Talkhīṣ al-Miftāḥ, [15th century?].

Name: Talkhīṣ al-Miftāḥ, [15th century?].
Author: Qazwīnī, Jalāl al-Dīn Muḥammad ibn ʻAbd al-Raḥmān 1267 or 1268-1338., قزويني، جلال الدين محمد بن عبد الرحمن.

İsim	Talkhīṣ al-Miftāḥ, [15th century?].
Yazar	Qazwīnī, Jalāl al-Dīn Muḥammad ibn ʻAbd al-Raḥmān 1267 or 1268-1338., قزويني، جلال الدين محمد بن عبد الرحمن.
Yazar Orijinal	قزويني، جلال الدين محمد بن عبد الرحمن
Basım Yeri	[Place of publication not identified] -
Konu	Sakkākī, Yūsuf ibn Abī Bakr 1160- Miftāḥ al-ʻulūm. Qism 3., Miftāḥ al-ʻulūm (Sakkākī, Yūsuf ibn Abī Bakr), Arabic language Rhetoric ; Early works to 1800., Manuscripts, Arabic Michigan Ann Arbor., Arabe (Langue) Rhétorique ; Ouvrages avant 1800., Manuscrits arabes Michigan Ann Arbor., Arabic language Rhetoric, Manuscripts, Arabic, Michigan Ann Arbor
Tür	Süreli Yayın
Dil	Arapça
Dijital	Evet
Yazma	Hayır
Sayfa Sayısı	82
Fiziksel Boyutlar	1 online resource (82 leaves) : paper
Kütüphane:	Jisc
Kayıt Numarası	q_language%3A%20ara_sort_year_rn_239
Lokasyon	University of East Anglia Library
Notlar	Ms. codex., Title from illuminated titlepiece (p.7) and opening (pp.9-10)., Collation: iii, III+1 (7), 8 IV(71), III (77), II+1 (82), III ; chiefly quaternions ; catchwords present but mainly lost to trimming or barely visible ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves)., Layout: Written in 15 lines per page ; frame-ruled (impression of ruling-board visible)., Script: Naskh ; elegant Persianate hand ; partially serifed with left-sloping barbed headserifs appearing mainly on final lām (and occasional lām of ilá, etc.), curvilinear descenders, pointing in distinct dots (liberally spaced), point of final nūn set down in wide bowl, almost fully vocalized., Decoration: Exquisite illuminated almond-shaped titlepiece on 'title page' (p.7) carries title and author of work in gold on a central field of lapis lazuli with white vegetal accents, surrounded by elaborate border consisting of an inner most band of green (with black crosses) outlined in gold fillets, a heavy band of interlace in gold, and an outermost band with arabesque in red, green, black, gold and white on a field of lapis lazuli ; superb illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.8 echoing design of titlepiece consists of rectangular panel surmounted by a band of arabesque with vertical stalks (tīgh) above ; rectangular panel carries basmalah in white floriated 'Kufic' on a field of lapis lazuli with gold vegetal accents surrounded by same border of innermost green and gold band with heavy band of interlace in gold as appears in titlepiece ; arabesque is also nearly identical to that appearing in titlepiece ; text of written area surrounded by frame consisting of a heavy gold band flanked by narrow inner gold band and outer blue fillet ; keywords, section headings, and abbreviation symbols chrysographed ; textual dividers in the form of gold discs or inverted commas., Support: non-European laid paper with 8-9 laid lines per cm. (horizontal or vertical) and occasional single chain lines visible, fairly indistinct, cloudy formation, sturdy and fairly thick, heavily sized and burnished (burnisher's marks visible), cream in color ; leaf carrying 'title page' and incipit page trimmed to leave written area and lower margin and mounted in a leaf cut out to accommodate view of illuminated titlepiece on 'title page' (p.7)., Binding: Pasteboards covered in dark brown leather ; Type II binding (with flap) ; doublures in burnt red leather with central mandorla in fine leather filigree appliqué over gold leaf (with lapis cloth or paper at center) as well as tooled border ; upper and lower covers carry blind-stamped mandorla (filled with asymmetrical floral composition), pendants and cornerpieces as well as a tooled chain and fillets border ; design continues on flap ; sewn in red thread, two stations ; worked chevron endbands in red and lime green, headband in excellent condition (protected by leather spine cap), tailband in fairly good condition with some damage ; overall in fair condition with some abrasion, staining, lifting of leather, pest damage, etc., Former shelfmark: "398 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf (p.4) ; "50" inscribed in pencil on 'title page' (p.7)., Origin: Lacks dated colophon ; decoration, hand, paper, binding, etc. suggest 15th century ., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 227., Arabic., Print version record, Incipit: "الحمد لله على ما انعم و علم من البيان ما لم نعلم و الصلاة على سيدنا محمد خير من نطق بالصواب ... اما بعد فلما كان علم البلاغة و توابعها من اجل العلوم قدرا و ادقها سرا ... و كان القسم الثالث من مفتاح العلوم الذي صنفه الفاضل العلامة ابو يوسف السكاكي رحمه الله اعظم ما صنف فيه من الكتب المشهورة نفعا ... الفت مختصرا يتضمن ما فيه من القواعد و يشتمل على ما يحتاج اليه من الامثلة و الشواهد ... و سميته تلخيص المفتاح و انا اسأل الله من فضله ان ينفع به كما نفع باصله انه ولي ذلك و هو حسبي و نعم الوكيل", Explicit: "وهذا دعاء للبرية شامل وجميع فواتح السور و خواتمها و اردة على احسن الوجوه و اكملها يظهر ذلك بالتامل مع التذكر لما تقدم و الله الموفق للصواب واليه المرجع والمآب", Inscriptions in pencil on front flyleaf (p.4) "398 T. De M. [i.e. Tammaro De Marinis]" and 'title page' (p.7) "50" ; on 'title page' (p.7) ownership statement dated 15 Aylūl 1312 [] [ca. 25 September 1896 ] "صاحب كتاب مطى بك كفيلى صرف [؟] كوچك مصطفى منارسى [؟] جبايلى مؤذن محمد افندى في ١٥ ايلول سنه ٣١٢" ; traces of an almond-shaped seal impression at close on p.164 ; relatively clean copy.
Tür	Early works, Headpieces (layout features) - 15th century.
İçinde	Abdul Hamid Collection.

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Talkhīṣ al-Miftāḥ, [15th century?].

Yazar Qazwīnī, Jalāl al-Dīn Muḥammad ibn ʻAbd al-Raḥmān 1267 or 1268-1338., قزويني، جلال الدين محمد بن عبد الرحمن.

Yazar Orijinal قزويني، جلال الدين محمد بن عبد الرحمن

Basım Yeri [Place of publication not identified] -

Konu Sakkākī, Yūsuf ibn Abī Bakr 1160- Miftāḥ al-ʻulūm. Qism 3., Miftāḥ al-ʻulūm (Sakkākī, Yūsuf ibn Abī Bakr), Arabic language Rhetoric ; Early works to 1800., Manuscripts, Arabic Michigan Ann Arbor., Arabe (Langue) Rhétorique ; Ouvrages avant 1800., Manuscrits arabes Michigan Ann Arbor., Arabic language Rhetoric, Manuscripts, Arabic, Michigan Ann Arbor

Tür Süreli Yayın

Dil Arapça

Dijital Evet

Yazma Hayır

Sayfa Sayısı 82

Fiziksel Boyutlar 1 online resource (82 leaves) : paper

Kütüphane Jisc

Kayıt Numarası q_language%3A%20ara_sort_year_rn_239

Lokasyon University of East Anglia Library

Notlar Ms. codex., Title from illuminated titlepiece (p.7) and opening (pp.9-10)., Collation: iii, III+1 (7), 8 IV(71), III (77), II+1 (82), III ; chiefly quaternions ; catchwords present but mainly lost to trimming or barely visible ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves)., Layout: Written in 15 lines per page ; frame-ruled (impression of ruling-board visible)., Script: Naskh ; elegant Persianate hand ; partially serifed with left-sloping barbed headserifs appearing mainly on final lām (and occasional lām of ilá, etc.), curvilinear descenders, pointing in distinct dots (liberally spaced), point of final nūn set down in wide bowl, almost fully vocalized., Decoration: Exquisite illuminated almond-shaped titlepiece on 'title page' (p.7) carries title and author of work in gold on a central field of lapis lazuli with white vegetal accents, surrounded by elaborate border consisting of an inner most band of green (with black crosses) outlined in gold fillets, a heavy band of interlace in gold, and an outermost band with arabesque in red, green, black, gold and white on a field of lapis lazuli ; superb illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.8 echoing design of titlepiece consists of rectangular panel surmounted by a band of arabesque with vertical stalks (tīgh) above ; rectangular panel carries basmalah in white floriated 'Kufic' on a field of lapis lazuli with gold vegetal accents surrounded by same border of innermost green and gold band with heavy band of interlace in gold as appears in titlepiece ; arabesque is also nearly identical to that appearing in titlepiece ; text of written area surrounded by frame consisting of a heavy gold band flanked by narrow inner gold band and outer blue fillet ; keywords, section headings, and abbreviation symbols chrysographed ; textual dividers in the form of gold discs or inverted commas., Support: non-European laid paper with 8-9 laid lines per cm. (horizontal or vertical) and occasional single chain lines visible, fairly indistinct, cloudy formation, sturdy and fairly thick, heavily sized and burnished (burnisher's marks visible), cream in color ; leaf carrying 'title page' and incipit page trimmed to leave written area and lower margin and mounted in a leaf cut out to accommodate view of illuminated titlepiece on 'title page' (p.7)., Binding: Pasteboards covered in dark brown leather ; Type II binding (with flap) ; doublures in burnt red leather with central mandorla in fine leather filigree appliqué over gold leaf (with lapis cloth or paper at center) as well as tooled border ; upper and lower covers carry blind-stamped mandorla (filled with asymmetrical floral composition), pendants and cornerpieces as well as a tooled chain and fillets border ; design continues on flap ; sewn in red thread, two stations ; worked chevron endbands in red and lime green, headband in excellent condition (protected by leather spine cap), tailband in fairly good condition with some damage ; overall in fair condition with some abrasion, staining, lifting of leather, pest damage, etc., Former shelfmark: "398 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf (p.4) ; "50" inscribed in pencil on 'title page' (p.7)., Origin: Lacks dated colophon ; decoration, hand, paper, binding, etc. suggest 15th century ., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 227., Arabic., Print version record, Incipit: "الحمد لله على ما انعم و علم من البيان ما لم نعلم و الصلاة على سيدنا محمد خير من نطق بالصواب ... اما بعد فلما كان علم البلاغة و توابعها من اجل العلوم قدرا و ادقها سرا ... و كان القسم الثالث من مفتاح العلوم الذي صنفه الفاضل العلامة ابو يوسف السكاكي رحمه الله اعظم ما صنف فيه من الكتب المشهورة نفعا ... الفت مختصرا يتضمن ما فيه من القواعد و يشتمل على ما يحتاج اليه من الامثلة و الشواهد ... و سميته تلخيص المفتاح و انا اسأل الله من فضله ان ينفع به كما نفع باصله انه ولي ذلك و هو حسبي و نعم الوكيل", Explicit: "وهذا دعاء للبرية شامل وجميع فواتح السور و خواتمها و اردة على احسن الوجوه و اكملها يظهر ذلك بالتامل مع التذكر لما تقدم و الله الموفق للصواب واليه المرجع والمآب", Inscriptions in pencil on front flyleaf (p.4) "398 T. De M. [i.e. Tammaro De Marinis]" and 'title page' (p.7) "50" ; on 'title page' (p.7) ownership statement dated 15 Aylūl 1312 [] [ca. 25 September 1896 ] "صاحب كتاب مطى بك كفيلى صرف [؟] كوچك مصطفى منارسى [؟] جبايلى مؤذن محمد افندى في ١٥ ايلول سنه ٣١٢" ; traces of an almond-shaped seal impression at close on p.164 ; relatively clean copy.

Tür Early works, Headpieces (layout features) - 15th century.

İçinde Abdul Hamid Collection.