بازگشت به جستجو

Pen box (qalamdan)

عنوان	Pen box (qalamdan)
تاریخ انتشار:	1850
محل انتشار	Iran (made) -
موضوع	Lacquerware
نوع	دیگر
زبان	نامشخص
دیجیتال	بله
نسخه خطی	خیر
ابعاد فیزیکی	Length: 22.5 cm, Width: 3.6 cm
کتابخانه:	Victoria and Albert Museum
شناسه دارایی کتابخانه	769:1-1876
شماره ثبت	769:1-1876
محل کتابخانه	Middle East Section
تاریخ	1850
یادداشت‌ها	The primary function of a pen box (qalamdan) was as a writing implement - made of papier mache, wood or other materials, including precious metals â intended to hold a number of tools associated with the art and act of writing, including reed pens, an inkwell, liqah (a cotton wool substance used to absorb excess ink), a penknife, a qatâzan (a flat resting board made of horn), a whetstone, a small spoon, and a pair of scissors. These accessories were considered essential elements for a scribe. The box that kept these elements was deemed, by association, as important as the person who handled its contents, with the quality of the boxâs decoration directly reflecting the status of the scribe or patron. Pen boxes were carried by penmen of all ranks, often tucked into the shawls tied around their waists, symbolising a badge of their trade. So esteemed was the pen box that even Shahs commissioned them; these rare examples are confirmed by their inscriptions. The earliest specimens of this type date from the reign of Shah Sulayman Safavi (1664-95), but later Qajar examples commissioned by members of high bureaucracy also exist throughout the nineteenth century. This pen box is decorated in imitation of the work of Rajab âAli and Abu Talib.
Malzemeler ve teknikler	Lacquered papier-mache
Parçalar	Pen Case, Pen Case Part
Fiziksel açıklama	Oblong shaped pen box made of lacquered papier-mache. The top bears two large sunken panels of elegant nastaâliq calligraphy on a ground worked with an âengine-turnedâ design in red on gold. The letters of the inscription, which are slightly raised, are black and are over painted in gold with tiny faces, animals and other motifs. The base is black, with polylobed medallions of the âengine-turnedâ pattern, in red and green on gold.

مشاهده در منبع Victoria and Albert Museum Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی

Victoria and Albert Museum

Pen box (qalamdan)

تاریخ انتشار 1850

محل انتشار Iran (made) -

موضوع Lacquerware

نوع دیگر

زبان نامشخص

دیجیتال بله

نسخه خطی خیر

ابعاد فیزیکی Length: 22.5 cm, Width: 3.6 cm

کتابخانه Victoria and Albert Museum

شناسه دارایی کتابخانه 769:1-1876

شماره ثبت 769:1-1876

محل کتابخانه Middle East Section

تاریخ 1850

یادداشت‌ها The primary function of a pen box (qalamdan) was as a writing implement - made of papier mache, wood or other materials, including precious metals â intended to hold a number of tools associated with the art and act of writing, including reed pens, an inkwell, liqah (a cotton wool substance used to absorb excess ink), a penknife, a qatâzan (a flat resting board made of horn), a whetstone, a small spoon, and a pair of scissors. These accessories were considered essential elements for a scribe. The box that kept these elements was deemed, by association, as important as the person who handled its contents, with the quality of the boxâs decoration directly reflecting the status of the scribe or patron. Pen boxes were carried by penmen of all ranks, often tucked into the shawls tied around their waists, symbolising a badge of their trade. So esteemed was the pen box that even Shahs commissioned them; these rare examples are confirmed by their inscriptions. The earliest specimens of this type date from the reign of Shah Sulayman Safavi (1664-95), but later Qajar examples commissioned by members of high bureaucracy also exist throughout the nineteenth century. This pen box is decorated in imitation of the work of Rajab âAli and Abu Talib.

Malzemeler ve teknikler Lacquered papier-mache

Parçalar Pen Case, Pen Case Part

Fiziksel açıklama Oblong shaped pen box made of lacquered papier-mache. The top bears two large sunken panels of elegant nastaâliq calligraphy on a ground worked with an âengine-turnedâ design in red on gold. The letters of the inscription, which are slightly raised, are black and are over painted in gold with tiny faces, animals and other motifs. The base is black, with polylobed medallions of the âengine-turnedâ pattern, in red and green on gold.