Tar (musical instrument)

عنوان Tar (musical instrument)
نویسنده Unknown (Made)
تاریخ انتشار: 1800
محل انتشار Iran (Made) -
موضوع Musical Instruments Woodwork
نوع دیگر
زبان نامشخص
دیجیتال بله
نسخه خطی خیر
ابعاد فیزیکی Length: 91.5cm, Width: 22.8cm
کتابخانه: Victoria and Albert Museum
شناسه دارایی کتابخانه 775-1876
شماره ثبت 775-1876
محل کتابخانه Middle East Section
تاریخ 1800
یادداشت‌ها Five-string tar, wood, animal skin membrane, animal gut, ivory inlay, painted decoration, Iran, 1800-76
Malzemeler ve teknikler Ivory Paint Gold Leaf Wood Gilding Painting Inlay
Fiziksel açıklama Tar (تار), originally with five strings (now missing). The waisted wooden body is covered with animal-skin membrane at the front, the membrane now badly damaged. The rest of the body is painted in colours and gold with ornamental patterns surrounding oval vignettes of musicians and, in one case, a seated couple in an embrace. The wooden neck, painted at the back, is inlaid with ivory and equipped with frets of gut (many missing). The wooden headstock, also painted, has four surviving pegs.
مشاهده در منبع Victoria and Albert Museum Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی
Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی Victoria and Albert Museum

Tar (musical instrument)

نویسنده Unknown (Made)
تاریخ انتشار 1800
محل انتشار Iran (Made) -
موضوع Musical Instruments Woodwork
نوع دیگر
زبان نامشخص
دیجیتال بله
نسخه خطی خیر
ابعاد فیزیکی Length: 91.5cm, Width: 22.8cm
کتابخانه Victoria and Albert Museum
شناسه دارایی کتابخانه 775-1876
شماره ثبت 775-1876
محل کتابخانه Middle East Section
تاریخ 1800
یادداشت‌ها Five-string tar, wood, animal skin membrane, animal gut, ivory inlay, painted decoration, Iran, 1800-76
Malzemeler ve teknikler Ivory Paint Gold Leaf Wood Gilding Painting Inlay
Fiziksel açıklama Tar (تار), originally with five strings (now missing). The waisted wooden body is covered with animal-skin membrane at the front, the membrane now badly damaged. The rest of the body is painted in colours and gold with ornamental patterns surrounding oval vignettes of musicians and, in one case, a seated couple in an embrace. The wooden neck, painted at the back, is inlaid with ivory and equipped with frets of gut (many missing). The wooden headstock, also painted, has four surviving pegs.
Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی
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