellery worn elsewhere in North Africa, it often retains a richness and sophistication, derived from the medieval Islamic culture of southern Spain, which is absent in many other countries. This necklace shows many of these characteristics. The cylindrical beads, called qannuta in Morocco, are directly descended from a pattern used by the Moors of Andalusia before their expulsion in the 15th century. The same design continued in use among Spanish Christians in such places as La Alberca until the 19th century. The symbol of a double-headed eagle, representing power throughout the Islamic Mediterranean region as much as in Europe, may date from the same period. There was no information about the origins of this necklace when it arrived in the Museum in 1902. It may have been made in TÃ©touan, a centre of Andalusian culture on the north coast of Morocco, where similar necklaces were worn in the 18th century.

Malzemeler ve teknikler Silver-gilt filigree set with pearls, emeralds and rubies, on a necklace of swags of pearls, with beads of silver-gilt and cloisonne imitation enamel Silver-Gilt Pearls Filigree

Parçalar Pendants, Chains

Fiziksel açıklama Necklace of swags of seed pearls, eight strands in each swag, interspersed by decorative silver-gilt beads, with a pendant shaped like a crowned double-headed eagle. There are two spherical open filigree beads, one on each side, on the necklace, and two cylindrical beads. The cylindrical beads are covered with cloisonnÃ© imitation enamel, and have a circle of small filigree beads round each end. The pendant consists of six pieces linked by jump rings and hooks. The body, tail and two wings are made of silver-gilt filigree. The lower feathers of each wing, and the border of the tail, are made of sheet silver, gilded, and engraved to look like feathers. These engraved feathers are alternatively gilded in yellow and red. The head is made of gilded hollow sheet silver, and the two legs are made of cast gilded silver. All the pieces are set with gems (emeralds, rubies and pearls), and there is a string of seed pearls round the neck of the eagle, and a pearl hanging from each beak. The filigree is all open work, and decorated with applied granules.