The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process

Title The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process
Author Iman Erfanmanesh
Author Original Iman Erfanmanesh
Publication Date: 1393-11
Publication Place - Research Institute of Hawzah and University (RIHU)
Subject Pluralism, Religion and culture
Type Periodical
Language Arabic
Digital Yes
Manuscript No
Library: Universitat Oberta de Catalunya - UOC Library
Library Asset ID ISSN: 2322-2506, EISSN: 2588-4700
Record ID cdi_doaj_primary_oai_doaj_org_article_8dca8079aa00465282d268d329a549f6
Library Location DOAJ Directory of Open Access Journals
Date 1393-11
Notes One of the most important needs for conceptualization of Iranian-Islamic arts is to consider the components of social context related to the history of these arts. In the study, the Iranian-Islamic arts are those that are generally known as Iranian arts or a part of them in the Iranian society. Therefore, this study attempts to represent the most important social components hidden in the concept of our arts before the society faces the modernization process with the help of documentary research methodology. The most important concepts engaged in defining the works of our arts before the modernization process include the usage in social life, the artist's attention to pluralism, the emphasis on the social components of culture and religion. Regarding the social typology, the study investigates our arts by some criteria such as the division based on being men and women (gender), the generality of audience, important social-cultural happenings, and the social protections of the society's institutions.
Universitat Oberta de Catalunya - UOC Library - Ottoman library catalog search Universitat Oberta de Catalunya - UOC Library

The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process

Author Iman Erfanmanesh
Author Original Iman Erfanmanesh
Publication Date 1393-11
Publication Place - Research Institute of Hawzah and University (RIHU)
Subject Pluralism, Religion and culture
Type Periodical
Language Arabic
Digital Yes
Manuscript No
Library Universitat Oberta de Catalunya - UOC Library
Library Asset ID ISSN: 2322-2506, EISSN: 2588-4700
Record ID cdi_doaj_primary_oai_doaj_org_article_8dca8079aa00465282d268d329a549f6
Library Location DOAJ Directory of Open Access Journals
Date 1393-11
Notes One of the most important needs for conceptualization of Iranian-Islamic arts is to consider the components of social context related to the history of these arts. In the study, the Iranian-Islamic arts are those that are generally known as Iranian arts or a part of them in the Iranian society. Therefore, this study attempts to represent the most important social components hidden in the concept of our arts before the society faces the modernization process with the help of documentary research methodology. The most important concepts engaged in defining the works of our arts before the modernization process include the usage in social life, the artist's attention to pluralism, the emphasis on the social components of culture and religion. Regarding the social typology, the study investigates our arts by some criteria such as the division based on being men and women (gender), the generality of audience, important social-cultural happenings, and the social protections of the society's institutions.
Universitat Oberta de Catalunya - UOC Library - Ottoman library catalog search
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