Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey" | Kütüphane.osmanlica.com

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

İsim Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"
Yazar Majid Soleimani Sasani
Basım Tarihi: 1400-10
Basım Yeri - Alzahra University
Konu Islamophobia, Orientalism
Tür Süreli Yayın
Dil Arapça
Dijital Evet
Yazma Hayır
Kütüphane: Barselona Özerk Üniversitesi Kütüphaneleri
Demirbaş Numarası ISSN: 2345-2692, EISSN: 2538-2004, DOI: 10.22051/jwfs.2021.34202.2591
Kayıt Numarası cdi_doaj_primary_oai_doaj_org_article_8b6c172959914ef0b2412c5fec7da457
Lokasyon Available Online
Tarih 1400-10
Örnek Metin This article seeks to show the representation of gender and Muslim women in Hollywood cinema with a narrative analysis approach. Thus, using the approach of postcolonial theory in the critique of Orientalism discourse and the construction of gender in Eastern and Muslim women, and liberal feminism, Analyzes the narrative of "In the Land of Blood and Honey" (Angelina Jolie, 2011). This film is one of the most important Hollywood films that has dedicated its main narrative to the representation of a Muslim woman. The findings of this study show that the narrative of this film follows Orientalist gender stereotypes and, well, shows the contrast between the liberal and postcolonial feminist approaches. As the Eastern and Muslim woman is humiliated by both her Western sister and her community. Muslim woman in the narrative of this film; Is also the Orientalist object of American cinema; She is subjected to both sexual and gender clichés and is accused of treason against the world system and is considered worthy of death. Narrative analysis of this film can open new perspectives on postcolonial feminism.
Biblioteques de la Universitat Autònoma de Barcelona Barselona Özerk Üniversitesi Kütüphaneleri
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Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Yazar Majid Soleimani Sasani
Basım Tarihi 1400-10
Basım Yeri - Alzahra University
Konu Islamophobia, Orientalism
Tür Süreli Yayın
Dil Arapça
Dijital Evet
Yazma Hayır
Kütüphane Barselona Özerk Üniversitesi Kütüphaneleri
Demirbaş Numarası ISSN: 2345-2692, EISSN: 2538-2004, DOI: 10.22051/jwfs.2021.34202.2591
Kayıt Numarası cdi_doaj_primary_oai_doaj_org_article_8b6c172959914ef0b2412c5fec7da457
Lokasyon Available Online
Tarih 1400-10
Örnek Metin This article seeks to show the representation of gender and Muslim women in Hollywood cinema with a narrative analysis approach. Thus, using the approach of postcolonial theory in the critique of Orientalism discourse and the construction of gender in Eastern and Muslim women, and liberal feminism, Analyzes the narrative of "In the Land of Blood and Honey" (Angelina Jolie, 2011). This film is one of the most important Hollywood films that has dedicated its main narrative to the representation of a Muslim woman. The findings of this study show that the narrative of this film follows Orientalist gender stereotypes and, well, shows the contrast between the liberal and postcolonial feminist approaches. As the Eastern and Muslim woman is humiliated by both her Western sister and her community. Muslim woman in the narrative of this film; Is also the Orientalist object of American cinema; She is subjected to both sexual and gender clichés and is accused of treason against the world system and is considered worthy of death. Narrative analysis of this film can open new perspectives on postcolonial feminism.
Biblioteques de la Universitat Autònoma de Barcelona
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