Prayer Book

عنوان Prayer Book
نویسنده 'Abd al-Qadir HisariTurkey
تاریخ انتشار: AH 1180 / AD 1766
محل انتشار Turkey -
موضوع Ottoman — Manuscript: ink, opaque watercolour, and gold on paper Binding: leather and gold
نوع kitap
زبان نامشخص
دیجیتال بله
نسخه خطی بله
ابعاد فیزیکی Height: 15.2 cm, width: 10.2 cm
کتابخانه: Museum With No Frontiers
شناسه دارایی کتابخانه 2014.44
شماره ثبت GalEx6_us_Mus82_12
محل کتابخانه The Metropolitan Museum
تاریخ AH 1180 / AD 1766
یادداشت‌ها This small prayer book, or du'anama, belongs to a corpus of illustrated devotional texts produced in the Ottoman Empire in the eighteenth and nineteenth centuries. Unlike most prayer books created at the time, this one contains twenty-nine drawings of traditional Islamic themes and subjects, which are outlined in gold and filled with prayers in ghubarnaskh, an especially fine or "dust-like" variety of thenaskhscript. These include representations of the Ka'ba, the footprints (kadem) of the Prophet Muhammad, the Seal of Solomon, the bifurcated sword of 'Ali (zu'l fiqar), Noah's Ark, the lamp of the Prophet, the trumpet of the Archangel Israfil, and the cave from the story of the Seven Sleepers in the Qur'an, among others. The manuscript is signed and dated by the calligrapher, a prominent mid-eighteenth-century master known for his calligrams and pictorial calligraphic compositions, such as the galleon with inscriptions referring to the story of the Seven Sleepers also in the Metropolitan's collection (2003.241). It also contains collectors' stamps dating to the first half of the nineteenth century. The leather binding is decorated with stamped and gilded medallions within a simple border. Prayer manuals enjoyed wide popularity in the Ottoman Empire in the eighteenth and nineteenth centuries, a time of political reform and religious revivalism. Used for individual prayer, they also served as mediational devices to protect, comfort, and heal their owners.
متن نمونه Gift from The Friends of Islamic Art Gifts in 2014
Bu sayfanın künyesi MWNF Working Number: GalEx6_US2_12
Seçili bibliyografya James Cummins Bookseller.Catalogue 120, Fall Arrivals.New York, no. 43, (2013)Ekhtiar, M.,How to Read Islamic Calligraphy., New York: The Metropolitan Museum of Art, 2018."Including Fine Rugs and Carpets, London, 1 May, 2019." InArt of the Islamic World., London: Sotheby's, no. 43, (2019)
مشاهده در منبع Museum With No Frontiers Museum With No Frontiers - موتور جستجوی نسخه های خطی عثمانی
Museum With No Frontiers - موتور جستجوی نسخه های خطی عثمانی Museum With No Frontiers

Prayer Book

نویسنده 'Abd al-Qadir HisariTurkey
تاریخ انتشار AH 1180 / AD 1766
محل انتشار Turkey -
موضوع Ottoman — Manuscript: ink, opaque watercolour, and gold on paper Binding: leather and gold
نوع kitap
زبان نامشخص
دیجیتال بله
نسخه خطی بله
ابعاد فیزیکی Height: 15.2 cm, width: 10.2 cm
کتابخانه Museum With No Frontiers
شناسه دارایی کتابخانه 2014.44
شماره ثبت GalEx6_us_Mus82_12
محل کتابخانه The Metropolitan Museum
تاریخ AH 1180 / AD 1766
یادداشت‌ها This small prayer book, or du'anama, belongs to a corpus of illustrated devotional texts produced in the Ottoman Empire in the eighteenth and nineteenth centuries. Unlike most prayer books created at the time, this one contains twenty-nine drawings of traditional Islamic themes and subjects, which are outlined in gold and filled with prayers in ghubarnaskh, an especially fine or "dust-like" variety of thenaskhscript. These include representations of the Ka'ba, the footprints (kadem) of the Prophet Muhammad, the Seal of Solomon, the bifurcated sword of 'Ali (zu'l fiqar), Noah's Ark, the lamp of the Prophet, the trumpet of the Archangel Israfil, and the cave from the story of the Seven Sleepers in the Qur'an, among others. The manuscript is signed and dated by the calligrapher, a prominent mid-eighteenth-century master known for his calligrams and pictorial calligraphic compositions, such as the galleon with inscriptions referring to the story of the Seven Sleepers also in the Metropolitan's collection (2003.241). It also contains collectors' stamps dating to the first half of the nineteenth century. The leather binding is decorated with stamped and gilded medallions within a simple border. Prayer manuals enjoyed wide popularity in the Ottoman Empire in the eighteenth and nineteenth centuries, a time of political reform and religious revivalism. Used for individual prayer, they also served as mediational devices to protect, comfort, and heal their owners.
متن نمونه Gift from The Friends of Islamic Art Gifts in 2014
Bu sayfanın künyesi MWNF Working Number: GalEx6_US2_12
Seçili bibliyografya James Cummins Bookseller.Catalogue 120, Fall Arrivals.New York, no. 43, (2013)Ekhtiar, M.,How to Read Islamic Calligraphy., New York: The Metropolitan Museum of Art, 2018."Including Fine Rugs and Carpets, London, 1 May, 2019." InArt of the Islamic World., London: Sotheby's, no. 43, (2019)
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