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Wall painting fragment

عنوان	Wall painting fragment
نویسنده	Unknown (makers)
تاریخ انتشار:	836
محل انتشار	Samarra (made) -
موضوع	Eyes Face (Body Part)
نوع	دیگر
زبان	نامشخص
دیجیتال	بله
نسخه خطی	خیر
ابعاد فیزیکی	Height: 10cm, Width: 9cm, Depth: 3cm
کتابخانه:	Victoria and Albert Museum
شناسه دارایی کتابخانه	A.31-1922
شماره ثبت	A.31-1922
محل کتابخانه	Middle East Section
تاریخ	836
یادداشت‌ها	Part of a frieze, plaster, painted with the head of a young male figure; Iraq (Samarra), 836-900
متن نمونه	Transliteration,
Tarihsel bağlam	Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved stucco and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved stucco panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.
Malzemeler ve teknikler	Gypsum plaster, painted Plaster Painted
Fiziksel açıklama	Part of a frieze, plaster, covered in two layers of fine white plaster, the surface painted in black with the upper part of a male head with both eyes and brows. The layer of gypsum plaster measures about 0.3cm in thickness. The reverse with reed mat impression. Herzfeld's red inventory number on object I-N 957.
Üslup	Abbasid

مشاهده در منبع Victoria and Albert Museum Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی

Victoria and Albert Museum

Wall painting fragment

نویسنده Unknown (makers)

تاریخ انتشار 836

محل انتشار Samarra (made) -

موضوع Eyes Face (Body Part)

نوع دیگر

زبان نامشخص

دیجیتال بله

نسخه خطی خیر

ابعاد فیزیکی Height: 10cm, Width: 9cm, Depth: 3cm

کتابخانه Victoria and Albert Museum

شناسه دارایی کتابخانه A.31-1922

شماره ثبت A.31-1922

محل کتابخانه Middle East Section

تاریخ 836

یادداشت‌ها Part of a frieze, plaster, painted with the head of a young male figure; Iraq (Samarra), 836-900

متن نمونه Transliteration,

Tarihsel bağlam Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved stucco and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved stucco panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.

Malzemeler ve teknikler Gypsum plaster, painted Plaster Painted

Fiziksel açıklama Part of a frieze, plaster, covered in two layers of fine white plaster, the surface painted in black with the upper part of a male head with both eyes and brows. The layer of gypsum plaster measures about 0.3cm in thickness. The reverse with reed mat impression. Herzfeld's red inventory number on object I-N 957.

Üslup Abbasid