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مس ف مر : فرم ث لرري ف نگرس / رردد بي پل بولس، 1959.; Music of Morocco : from the Library of Congress
(مس ف مر فرم ث لرري ف نگرس رردد بي پل بولس، )

عنوان مس ف مر : فرم ث لرري ف نگرس / رردد بي پل بولس، 1959.; Music of Morocco : from the Library of Congress
عنوان اورجینال مس ف مر فرم ث لرري ف نگرس رردد بي پل بولس،
نویسنده Bowles, Paul, 1910-1999, Ranaldo, Lee, Schuyler, Philip Daniel, 1946-
تاریخ انتشار: 2016
محل انتشار Atlanta, Georgia - Dust to Digital, اتلنت، گرگ : دست ت دگتل،
موضوع Folk music -- Morocco, Popular music -- Morocco -- 1951-1960, Dance music -- Morocco, Berbers -- Morocco -- Music, Berbers, Dance music, Folk music, Popular music, Morocco, 1951-1960
نوع دیگر
زبان ara,ber,heb
دیجیتال خیر
نسخه خطی خیر
تعداد صفحات 120
ابعاد فیزیکی 14 x 20 cm
کتابخانه: کتابخانه دانشگاه وسلیان
شناسه دارایی کتابخانه PUBNUM : DTD-46, OCLC : (OCoLC)945662892
شماره ثبت alma9931647413903768
محل کتابخانه Available at WU - Music Library Circulation Desk CD (CDB252)
تاریخ 2016
یادداشت‌ها Field recordings made in Morocco by Paul Bowles under the auspices of the Library of Congress., Title from container., Performed variously in Arabic, various Berber dialects, or Hebrew., Various Moroccan performers., Recorded in Morocco, 1959 August 8-December 14., Booklet contains both the original liner notes by Paul Bowles as well as later commentary for the current release., Includes download code on card in book.
متن نمونه CD contents. Disc 1. • Highlands : The Berbers. • Ahmeilou (played by Maallem Ahmed and ensemble, recorded in Tafraout) • El baz ouichen : song for male voice (sung and played by Rais Ahmed ben Bakrim, in Tiznit) • Third sqel (sung and played by Moqaddem Mohammed ben Salem and ensemble, in Zagora) • Second aqlal (sung and played the Moqaddem Mohammed ben Salem and ensemble, in Zagora) • Ouakha dial kheir : women's chorus (sung and played by Chikh Ayyad ou Haddou and ensemble, in Tahala) • Aili ya mali : mixed chorus (sung and played by Chikh Ayyad ou Haddow and ensemble, in Tahala) • Aouache : men's chorus (sung and played by Maallem Ahmed and ensemble, in Tafraout)., CD contents. Disc 2. • Highland : The Berbers. • Aouada trio (played by Rais Mahamad ben Mohammed and ensemble, in Tamanar) • Chorus and dance (sung and played by Rais Mahamad ben Mohammed and ensemble, in Tamanar) • Reh dial beni bouhiya : qsbah solo (played by Chikh Hamed bel Hadj Hamadi ben Allal and ensemble, in Segangan • Sounds of general rejoicing, Ait Ourir • Albazaoua : women's chorus (sung and played by Maallem Ahmed Gacha and ensemble, in Ait Ourir) • Mouwal and izlan (sung by Chikha Fatoma bent Kaddour, in Ain Diab) • Qim rhori (sung and played by Cheikha Haddouj bent Fatma Rohou and ensemble, in Khenifra) • Qsida dial malik (sung and played by Mohammed bel Hassan and ensemble, in Ait Mohammed)., CD contents. Disc 3. • Lowlands : Influent strains. • Ounalou biha rajao : male solo with women's chorus (sung and played by El Ferqa dial Guedra (Bechara), in Goulimine) • Aiyowa d'Moulay Abdeslam : rhaita solo (played by Maalem Abdeslam Sarsi el Mahet, in Arcila) • Rhaitas and tbola (played by Sadiq ben Mohammed Laghzaoui Morsan and ensemble, in Einzoren) • Mellaliya : song for male voice (sung and played by Embarek ben Mohammed, in Marrakech) • Taqtoqa jabaliya (sung and played by Maalem Mohammed Rhiata and ensemble, from region of Taounate, recorded in Fez) • Gnaoua chorus (sung and played by an unidentified ensemble, in Essaouira) • Gnaoui solo song (sung and played by Si Mohammed Bel Hassan Soudani, in Marrakech) • Fulani iresa (sung and played by Si Mohammed Bel Hassan Soudani, in Marrakech) • Hadouk khail (sung and played by Maallem Taieb ben Mbarek and chikhats, in Marrakech)., CD contents. Disc 4. • Lowlands : Influent strains. • Y souki hakim : secular Sephardic song (sung by Hazan Isaac Ouanounou and members of the Hevrat Gezekel, in Meknes) • Chalom lakha chèbii = • Peace on the seventh day (Hazan Semtob Knafo and Amram Castiel, Hevrat David Hamelekh, Essaouira) • Qsida midh (sung and played by Maalem el Hocein and ensemble, in Meknes) • El hgaz el Mcharqi : Andaluz chorus (played by Abdelkrim Rais and ensemble, in Fez) • Andaluz music of Ouezzane (members of the family of the Chorfa of Ouezzane, in Ouezzane) • El fjer : early morning calls to prayer, recorded in Tangier., Accompanying booklet: • Paul Bowles : Moroccan recordings notes / by Lee Ranaldo • Music of Morocco : the Paul Bowles Collection / by Philip D. Schuyler • Typographical note • Music of Morocco / Paul Bowles • Disc 1 : Highlands : The Berbers • Disc 2 : Highlands : The Berbers • Disc 3 : Lowlands : Influent strains • Disc 4 : Lowlands : Influent strains • Recordings cited • A select bibliography and filmography.
Tür field recordings, Music, Art music, Popular music, Folk music, Field recordings, Musique savante, Musique populaire, Enregistrements de terrain
مشاهده در منبع کتابخانه دانشگاه وسلیان کتابخانه دانشگاه وسلیان - موتور جستجوی نسخه های خطی عثمانی
کتابخانه دانشگاه وسلیان - موتور جستجوی نسخه های خطی عثمانی کتابخانه دانشگاه وسلیان

مس ف مر : فرم ث لرري ف نگرس / رردد بي پل بولس، 1959.; Music of Morocco : from the Library of Congress

(مس ف مر فرم ث لرري ف نگرس رردد بي پل بولس، )
نویسنده Bowles, Paul, 1910-1999, Ranaldo, Lee, Schuyler, Philip Daniel, 1946-
تاریخ انتشار 2016
محل انتشار Atlanta, Georgia - Dust to Digital, اتلنت، گرگ : دست ت دگتل،
موضوع Folk music -- Morocco, Popular music -- Morocco -- 1951-1960, Dance music -- Morocco, Berbers -- Morocco -- Music, Berbers, Dance music, Folk music, Popular music, Morocco, 1951-1960
نوع دیگر
زبان ara,ber,heb
دیجیتال خیر
نسخه خطی خیر
تعداد صفحات 120
ابعاد فیزیکی 14 x 20 cm
کتابخانه کتابخانه دانشگاه وسلیان
شناسه دارایی کتابخانه PUBNUM : DTD-46, OCLC : (OCoLC)945662892
شماره ثبت alma9931647413903768
محل کتابخانه Available at WU - Music Library Circulation Desk CD (CDB252)
تاریخ 2016
یادداشت‌ها Field recordings made in Morocco by Paul Bowles under the auspices of the Library of Congress., Title from container., Performed variously in Arabic, various Berber dialects, or Hebrew., Various Moroccan performers., Recorded in Morocco, 1959 August 8-December 14., Booklet contains both the original liner notes by Paul Bowles as well as later commentary for the current release., Includes download code on card in book.
متن نمونه CD contents. Disc 1. • Highlands : The Berbers. • Ahmeilou (played by Maallem Ahmed and ensemble, recorded in Tafraout) • El baz ouichen : song for male voice (sung and played by Rais Ahmed ben Bakrim, in Tiznit) • Third sqel (sung and played by Moqaddem Mohammed ben Salem and ensemble, in Zagora) • Second aqlal (sung and played the Moqaddem Mohammed ben Salem and ensemble, in Zagora) • Ouakha dial kheir : women's chorus (sung and played by Chikh Ayyad ou Haddou and ensemble, in Tahala) • Aili ya mali : mixed chorus (sung and played by Chikh Ayyad ou Haddow and ensemble, in Tahala) • Aouache : men's chorus (sung and played by Maallem Ahmed and ensemble, in Tafraout)., CD contents. Disc 2. • Highland : The Berbers. • Aouada trio (played by Rais Mahamad ben Mohammed and ensemble, in Tamanar) • Chorus and dance (sung and played by Rais Mahamad ben Mohammed and ensemble, in Tamanar) • Reh dial beni bouhiya : qsbah solo (played by Chikh Hamed bel Hadj Hamadi ben Allal and ensemble, in Segangan • Sounds of general rejoicing, Ait Ourir • Albazaoua : women's chorus (sung and played by Maallem Ahmed Gacha and ensemble, in Ait Ourir) • Mouwal and izlan (sung by Chikha Fatoma bent Kaddour, in Ain Diab) • Qim rhori (sung and played by Cheikha Haddouj bent Fatma Rohou and ensemble, in Khenifra) • Qsida dial malik (sung and played by Mohammed bel Hassan and ensemble, in Ait Mohammed)., CD contents. Disc 3. • Lowlands : Influent strains. • Ounalou biha rajao : male solo with women's chorus (sung and played by El Ferqa dial Guedra (Bechara), in Goulimine) • Aiyowa d'Moulay Abdeslam : rhaita solo (played by Maalem Abdeslam Sarsi el Mahet, in Arcila) • Rhaitas and tbola (played by Sadiq ben Mohammed Laghzaoui Morsan and ensemble, in Einzoren) • Mellaliya : song for male voice (sung and played by Embarek ben Mohammed, in Marrakech) • Taqtoqa jabaliya (sung and played by Maalem Mohammed Rhiata and ensemble, from region of Taounate, recorded in Fez) • Gnaoua chorus (sung and played by an unidentified ensemble, in Essaouira) • Gnaoui solo song (sung and played by Si Mohammed Bel Hassan Soudani, in Marrakech) • Fulani iresa (sung and played by Si Mohammed Bel Hassan Soudani, in Marrakech) • Hadouk khail (sung and played by Maallem Taieb ben Mbarek and chikhats, in Marrakech)., CD contents. Disc 4. • Lowlands : Influent strains. • Y souki hakim : secular Sephardic song (sung by Hazan Isaac Ouanounou and members of the Hevrat Gezekel, in Meknes) • Chalom lakha chèbii = • Peace on the seventh day (Hazan Semtob Knafo and Amram Castiel, Hevrat David Hamelekh, Essaouira) • Qsida midh (sung and played by Maalem el Hocein and ensemble, in Meknes) • El hgaz el Mcharqi : Andaluz chorus (played by Abdelkrim Rais and ensemble, in Fez) • Andaluz music of Ouezzane (members of the family of the Chorfa of Ouezzane, in Ouezzane) • El fjer : early morning calls to prayer, recorded in Tangier., Accompanying booklet: • Paul Bowles : Moroccan recordings notes / by Lee Ranaldo • Music of Morocco : the Paul Bowles Collection / by Philip D. Schuyler • Typographical note • Music of Morocco / Paul Bowles • Disc 1 : Highlands : The Berbers • Disc 2 : Highlands : The Berbers • Disc 3 : Lowlands : Influent strains • Disc 4 : Lowlands : Influent strains • Recordings cited • A select bibliography and filmography.
Tür field recordings, Music, Art music, Popular music, Folk music, Field recordings, Musique savante, Musique populaire, Enregistrements de terrain
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