نویسنده
Unknown (makers)
محل انتشار
Samarra (made) -
موضوع
Archaeology Architectural Fittings
نوع
دیگر
زبان
نامشخص
دیجیتال
بله
نسخه خطی
خیر
ابعاد فیزیکی
Weight: 0.2kg, Length: 375mm, Depth: 50mm, Width: 19mm, Width: 32mm, Width: 39mm
کتابخانه
Victoria and Albert Museum
شناسه دارایی کتابخانه
A.130-1922
شماره ثبت
A.130-1922
محل کتابخانه
Middle East Section
یادداشتها
Fragment, wood, baton-shaped moulding, part of an architectual element, with traces of painting in black, blue, white, pink, red and orange-yellow; Iraq (Samarra), 9th century.
متن نمونه
Transliteration,
Tarihsel bağlam
Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved stucco and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved stucco panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.
Malzemeler ve teknikler
Wood, carved and painted Wood Painted
Fiziksel açıklama
Fragment, wood of reddish colour with pronounced grain, possibly Acacia, baton-shaped moulding, part of an architectual element probably from a ceiling, of triangular section with slightly convex planed face. Traces of painting in black, blue, white, pink, red and orange-yellow applied directly on to the wood. The design may form the outlines of a capital in black with polychrome details. Fragmentary condition. Herzfeld's red inventory number I-N 922 on object.
Üslup
Abbasid
