Page ofmuraqqa‘at

عنوان	Page ofmuraqqa‘at
تاریخ انتشار:	Late 15th – late 18th century; assembled and illuminated in the 19th century
محل انتشار	Turkey; pieces signed by Shaykh Hamdullah, Hafiz ‘Uthman, Hafiz Yusuf, Muhammad -
موضوع	Ottoman — Ink, gold, silver and opaque watercolour on paper; mounted on card, with framing bands of embossed paper-ribbon; text inthuluthandnaskhi
نوع	kitap
زبان	نامشخص
دیجیتال	بله
نسخه خطی	بله
ابعاد فیزیکی	65.8 x 53.2cm
کتابخانه:	Museum With No Frontiers
شناسه دارایی کتابخانه	CAL 7
شماره ثبت	EPM_uk_Mus21_48
محل کتابخانه	Khalili Family Trust – Nasser D. Khalili Collection of Islamic Art
تاریخ	Late 15th – late 18th century; assembled and illuminated in the 19th century
یادداشت‌ها	The page is made up of eight separate calligraphic pieces, seven of which are signed by some of the greatest Ottoman calligraphers. The earliest,ShaykhHamdullah al-Amasi (d. 1520), is considered to be the founder of the Ottoman calligraphic tradition. He is represented by two pieces (last two panels), one of which is dated earlyDhu’l-Qa‘da901 (11–20 August 1496). Next is Hafiz ‘Uthman (1642–98), the main transmitter of Hamdullah’s practice, also represented by two pieces (top left and 2nd from the top, right). The fifth piece (3rd from the top, left) is signed by Hafiz Yusuf, a contemporary of Hafiz ‘Uthman and teacher of Mustakim-zade, the Ottoman connoisseur ofcalligraphy. The sixth piece (3rd from the top, right) is signed by Muhammad Rasim (1687–1755) who, in 1737, was appointed teacher ofcalligraphyat the Palace. Mahmud Jalaluddin (d. 1829), who signed the 7th piece (2nd from the top, left), was unique among 18th- and 19th-century Ottoman calligraphers in being virtually self-taught, mastering the art by copying the work ofShaykhHamdullah and Hafiz ‘Uthman. The eighth piece is unsigned.
متن نمونه	Seven of the eight pieces that make up the page are signed by calligraphers whose work and active years are well documented.
Bu sayfanın künyesi	MWNF Working Number: UK1 48
Seçili bibliyografya	Rogers, J.M.,Empire of the Sultans. Ottoman Art from the Khalili Collection, Virginia & London, 2000: no.178, pp.248–9.Safwat, N.F.,The Art of the Pen. Calligraphy of the 14th to 20th Centuries, London: The Nasser D. Khalili Collection of Islamic Art, vol. 5, 1996: cat.55, pp.115–9.

مشاهده در منبع Museum With No Frontiers Museum With No Frontiers - موتور جستجوی نسخه های خطی عثمانی

Museum With No Frontiers

Page ofmuraqqa‘at

تاریخ انتشار Late 15th – late 18th century; assembled and illuminated in the 19th century

محل انتشار Turkey; pieces signed by Shaykh Hamdullah, Hafiz ‘Uthman, Hafiz Yusuf, Muhammad -

موضوع Ottoman — Ink, gold, silver and opaque watercolour on paper; mounted on card, with framing bands of embossed paper-ribbon; text inthuluthandnaskhi

نوع kitap

زبان نامشخص

دیجیتال بله

نسخه خطی بله

ابعاد فیزیکی 65.8 x 53.2cm

کتابخانه Museum With No Frontiers

شناسه دارایی کتابخانه CAL 7

شماره ثبت EPM_uk_Mus21_48

محل کتابخانه Khalili Family Trust – Nasser D. Khalili Collection of Islamic Art

تاریخ Late 15th – late 18th century; assembled and illuminated in the 19th century

یادداشت‌ها The page is made up of eight separate calligraphic pieces, seven of which are signed by some of the greatest Ottoman calligraphers. The earliest,ShaykhHamdullah al-Amasi (d. 1520), is considered to be the founder of the Ottoman calligraphic tradition. He is represented by two pieces (last two panels), one of which is dated earlyDhu’l-Qa‘da901 (11–20 August 1496). Next is Hafiz ‘Uthman (1642–98), the main transmitter of Hamdullah’s practice, also represented by two pieces (top left and 2nd from the top, right). The fifth piece (3rd from the top, left) is signed by Hafiz Yusuf, a contemporary of Hafiz ‘Uthman and teacher of Mustakim-zade, the Ottoman connoisseur ofcalligraphy. The sixth piece (3rd from the top, right) is signed by Muhammad Rasim (1687–1755) who, in 1737, was appointed teacher ofcalligraphyat the Palace. Mahmud Jalaluddin (d. 1829), who signed the 7th piece (2nd from the top, left), was unique among 18th- and 19th-century Ottoman calligraphers in being virtually self-taught, mastering the art by copying the work ofShaykhHamdullah and Hafiz ‘Uthman. The eighth piece is unsigned.

متن نمونه Seven of the eight pieces that make up the page are signed by calligraphers whose work and active years are well documented.

Bu sayfanın künyesi MWNF Working Number: UK1 48

Seçili bibliyografya Rogers, J.M.,Empire of the Sultans. Ottoman Art from the Khalili Collection, Virginia & London, 2000: no.178, pp.248–9.Safwat, N.F.,The Art of the Pen. Calligraphy of the 14th to 20th Centuries, London: The Nasser D. Khalili Collection of Islamic Art, vol. 5, 1996: cat.55, pp.115–9.