Merahü'l-maali fî şerhi'l-Emali

Name: Merahü'l-maali fî şerhi'l-Emali
Author: Ahmet Asım, 1755-1819 or 1820, احمد عاصم, Ahmet Asım, 1755-1819 or 1820, احمد عاصم

İsim	Merahü'l-maali fî şerhi'l-Emali
Yazar	Ahmet Asım, 1755-1819 or 1820, احمد عاصم, Ahmet Asım, 1755-1819 or 1820, احمد عاصم
Yazar Orijinal	احمد عاصم احمد عاصم
Basım Tarihi:	1801
Konu	Ūshī, ʻAlī ibn ʻUthmān, active 12th century. Badʼ al-amālī, Islam -- Doctrines -- Early works to 1800, Hanafites -- Early works to 1800, Manuscripts, Turkish -- Michigan -- Ann Arbor
Tür	Kitap
Dil	tur, ota
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	101 leaves : paper ; 240 x 147 (167 x 72) mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194701314
Kayıt Numarası	990068227900106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	1801
Notlar	Ms. codex., Title from illuminated headpiece at opening on p.2 and in opening matter on p.4., Incipit: "سبحان من توحد فى ذاته القديم سبحان من تفرد فى وصفته القويم ... اما بعد صورت مقدمۀ اتيه ده بيان اولنديغى اوزره جملۀ علوم شريفه وجلمۀ فنون منيفه دن علم كلام ايله معلم اولان ... بو عبد مكزين يعنى در مائده اواصر قواصم السيد احمد عاصم جعله الله من عصبة المعاصم ... شرح وامل سنه وضع قلم ابتدا اولنوب اسلوب مطلوب ومنهج مرغوب اوزره توفيق رب منعامله قرين حسن ختام ومرح المعالى فى شرح الامالى ايله بنام ...", Explicit: "مفهوم بيت بو در كه بر كمسنه بنم ايچون بر كون كه مراد بر وقتدر دعاى خير ايدرسه مدت عمرمده زمايت قدرتمى آنك خير دعاسنده افراغ ايدرم فنرجو من الله العميم المراحم البسيط المكارم ان يعفو عنا وعن الناظم ويرحمنا ويرحمه ويرحم آبائنا وامهاتنا ومشايخنا واحبائنا وجميع المؤمنين بحرمة رسوله الامين ولله الحمد اولا واخرا", Colophon: "Scribal," triangular reads "نجز بقلم شارحه الحقير فى م سنه ١٢١٦", Dedication: As appears in opening matter (preface, see p.5) dedicated to Sultan Selim III (r.1709-1807)., Collation: i, V+1 (11), 9 V(101), i ; exclusively quinions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (skips two pages each between pp.9-10 and 183-184)., Layout: Written in 21 lines per page ; frame-ruled., Script: Nastaʻlīq (talik) ; compact hand in a heavy line ; serifless, with effect of words inclining to the right and descending to baseline, closed counters, elongated horizontal strokes, pointing in strokes rather than distinct dots ; text being commented upon fully vocalized., Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening of the preface on p.2, consisting of scalloped w-shaped piece with gold cartouche (carrying the title "مرح المعالى فى شرح الامالى" in white) surrounded by swirling floral vegetal decoration in gold with red, blue, and light blue accents on a gold ground, entire piece set in an elaborate well of pink, black and light blue bands flanking a heavy band of gold interlace with red and turquoise accents and surmounted by vertical stalks (tīgh) in blue and red ; second superb illuminated headpiece at opening of the main text ( beginning with introduction, مقدمۀ كتاب) on p.8 ; written area of incipit and facing page surrounded by heavy gold frame with divisions within defined by narrow gold bands ; elsewhere written area (and divisions within) surrounded by light blue (evoking silver) band defined by inner and outer red rules ; keywords and text being commented upon rubricated ; overlining in red ; textual dividers in the form of red inverted commas., Support: non-European laid paper with 8-9 laid lines per cm. (vertical, fairly indistinct, curved), no chain lines visible, cloudy formation with fibers and inclusions visible, quite sturdy, transluscent and crisp, highly sized and burnished, beige to light brown in color ; board linings and flyleaves in European laid paper with large scrollwork watermark (difficult to make out)., Binding: Pasteboards covered in dark brown leather ; Type II binding (with flap), likely two-piece binding (seam of overlapping flanges visible at spine) ; board linings and flyleaves in orange-tinted, silver-flecked European laid paper ; upper and lower covers carry exquisite stamped mandorla (gold-painted recessed onlays, vegetal composition, compare Déroche class. NSd 7) and pendants, as well as gold-tooled accents and guilloché roll border ; design continues on envelope flap ; sewn in pink thread, two stations ; worked chevron endbands in pink and yellow, fairly good condition with tailband and primaries detaching from textblock but still well-attached to spine lining ; overall in good condition with only minor abrasion, some lifting of spine leather, spine lining detached from most of text block, etc., Former shelfmark: "329 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf., Origin: As appears in colophon on p.197, transcription completed by the author in Muḥarram 1216 [May-June 1801]. A note on the 'title page' (p.1), "مترجم مرحوم خطيله", also indicates that the manuscript is in the hand of the author., Glosses and marginal corrections in same hand., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 424
Örnek Metin	Elegant, apparently autograph copy of the commentary by the celebrated Ottoman offical historiographer (vak'anüvîs / vakanüvîs) Ahmet Asım Efendi, also known as Mütercim Asım (d.1820) on al-Ūshī's (fl. 12 cent.) renowned theological poem in lām, Badʼ al-amālī or Qaṣīdat yaqūlu al-ʻabd fī badʻ al-amālī.
Katkıda Bulunanlar	Ahmet Asım, 1755-1819 or 1820, scribe.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript, Available Online
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Sicill-i Osmanî, iii, 283
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).
Konular (Diğer)	Headpiece (layout features) -- 19th century

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Merahü'l-maali fî şerhi'l-Emali

Yazar Ahmet Asım, 1755-1819 or 1820, احمد عاصم, Ahmet Asım, 1755-1819 or 1820, احمد عاصم

Yazar Orijinal احمد عاصم احمد عاصم

Basım Tarihi 1801

Konu Ūshī, ʻAlī ibn ʻUthmān, active 12th century. Badʼ al-amālī, Islam -- Doctrines -- Early works to 1800, Hanafites -- Early works to 1800, Manuscripts, Turkish -- Michigan -- Ann Arbor

Tür Kitap

Dil tur, ota

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 101 leaves : paper ; 240 x 147 (167 x 72) mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194701314

Kayıt Numarası 990068227900106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih 1801

Notlar Ms. codex., Title from illuminated headpiece at opening on p.2 and in opening matter on p.4., Incipit: "سبحان من توحد فى ذاته القديم سبحان من تفرد فى وصفته القويم ... اما بعد صورت مقدمۀ اتيه ده بيان اولنديغى اوزره جملۀ علوم شريفه وجلمۀ فنون منيفه دن علم كلام ايله معلم اولان ... بو عبد مكزين يعنى در مائده اواصر قواصم السيد احمد عاصم جعله الله من عصبة المعاصم ... شرح وامل سنه وضع قلم ابتدا اولنوب اسلوب مطلوب ومنهج مرغوب اوزره توفيق رب منعامله قرين حسن ختام ومرح المعالى فى شرح الامالى ايله بنام ...", Explicit: "مفهوم بيت بو در كه بر كمسنه بنم ايچون بر كون كه مراد بر وقتدر دعاى خير ايدرسه مدت عمرمده زمايت قدرتمى آنك خير دعاسنده افراغ ايدرم فنرجو من الله العميم المراحم البسيط المكارم ان يعفو عنا وعن الناظم ويرحمنا ويرحمه ويرحم آبائنا وامهاتنا ومشايخنا واحبائنا وجميع المؤمنين بحرمة رسوله الامين ولله الحمد اولا واخرا", Colophon: "Scribal," triangular reads "نجز بقلم شارحه الحقير فى م سنه ١٢١٦", Dedication: As appears in opening matter (preface, see p.5) dedicated to Sultan Selim III (r.1709-1807)., Collation: i, V+1 (11), 9 V(101), i ; exclusively quinions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (skips two pages each between pp.9-10 and 183-184)., Layout: Written in 21 lines per page ; frame-ruled., Script: Nastaʻlīq (talik) ; compact hand in a heavy line ; serifless, with effect of words inclining to the right and descending to baseline, closed counters, elongated horizontal strokes, pointing in strokes rather than distinct dots ; text being commented upon fully vocalized., Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening of the preface on p.2, consisting of scalloped w-shaped piece with gold cartouche (carrying the title "مرح المعالى فى شرح الامالى" in white) surrounded by swirling floral vegetal decoration in gold with red, blue, and light blue accents on a gold ground, entire piece set in an elaborate well of pink, black and light blue bands flanking a heavy band of gold interlace with red and turquoise accents and surmounted by vertical stalks (tīgh) in blue and red ; second superb illuminated headpiece at opening of the main text ( beginning with introduction, مقدمۀ كتاب) on p.8 ; written area of incipit and facing page surrounded by heavy gold frame with divisions within defined by narrow gold bands ; elsewhere written area (and divisions within) surrounded by light blue (evoking silver) band defined by inner and outer red rules ; keywords and text being commented upon rubricated ; overlining in red ; textual dividers in the form of red inverted commas., Support: non-European laid paper with 8-9 laid lines per cm. (vertical, fairly indistinct, curved), no chain lines visible, cloudy formation with fibers and inclusions visible, quite sturdy, transluscent and crisp, highly sized and burnished, beige to light brown in color ; board linings and flyleaves in European laid paper with large scrollwork watermark (difficult to make out)., Binding: Pasteboards covered in dark brown leather ; Type II binding (with flap), likely two-piece binding (seam of overlapping flanges visible at spine) ; board linings and flyleaves in orange-tinted, silver-flecked European laid paper ; upper and lower covers carry exquisite stamped mandorla (gold-painted recessed onlays, vegetal composition, compare Déroche class. NSd 7) and pendants, as well as gold-tooled accents and guilloché roll border ; design continues on envelope flap ; sewn in pink thread, two stations ; worked chevron endbands in pink and yellow, fairly good condition with tailband and primaries detaching from textblock but still well-attached to spine lining ; overall in good condition with only minor abrasion, some lifting of spine leather, spine lining detached from most of text block, etc., Former shelfmark: "329 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf., Origin: As appears in colophon on p.197, transcription completed by the author in Muḥarram 1216 [May-June 1801]. A note on the 'title page' (p.1), "مترجم مرحوم خطيله", also indicates that the manuscript is in the hand of the author., Glosses and marginal corrections in same hand., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 424

Örnek Metin Elegant, apparently autograph copy of the commentary by the celebrated Ottoman offical historiographer (vak'anüvîs / vakanüvîs) Ahmet Asım Efendi, also known as Mütercim Asım (d.1820) on al-Ūshī's (fl. 12 cent.) renowned theological poem in lām, Badʼ al-amālī or Qaṣīdat yaqūlu al-ʻabd fī badʻ al-amālī.

Katkıda Bulunanlar Ahmet Asım, 1755-1819 or 1820, scribe.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript, Available Online

Koleksiyonda Abdul Hamid Collection.

Referanslar Sicill-i Osmanî, iii, 283

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).

Konular (Diğer) Headpiece (layout features) -- 19th century