Panel

İsim Panel
Yazar Unknown
Basım Tarihi: 1150
Basım Yeri Iran (made) -
Konu Elephant
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Length: 71.1cm, Width: 58.4cm
Kütüphane: Victoria and Albert Museum
Demirbaş Numarası C.262-1919
Kayıt Numarası C.262-1919
Lokasyon Middle East Section
Tarih 1150
Notlar This stonepaste tile with turquoise glaze and moulded decoration origianlly formed part of a large panel of tiles. Monochrome glazed tiles with both figural and non-figural decoration were chiefly produced in Kashan, Iran during the 12th to 14th centuries. Although there were doubtless other potteries functioning in Iran in the medieval period, evidence of Kashan's preeminent position comes from finds of wasters (objects spoiled in the kiln) and the remains of kilns. Such tiles frequently have inscriptions in the cursive naskhi script around their borders that include Persian poetry and verses from the Qur'an.
Tarihsel bağlam The principal centre for the production of pottery and tilework from the 12th-14th centuries was the town of Kashan in central Iran, which gave its name to the Persian word for tile (kashi). Although there were doubtless other potteries functioning in Iran in the medieval period, evidence of Kashan's preeminent position during this period comes from finds of wasters (objects spoiled in the kiln) and the remains of kilns. Most of the large number of surviving tiles from Kashan are monochrome in turquoise or blue, many with moulded decoration such as this example. Tiles produced throughout most of the 13th century are decorated with both figural and non-figural motifs. They frequently have inscriptions in the cursive naskhi script around their borders that include Persian poetry and verses from the Qur'an. Figural tiles were most likely destined for secular use in palaces, though some such tiles were used in Shiite shrines, where human love and poetry could be used as an allegory for divine love.
Malzemeler ve teknikler Fritware, with turquoise glaze and moulded decoration Fritware Overglaze Moulding Overglazing Firing
Fiziksel açıklama Fragment of a large panel of tiles,fritware with turquoise glaze with moulded decoration featuring an elephant.
Üslup Seljuk
Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru
Victoria and Albert Museum - Osmanlıca el yazması arama motoru Victoria and Albert Museum

Panel

Yazar Unknown
Basım Tarihi 1150
Basım Yeri Iran (made) -
Konu Elephant
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Length: 71.1cm, Width: 58.4cm
Kütüphane Victoria and Albert Museum
Demirbaş Numarası C.262-1919
Kayıt Numarası C.262-1919
Lokasyon Middle East Section
Tarih 1150
Notlar This stonepaste tile with turquoise glaze and moulded decoration origianlly formed part of a large panel of tiles. Monochrome glazed tiles with both figural and non-figural decoration were chiefly produced in Kashan, Iran during the 12th to 14th centuries. Although there were doubtless other potteries functioning in Iran in the medieval period, evidence of Kashan's preeminent position comes from finds of wasters (objects spoiled in the kiln) and the remains of kilns. Such tiles frequently have inscriptions in the cursive naskhi script around their borders that include Persian poetry and verses from the Qur'an.
Tarihsel bağlam The principal centre for the production of pottery and tilework from the 12th-14th centuries was the town of Kashan in central Iran, which gave its name to the Persian word for tile (kashi). Although there were doubtless other potteries functioning in Iran in the medieval period, evidence of Kashan's preeminent position during this period comes from finds of wasters (objects spoiled in the kiln) and the remains of kilns. Most of the large number of surviving tiles from Kashan are monochrome in turquoise or blue, many with moulded decoration such as this example. Tiles produced throughout most of the 13th century are decorated with both figural and non-figural motifs. They frequently have inscriptions in the cursive naskhi script around their borders that include Persian poetry and verses from the Qur'an. Figural tiles were most likely destined for secular use in palaces, though some such tiles were used in Shiite shrines, where human love and poetry could be used as an allegory for divine love.
Malzemeler ve teknikler Fritware, with turquoise glaze and moulded decoration Fritware Overglaze Moulding Overglazing Firing
Fiziksel açıklama Fragment of a large panel of tiles,fritware with turquoise glaze with moulded decoration featuring an elephant.
Üslup Seljuk
Victoria and Albert Museum - Osmanlıca el yazması arama motoru
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