Fragment of wall decoration

İsim Fragment of wall decoration
Yazar Unknown (makers)
Basım Yeri Samarra (made) Iraq (made) -
Konu Architectural Fittings Archaeology
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Height: 21cm, Diameter: 10-10.5cm
Kütüphane: Victoria and Albert Museum
Demirbaş Numarası A.72-1922
Kayıt Numarası A.72-1922
Lokasyon Middle East Section
Notlar Fragment from an octagonal column, plaster, carved and incised with geometric motifs; Iraq (Samarra), 9th century.
Örnek Metin Transliteration,
Tarihsel bağlam Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved plaster and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved plaster panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.
Malzemeler ve teknikler Plaster, carved, incised and drilled Plaster
Fiziksel açıklama Fragment, fine plaster, from a section of an octagonal ornamental engaged column, five of the sides are carved and incised with staggered bevel-edged rectilinear motifs consisting of rectangular and square panels in the Beveled Style, each with bevel-edged grooved lines, the squares with a central drilled hole. There are traces of brown colouration, but possibly not deliberate pigmentation. Herzfeld's number in red '920'.(part of A.73-1922)
Üslup Abbasid
Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru
Victoria and Albert Museum - Osmanlıca el yazması arama motoru Victoria and Albert Museum

Fragment of wall decoration

Yazar Unknown (makers)
Basım Yeri Samarra (made) Iraq (made) -
Konu Architectural Fittings Archaeology
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Height: 21cm, Diameter: 10-10.5cm
Kütüphane Victoria and Albert Museum
Demirbaş Numarası A.72-1922
Kayıt Numarası A.72-1922
Lokasyon Middle East Section
Notlar Fragment from an octagonal column, plaster, carved and incised with geometric motifs; Iraq (Samarra), 9th century.
Örnek Metin Transliteration,
Tarihsel bağlam Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved plaster and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved plaster panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.
Malzemeler ve teknikler Plaster, carved, incised and drilled Plaster
Fiziksel açıklama Fragment, fine plaster, from a section of an octagonal ornamental engaged column, five of the sides are carved and incised with staggered bevel-edged rectilinear motifs consisting of rectangular and square panels in the Beveled Style, each with bevel-edged grooved lines, the squares with a central drilled hole. There are traces of brown colouration, but possibly not deliberate pigmentation. Herzfeld's number in red '920'.(part of A.73-1922)
Üslup Abbasid
Victoria and Albert Museum - Osmanlıca el yazması arama motoru
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