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Pen box

İsim Pen box
Yazar Isfahani, Muhammad Isma'il (maker)
Basım Tarihi: 1847
Basım Yeri Iran (made) Isfahan (made) -
Konu Personal Accessories
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Length: 25cm, Width: 5cm, Height: 4cm
Kütüphane: Victoria and Albert Museum
Demirbaş Numarası 763-1876
Kayıt Numarası 763-1876
Lokasyon Middle East Section
Tarih 1847
Notlar As its name suggests, the pen box qalamdān was a container for reed pens qalam and other writing implements. These usually included a small metal inkwell, which contained both ink and the floss called liqah which absorbed the ink and prevented it from spilling. Other scribe’s tools kept in penboxes were a penknife for cutting pens on a small board qaṭ‘zan , made from substances such as horn; a small spoon for adding ink; a pair of scissors for cutting paper; and a whetstone for sharpening the penknife and the scissors. The ability to write held prestige in a society where literacy was limited, and the pen box was therefore a mark of a person of some standing. The quality and content of the pen box’s decoration reflected the status of the owner more precisely. Lacquer pen boxes, with painted and varnished decoration on a base of pasteboard (also called papier mâché), came into use in the seventeenth century. The earliest dated example was made in Isfahan for Shah Sulayman Safavi (reigned 1664-1695), and by the nineteenth century huge numbers were being made with an enormous variety of decoration. The top of this pen box shows a beardless official holding court. He was Manuchihr Khan, also known as Mu‘tamad al-Dawlah (d. 1847), a Georgian eunuch who rose to be one of the most powerful men in Iran. In 1839 and 1840 he was resident in Isfahan, and from this time on lacquer wares depicting his deeds were painted by the city’s leading painter, Muhammad Isma‘il.
Malzemeler ve teknikler Pasteboard, painted and lacquered Pasteboard
Fiziksel açıklama Pasteboard penbox with a painted and lacquered depiction of twenty-six courtiers surrounding the figure of Manuchihr Khan (d. 1847), the Qajar governor of Isfahan. Manuchihr Khan, beardless, is shown seated on a rug before a window, in full regalia and with medals, with one hand upon a sword and the other holding his sash. Many of the couriters are named by inscription; they as well as Manuchihr Khan wear astrakhan hats and are shown in long tunics. The sides of the penbox depict traditional hunting scenes; the base is decorated with rinceaux in yellow on a red ground.
Üslup Qajar
Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru
Victoria and Albert Museum - Osmanlıca el yazması arama motoru Victoria and Albert Museum

Pen box

Yazar Isfahani, Muhammad Isma'il (maker)
Basım Tarihi 1847
Basım Yeri Iran (made) Isfahan (made) -
Konu Personal Accessories
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Length: 25cm, Width: 5cm, Height: 4cm
Kütüphane Victoria and Albert Museum
Demirbaş Numarası 763-1876
Kayıt Numarası 763-1876
Lokasyon Middle East Section
Tarih 1847
Notlar As its name suggests, the pen box qalamdān was a container for reed pens qalam and other writing implements. These usually included a small metal inkwell, which contained both ink and the floss called liqah which absorbed the ink and prevented it from spilling. Other scribe’s tools kept in penboxes were a penknife for cutting pens on a small board qaṭ‘zan , made from substances such as horn; a small spoon for adding ink; a pair of scissors for cutting paper; and a whetstone for sharpening the penknife and the scissors. The ability to write held prestige in a society where literacy was limited, and the pen box was therefore a mark of a person of some standing. The quality and content of the pen box’s decoration reflected the status of the owner more precisely. Lacquer pen boxes, with painted and varnished decoration on a base of pasteboard (also called papier mâché), came into use in the seventeenth century. The earliest dated example was made in Isfahan for Shah Sulayman Safavi (reigned 1664-1695), and by the nineteenth century huge numbers were being made with an enormous variety of decoration. The top of this pen box shows a beardless official holding court. He was Manuchihr Khan, also known as Mu‘tamad al-Dawlah (d. 1847), a Georgian eunuch who rose to be one of the most powerful men in Iran. In 1839 and 1840 he was resident in Isfahan, and from this time on lacquer wares depicting his deeds were painted by the city’s leading painter, Muhammad Isma‘il.
Malzemeler ve teknikler Pasteboard, painted and lacquered Pasteboard
Fiziksel açıklama Pasteboard penbox with a painted and lacquered depiction of twenty-six courtiers surrounding the figure of Manuchihr Khan (d. 1847), the Qajar governor of Isfahan. Manuchihr Khan, beardless, is shown seated on a rug before a window, in full regalia and with medals, with one hand upon a sword and the other holding his sash. Many of the couriters are named by inscription; they as well as Manuchihr Khan wear astrakhan hats and are shown in long tunics. The sides of the penbox depict traditional hunting scenes; the base is decorated with rinceaux in yellow on a red ground.
Üslup Qajar
Victoria and Albert Museum - Osmanlıca el yazması arama motoru
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