Mevlûd-u şerif, [18th century?].

Name: Mevlûd-u şerif, [18th century?].
Author: Süleyman Çelebi -1422?, سليمان چلبي.

İsim	Mevlûd-u şerif, [18th century?].
Yazar	Süleyman Çelebi -1422?, سليمان چلبي.
Yazar Orijinal	سليمان چلبي
Basım Yeri	[Place of publication not identified] -
Konu	Muḥammad Prophet -632 ; Poetry., Muḥammad Prophet -632, Mawlid al-Nabī in literature., Turkish poetry 15th century., Masnavis, Turkish ; Early works to 1800., Manuscripts, Turkish Michigan Ann Arbor., Manuscrits turcs Michigan Ann Arbor., Manuscripts, Turkish, Masnavis, Turkish, Mawlid al-Nabī in literature, Michigan Ann Arbor
Tür	Süreli Yayın
Dil	ota,tur
Dijital	Evet
Yazma	Hayır
Sayfa Sayısı	10
Fiziksel Boyutlar	1 online resource (10 leaves) : paper
Kütüphane:	Jisc
Kayıt Numarası	title_%2A_language_ota_rn_4588
Lokasyon	University of East Anglia Library
Notlar	Ms. codex., Title from headpiece at opening (p.2) and colophon (p.17)., Collation: ii, IV+2 (10), ii ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing (skips opening leaf)., Layout: Written in 11 lines per page ; divided to two columns to set off poetry ; section headings centered ; frame-ruled., Script: Naskh ; elegant Ottoman hand ; partially seriffed with right-sloping head-serifs on lām, ṭāʼ, ẓāʼ but not alif, effect of tilt to the left, curvilinear descenders (some sweeping, final nūn, etc.), rightward descenders tapered, mainly open counters, pointing in distinct dots ; fully vocalized., Support: non-European laid paper with 7-8 laid lines per cm. (vertical, indistinct, some curving) and no chain lines visible, crisp, well-burnished, sturdy, beige / buff in color., Binding: Pasteboards faced in quite dark brown (to black) leather and now edged in dark maroon leather (likely repair) ; now Type III binding (without flap) but not flush with text block ; pastedowns and flyleaves in bright spring green surface-dyed wove paper ; upper and lower covers carry heavily recessed stamped and gold-painted scalloped mandorla (filled with vegetal decoration, compare Déroche class. NSd 9) and pendants, with gold-painted accents and tooled border ; sewn in heavy yellow thread, four stations ; overall in good condition with only minor abrasion (mainly at spine and board edges), etc. ; evidence of envelope flap on opening leaf indicates that this cover once had a flap or text block was once covered in a different binding (with a flap)., Former shelfmark: "361 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 406., Ottoman Turkish., Print version record, Incipit: "الله ادين ذكر ايده لم اولا واجب اولدر جمله اشده هر قولا ...", Explicit: "كرديلر سز بوله سز اوتدن نجات عشقله درديله ايدك الصلوة ... امتك اولدوغمز دولت يتر خدمتك قلديغمز عزت يتر ... امتدن راضى اولسون اول معين رحمت الله عليهم اجمعين", Colophon: "Scribal," reads "الحمد لله الذي وقفني لكتابة مولود شريف ويسرني بفضله اتمام تنميقه كتبه الحقير المحتاج الى رحمة ربه المعبود محمد بن محمود من تلاميذ سليمان افندى الاسكدارى حامدا الله تعالى ومصليا على نبيه محمد واله اجمعين الطاهرين", Decoration: Exquisite illuminated headpiece (ʻunwān) at opening on p.2 consisting of rectangular piece with gold cartouche carrying the title in white (هذا مولود شريف) surrounded by swirling floral vegetal decoration and chi clouds in gold, lavender, red, white, and turquoise (light blue-green) on fields of dark cream with gold accents and lapis lazuli, surmounted by scalloped w-shaped piece filled with similar floral vegetal and chi cloud motifs, itself surmounted by vertical stalks (tīgh), entire piece surrounded by border or well in red with white accents ; illuminated floral motifs set off headings and colophon ; written area surrounded by heavy gold frame outlined by black fillets with outermost blue rule ; section headings and musical annotations in margins rubricated., Origin: As appears in colophon on p.17, copied by Mehmet bin Mahmut (Muḥammad ibn Maḥmūd), a student of Süleyman Efendi of Üsküdar (سليمان افندى الاسكدارى), with date transcription completed not specified ; decoration, paper, etc. suggest 18th century., The musical modes employed in singing the verses in margins specifying degrees of the scale (دوكاه، حسينى، صبا، الخ) ; fairly clean copy.
Tür	Early works, Poetry
İçinde	Abdul Hamid Collection.

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Mevlûd-u şerif, [18th century?].

Yazar Süleyman Çelebi -1422?, سليمان چلبي.

Yazar Orijinal سليمان چلبي

Basım Yeri [Place of publication not identified] -

Konu Muḥammad Prophet -632 ; Poetry., Muḥammad Prophet -632, Mawlid al-Nabī in literature., Turkish poetry 15th century., Masnavis, Turkish ; Early works to 1800., Manuscripts, Turkish Michigan Ann Arbor., Manuscrits turcs Michigan Ann Arbor., Manuscripts, Turkish, Masnavis, Turkish, Mawlid al-Nabī in literature, Michigan Ann Arbor

Tür Süreli Yayın

Dil ota,tur

Dijital Evet

Yazma Hayır

Sayfa Sayısı 10

Fiziksel Boyutlar 1 online resource (10 leaves) : paper

Kütüphane Jisc

Kayıt Numarası title_%2A_language_ota_rn_4588

Lokasyon University of East Anglia Library

Notlar Ms. codex., Title from headpiece at opening (p.2) and colophon (p.17)., Collation: ii, IV+2 (10), ii ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing (skips opening leaf)., Layout: Written in 11 lines per page ; divided to two columns to set off poetry ; section headings centered ; frame-ruled., Script: Naskh ; elegant Ottoman hand ; partially seriffed with right-sloping head-serifs on lām, ṭāʼ, ẓāʼ but not alif, effect of tilt to the left, curvilinear descenders (some sweeping, final nūn, etc.), rightward descenders tapered, mainly open counters, pointing in distinct dots ; fully vocalized., Support: non-European laid paper with 7-8 laid lines per cm. (vertical, indistinct, some curving) and no chain lines visible, crisp, well-burnished, sturdy, beige / buff in color., Binding: Pasteboards faced in quite dark brown (to black) leather and now edged in dark maroon leather (likely repair) ; now Type III binding (without flap) but not flush with text block ; pastedowns and flyleaves in bright spring green surface-dyed wove paper ; upper and lower covers carry heavily recessed stamped and gold-painted scalloped mandorla (filled with vegetal decoration, compare Déroche class. NSd 9) and pendants, with gold-painted accents and tooled border ; sewn in heavy yellow thread, four stations ; overall in good condition with only minor abrasion (mainly at spine and board edges), etc. ; evidence of envelope flap on opening leaf indicates that this cover once had a flap or text block was once covered in a different binding (with a flap)., Former shelfmark: "361 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 406., Ottoman Turkish., Print version record, Incipit: "الله ادين ذكر ايده لم اولا واجب اولدر جمله اشده هر قولا ...", Explicit: "كرديلر سز بوله سز اوتدن نجات عشقله درديله ايدك الصلوة ... امتك اولدوغمز دولت يتر خدمتك قلديغمز عزت يتر ... امتدن راضى اولسون اول معين رحمت الله عليهم اجمعين", Colophon: "Scribal," reads "الحمد لله الذي وقفني لكتابة مولود شريف ويسرني بفضله اتمام تنميقه كتبه الحقير المحتاج الى رحمة ربه المعبود محمد بن محمود من تلاميذ سليمان افندى الاسكدارى حامدا الله تعالى ومصليا على نبيه محمد واله اجمعين الطاهرين", Decoration: Exquisite illuminated headpiece (ʻunwān) at opening on p.2 consisting of rectangular piece with gold cartouche carrying the title in white (هذا مولود شريف) surrounded by swirling floral vegetal decoration and chi clouds in gold, lavender, red, white, and turquoise (light blue-green) on fields of dark cream with gold accents and lapis lazuli, surmounted by scalloped w-shaped piece filled with similar floral vegetal and chi cloud motifs, itself surmounted by vertical stalks (tīgh), entire piece surrounded by border or well in red with white accents ; illuminated floral motifs set off headings and colophon ; written area surrounded by heavy gold frame outlined by black fillets with outermost blue rule ; section headings and musical annotations in margins rubricated., Origin: As appears in colophon on p.17, copied by Mehmet bin Mahmut (Muḥammad ibn Maḥmūd), a student of Süleyman Efendi of Üsküdar (سليمان افندى الاسكدارى), with date transcription completed not specified ; decoration, paper, etc. suggest 18th century., The musical modes employed in singing the verses in margins specifying degrees of the scale (دوكاه، حسينى، صبا، الخ) ; fairly clean copy.

Tür Early works, Poetry

İçinde Abdul Hamid Collection.