Rule addition in Divan-I Kebir

Name: Rule addition in Divan-I Kebir
Author: فاطمه مدرسی, امید یاسینی

İsim	Rule addition in Divan-I Kebir
Yazar	فاطمه مدرسی, امید یاسینی
Yazar Orijinal	فاطمه مدرسی امید یاسینی
Basım Tarihi:	1387-10
Basım Yeri	- Shahid Beheshti University
Tür	Süreli Yayın
Dil	Arapça
Dijital	Evet
Yazma	Hayır
Kütüphane:	Barselona Özerk Üniversitesi Kütüphaneleri
Demirbaş Numarası	ISSN: 2008-7349, EISSN: 2588-6878
Kayıt Numarası	cdi_doaj_primary_oai_doaj_org_article_297ad04870744a5c98e623ddfdb3b834
Lokasyon	Available Online
Tarih	1387-10
Örnek Metin	Rule addition is one of the methods of defamiliarization in the school of Russian formalism. In this method, rules are added to the rules of the standard language, which makes them stand out in the literary text. Leech considers accentuation to be possible in two forms: deviating from the rules governing the language (Deviation) and adding rules to the rules governing the language (rule addition). Jacobsen believes that the process of rule addition is nothing but balance in its broadest sense, and this balance is achieved through "Verbal Repetition". The industries that are obtained through balance do not have the same nature, for this reason the types of balance must be examined at different levels of analysis. The use of rule addition indicates the poet's ability to use the linguistic capabilities to make the language unfamiliar and prominent, which Russian formalists consider to be the factor in the formation of a literary work. Coleridge, the English poet and critic, believed that the poet removes the habit from the audience’s mind through the power of his imagination, especially by using the rule addition, and presents the reality of things to the readers in a newer way. In this research, it is attempted to examine Divan-I Kebir through the rule addition as one of the methods of defamiliarization at the levels of phonetic and lexical analysis, so that corners of the beauty and prominence of Rumi's poems can be revealed to us through this passage.

Kaynağa git Barselona Özerk Üniversitesi Kütüphaneleri Biblioteques de la Universitat Autònoma de Barcelona

Diğer Nüshalar

Rule addition in Divan-I Kebir

Detayları görüntüle

Rule addition in Divan-I Kebir

Detayları görüntüle

Aramaya Dön

Barselona Özerk Üniversitesi Kütüphaneleri

Kaynağa git

Rule addition in Divan-I Kebir

Yazar فاطمه مدرسی, امید یاسینی

Yazar Orijinal فاطمه مدرسی امید یاسینی

Basım Tarihi 1387-10

Basım Yeri - Shahid Beheshti University

Tür Süreli Yayın

Dil Arapça

Dijital Evet

Yazma Hayır

Kütüphane Barselona Özerk Üniversitesi Kütüphaneleri

Demirbaş Numarası ISSN: 2008-7349, EISSN: 2588-6878

Kayıt Numarası cdi_doaj_primary_oai_doaj_org_article_297ad04870744a5c98e623ddfdb3b834

Lokasyon Available Online

Tarih 1387-10

Örnek Metin Rule addition is one of the methods of defamiliarization in the school of Russian formalism. In this method, rules are added to the rules of the standard language, which makes them stand out in the literary text. Leech considers accentuation to be possible in two forms: deviating from the rules governing the language (Deviation) and adding rules to the rules governing the language (rule addition). Jacobsen believes that the process of rule addition is nothing but balance in its broadest sense, and this balance is achieved through "Verbal Repetition". The industries that are obtained through balance do not have the same nature, for this reason the types of balance must be examined at different levels of analysis. The use of rule addition indicates the poet's ability to use the linguistic capabilities to make the language unfamiliar and prominent, which Russian formalists consider to be the factor in the formation of a literary work. Coleridge, the English poet and critic, believed that the poet removes the habit from the audience’s mind through the power of his imagination, especially by using the rule addition, and presents the reality of things to the readers in a newer way. In this research, it is attempted to examine Divan-I Kebir through the rule addition as one of the methods of defamiliarization at the levels of phonetic and lexical analysis, so that corners of the beauty and prominence of Rumi's poems can be revealed to us through this passage.