Jar

İsim Jar
Yazar Unknown
Basım Tarihi: 1640
Basım Yeri Kirman (made) -
Konu Stylized Flowers
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Height: 52.5cm, Diameter: 41.5cm
Kütüphane: Victoria and Albert Museum
Demirbaş Numarası 692-1902
Kayıt Numarası 692-1902
Lokasyon Middle East Section
Tarih 1640
Notlar The decoration on this magnificent jar, one of the largest in the collection, was inspired by native Islamic designs found throughout the decorative arts, in metalware, bookbinding, carpet design and Iznik tiles. The pattern is based on a grid or latticework design which helps to organize the floral motifs, with stylized blossoms added at the interstices. These fantastic flowers are based on Iranian interpretations of the Chinese lotus motifs, introduced in the Timurid period, while the lines loosely form stems with half leaves or split palmettes. The closest parallels are found in sixteenth-century Iznik tiles, with similar designs on flat surfaces. Another source for the decorative scheme is found on seventeenth-century carpets made in Kerman, where this jar was probably made. Chinese blue-and-white porcelain had been popular in Iran since the 14th century, almost immediately imitated by Iranian potters. Production rose sharply in the 17th century, when Chinese wares were unavailable because of political strife in China. Some of the Iranian wares were close imitations of Chinese originals and even had copies of Chinese maker’s marks on the base. Other items were obviously inspired by Chinese pottery but have a shape or (as here) decoration that is typically Iranian.
Malzemeler ve teknikler Fritware, painted unter the glaze Fritware Glazing
Fiziksel açıklama Fritware storage jar decorated with a network of floral motifs in blue on white, with a brass collar. The placing of the flowers on the body has been carefully organised so that three rows of large autumn lotuses are set on the wider parts of the jar with alternating summer lotuses. At the top, in the middle and at the bottom, three rows of stylised rounded flowers and buds with their less imposing forms complete the lattice. The shapes of the leaves vary from serrated to elongated and include the flaming finials of the more conventional Kraak leaf.
Üslup Safavid
Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru
Victoria and Albert Museum - Osmanlıca el yazması arama motoru Victoria and Albert Museum

Jar

Yazar Unknown
Basım Tarihi 1640
Basım Yeri Kirman (made) -
Konu Stylized Flowers
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Height: 52.5cm, Diameter: 41.5cm
Kütüphane Victoria and Albert Museum
Demirbaş Numarası 692-1902
Kayıt Numarası 692-1902
Lokasyon Middle East Section
Tarih 1640
Notlar The decoration on this magnificent jar, one of the largest in the collection, was inspired by native Islamic designs found throughout the decorative arts, in metalware, bookbinding, carpet design and Iznik tiles. The pattern is based on a grid or latticework design which helps to organize the floral motifs, with stylized blossoms added at the interstices. These fantastic flowers are based on Iranian interpretations of the Chinese lotus motifs, introduced in the Timurid period, while the lines loosely form stems with half leaves or split palmettes. The closest parallels are found in sixteenth-century Iznik tiles, with similar designs on flat surfaces. Another source for the decorative scheme is found on seventeenth-century carpets made in Kerman, where this jar was probably made. Chinese blue-and-white porcelain had been popular in Iran since the 14th century, almost immediately imitated by Iranian potters. Production rose sharply in the 17th century, when Chinese wares were unavailable because of political strife in China. Some of the Iranian wares were close imitations of Chinese originals and even had copies of Chinese maker’s marks on the base. Other items were obviously inspired by Chinese pottery but have a shape or (as here) decoration that is typically Iranian.
Malzemeler ve teknikler Fritware, painted unter the glaze Fritware Glazing
Fiziksel açıklama Fritware storage jar decorated with a network of floral motifs in blue on white, with a brass collar. The placing of the flowers on the body has been carefully organised so that three rows of large autumn lotuses are set on the wider parts of the jar with alternating summer lotuses. At the top, in the middle and at the bottom, three rows of stylised rounded flowers and buds with their less imposing forms complete the lattice. The shapes of the leaves vary from serrated to elongated and include the flaming finials of the more conventional Kraak leaf.
Üslup Safavid
Victoria and Albert Museum - Osmanlıca el yazması arama motoru
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