Page ofmuraqqa‘at

İsim	Page ofmuraqqa‘at
Basım Tarihi:	Late 15th – late 18th century; assembled and illuminated in the 19th century
Basım Yeri	Turkey; pieces signed by Shaykh Hamdullah, Hafiz ‘Uthman, Hafiz Yusuf, Muhammad -
Konu	Ottoman — Ink, gold, silver and opaque watercolour on paper; mounted on card, with framing bands of embossed paper-ribbon; text inthuluthandnaskhi
Tür	kitap
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	65.8 x 53.2cm
Kütüphane:	Museum With No Frontiers
Demirbaş Numarası	CAL 7
Kayıt Numarası	EPM_uk_Mus21_48
Lokasyon	Khalili Family Trust – Nasser D. Khalili Collection of Islamic Art
Tarih	Late 15th – late 18th century; assembled and illuminated in the 19th century
Notlar	The page is made up of eight separate calligraphic pieces, seven of which are signed by some of the greatest Ottoman calligraphers. The earliest,ShaykhHamdullah al-Amasi (d. 1520), is considered to be the founder of the Ottoman calligraphic tradition. He is represented by two pieces (last two panels), one of which is dated earlyDhu’l-Qa‘da901 (11–20 August 1496). Next is Hafiz ‘Uthman (1642–98), the main transmitter of Hamdullah’s practice, also represented by two pieces (top left and 2nd from the top, right). The fifth piece (3rd from the top, left) is signed by Hafiz Yusuf, a contemporary of Hafiz ‘Uthman and teacher of Mustakim-zade, the Ottoman connoisseur ofcalligraphy. The sixth piece (3rd from the top, right) is signed by Muhammad Rasim (1687–1755) who, in 1737, was appointed teacher ofcalligraphyat the Palace. Mahmud Jalaluddin (d. 1829), who signed the 7th piece (2nd from the top, left), was unique among 18th- and 19th-century Ottoman calligraphers in being virtually self-taught, mastering the art by copying the work ofShaykhHamdullah and Hafiz ‘Uthman. The eighth piece is unsigned.
Örnek Metin	Seven of the eight pieces that make up the page are signed by calligraphers whose work and active years are well documented.
Bu sayfanın künyesi	MWNF Working Number: UK1 48
Seçili bibliyografya	Rogers, J.M.,Empire of the Sultans. Ottoman Art from the Khalili Collection, Virginia & London, 2000: no.178, pp.248–9.Safwat, N.F.,The Art of the Pen. Calligraphy of the 14th to 20th Centuries, London: The Nasser D. Khalili Collection of Islamic Art, vol. 5, 1996: cat.55, pp.115–9.

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Museum With No Frontiers

Page ofmuraqqa‘at

Basım Tarihi Late 15th – late 18th century; assembled and illuminated in the 19th century

Basım Yeri Turkey; pieces signed by Shaykh Hamdullah, Hafiz ‘Uthman, Hafiz Yusuf, Muhammad -

Konu Ottoman — Ink, gold, silver and opaque watercolour on paper; mounted on card, with framing bands of embossed paper-ribbon; text inthuluthandnaskhi

Tür kitap

Dil Belirlenmemiş dil

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 65.8 x 53.2cm

Kütüphane Museum With No Frontiers

Demirbaş Numarası CAL 7

Kayıt Numarası EPM_uk_Mus21_48

Lokasyon Khalili Family Trust – Nasser D. Khalili Collection of Islamic Art

Tarih Late 15th – late 18th century; assembled and illuminated in the 19th century

Notlar The page is made up of eight separate calligraphic pieces, seven of which are signed by some of the greatest Ottoman calligraphers. The earliest,ShaykhHamdullah al-Amasi (d. 1520), is considered to be the founder of the Ottoman calligraphic tradition. He is represented by two pieces (last two panels), one of which is dated earlyDhu’l-Qa‘da901 (11–20 August 1496). Next is Hafiz ‘Uthman (1642–98), the main transmitter of Hamdullah’s practice, also represented by two pieces (top left and 2nd from the top, right). The fifth piece (3rd from the top, left) is signed by Hafiz Yusuf, a contemporary of Hafiz ‘Uthman and teacher of Mustakim-zade, the Ottoman connoisseur ofcalligraphy. The sixth piece (3rd from the top, right) is signed by Muhammad Rasim (1687–1755) who, in 1737, was appointed teacher ofcalligraphyat the Palace. Mahmud Jalaluddin (d. 1829), who signed the 7th piece (2nd from the top, left), was unique among 18th- and 19th-century Ottoman calligraphers in being virtually self-taught, mastering the art by copying the work ofShaykhHamdullah and Hafiz ‘Uthman. The eighth piece is unsigned.

Örnek Metin Seven of the eight pieces that make up the page are signed by calligraphers whose work and active years are well documented.

Bu sayfanın künyesi MWNF Working Number: UK1 48

Seçili bibliyografya Rogers, J.M.,Empire of the Sultans. Ottoman Art from the Khalili Collection, Virginia & London, 2000: no.178, pp.248–9.Safwat, N.F.,The Art of the Pen. Calligraphy of the 14th to 20th Centuries, London: The Nasser D. Khalili Collection of Islamic Art, vol. 5, 1996: cat.55, pp.115–9.