Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Title Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"
Author Majid Soleimani Sasani
Publication Date: 1400-10
Publication Place - Alzahra University
Subject Islamophobia, Orientalism
Type Periodical
Language Arabic
Digital Yes
Manuscript No
Library: Biblioteques de la Universitat Autonoma de Barcelona
Library Asset ID ISSN: 2345-2692, EISSN: 2538-2004, DOI: 10.22051/jwfs.2021.34202.2591
Record ID cdi_doaj_primary_oai_doaj_org_article_8b6c172959914ef0b2412c5fec7da457
Library Location Available Online
Date 1400-10
Sample Text This article seeks to show the representation of gender and Muslim women in Hollywood cinema with a narrative analysis approach. Thus, using the approach of postcolonial theory in the critique of Orientalism discourse and the construction of gender in Eastern and Muslim women, and liberal feminism, Analyzes the narrative of "In the Land of Blood and Honey" (Angelina Jolie, 2011). This film is one of the most important Hollywood films that has dedicated its main narrative to the representation of a Muslim woman. The findings of this study show that the narrative of this film follows Orientalist gender stereotypes and, well, shows the contrast between the liberal and postcolonial feminist approaches. As the Eastern and Muslim woman is humiliated by both her Western sister and her community. Muslim woman in the narrative of this film; Is also the Orientalist object of American cinema; She is subjected to both sexual and gender clichés and is accused of treason against the world system and is considered worthy of death. Narrative analysis of this film can open new perspectives on postcolonial feminism.
Biblioteques de la Universitat Autonoma de Barcelona - Ottoman library catalog search Biblioteques de la Universitat Autonoma de Barcelona

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Author Majid Soleimani Sasani
Publication Date 1400-10
Publication Place - Alzahra University
Subject Islamophobia, Orientalism
Type Periodical
Language Arabic
Digital Yes
Manuscript No
Library Biblioteques de la Universitat Autonoma de Barcelona
Library Asset ID ISSN: 2345-2692, EISSN: 2538-2004, DOI: 10.22051/jwfs.2021.34202.2591
Record ID cdi_doaj_primary_oai_doaj_org_article_8b6c172959914ef0b2412c5fec7da457
Library Location Available Online
Date 1400-10
Sample Text This article seeks to show the representation of gender and Muslim women in Hollywood cinema with a narrative analysis approach. Thus, using the approach of postcolonial theory in the critique of Orientalism discourse and the construction of gender in Eastern and Muslim women, and liberal feminism, Analyzes the narrative of "In the Land of Blood and Honey" (Angelina Jolie, 2011). This film is one of the most important Hollywood films that has dedicated its main narrative to the representation of a Muslim woman. The findings of this study show that the narrative of this film follows Orientalist gender stereotypes and, well, shows the contrast between the liberal and postcolonial feminist approaches. As the Eastern and Muslim woman is humiliated by both her Western sister and her community. Muslim woman in the narrative of this film; Is also the Orientalist object of American cinema; She is subjected to both sexual and gender clichés and is accused of treason against the world system and is considered worthy of death. Narrative analysis of this film can open new perspectives on postcolonial feminism.
Biblioteques de la Universitat Autonoma de Barcelona - Ottoman library catalog search
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