Basım Tarihi
1850
Basım Yeri
Iran (made) -
Konu
Woodwork
Tür
Diğer
Dil
Belirlenmemiş dil
Dijital
Evet
Yazma
Hayır
Fiziksel Boyutlar
Length: 61cm
Kütüphane
Victoria and Albert Museum
Demirbaş Numarası
1282:1-1874
Kayıt Numarası
1282:1-1874
Lokasyon
Middle East Section
Tarih
1850
Notlar
Large carved wooden spoons such as this â each with a boat-shaped bowl, long rhomboidal handle, curved âbuttressâ and a rosette at the join â were made from up to seven separate parts, each finely carved from lime wood and adhered together with glue. The bowl was carved into a ribbed pattern and further ornamented with either Persian inscriptions along the outer edges â each alluding to desire, taste, or love - or with a single band of vegetal scrolls. The rosette, buttress and handle were all carved with a fine openwork pattern of geometric motifs arranged in registers around a central panel of floral sprays. The finesse in which this spoon was carved suggests its use for dignitary or elite members of society during banquets or special ceremonies. Indeed, Iranian paintings from the early to mid-nineteenth century show such spoons placed delicately along the edges of large porcelain bowls, floating upon the surface, the contents of which contained sherbet. These spoons were used communally amongst guests, often with several guests drinking from the same spoon. Major R. Murdoch Smith discusses the Iranian town of Abadeh (between Isfahan and Shiraz) as being the main centre of Persian wood carving during the period of 1800-1900. This town was famous for its elaborately carved spoons (qashuq) and small boxes, all made of either pear or lime wood, and carved with a common pocket-knife.
Malzemeler ve teknikler
Pearwood; carved; pierced; adhered
Parçalar
Sherbet Spoon, Stem, Fragment, Fragment
Fiziksel açıklama
Sherbet spoon comprised of seven parts of finely carved pear wood, with a long triangular shaped handle carved with both pierced and relief decoration of floral sprays and arabesques. A similar decoration appears on the circular roundel attaching the handle to the ladle, with two semi-circular pierced panels with paisley flowers covering half of the ladle. A final semi-circular support carved again with pierced arabesques supports the base of the handle and ladle below the roundel. A fine and shallowly carved horizontal band of running floral sprays decorates the exterior sides of the ladle, with a single paisley medallion below.
