Hebrew Bible

Title Hebrew Bible
Publication Date: Fourteenth to fifteenth century
Publication Place - Cambridge University Library
Type Book
Language Hebrew
Digital Yes
Manuscript Yes
Physical Dimensions Leaf: (height: 270 mm, width: 210 mm)
Library: Digital Library of the Middle East
Library Asset ID MS Add.652
Record ID cambridge_hebrew-6
Library Location Cambridge University Library
Date Fourteenth to fifteenth century
Notes Illuminated Hebrew Bible (Pentateuch and Hagiographa) with full Tiberian vocalisation and cantillation (gaʿya is rare; rafe occurs over quiescent he and alef), masora parva and magna (often in the form of micrographic geometric designs, flora and even fauna). The stars of David (which occur occasionally at the end of books, for instance, at the end of Leviticus, f. 89v), seder and paraša markers in the Pentateuch are all gilded or rubricated. Other rubrics (e.g. the rubric noting the middle of a biblical book) are also treated decoratively (e.g., the micrographic lion at the end of the book of Daniel, f. 315v). The word in the text to which masoretic notes refer is marked with two tiny supralinear dots, side by side. Omissions from the text are given by the naqdan (presumably) in the margin, using larger letters than the masora and marking them with a supralinear dot, for example לשרת at Exodus 39:26, f. 66v. Crude taggim (‘crowns’) have been added to a number of letters in Genesis 1, including בראשית. These are probably not the work of the original scribe or naqdan. The pentateuchal text and non-poetic hagiographa are written throughout in 2 columns, with the exception of the poetical parts of the Torah, which are written either text over space (The Song of the Sea, Exodus 15:1-18, ff. 47r-v) or space over space (The Song of Moses, Deuteronomy 32:1-43, ff. 143v-144v). Schiller-Szinessy (vol. i p. 24) writes: ‘The text is a model of beauty and correctness and in strict accordance with the מסרת.’ | Condition: Stained and some leaves are damaged on the outer or lower margins; some repairs | Layout: 26 lines in 2 columns; pricked in the inner margins, and probably originally in the outer margins too. | more | less
Parçası Olduğu Hebrew Manuscripts Collection
Malzeme Parchment
View in source Digital Library of the Middle East Digital Library of the Middle East - Ottoman library catalog search
Digital Library of the Middle East - Ottoman library catalog search Digital Library of the Middle East

Hebrew Bible

Publication Date Fourteenth to fifteenth century
Publication Place - Cambridge University Library
Type Book
Language Hebrew
Digital Yes
Manuscript Yes
Physical Dimensions Leaf: (height: 270 mm, width: 210 mm)
Library Digital Library of the Middle East
Library Asset ID MS Add.652
Record ID cambridge_hebrew-6
Library Location Cambridge University Library
Date Fourteenth to fifteenth century
Notes Illuminated Hebrew Bible (Pentateuch and Hagiographa) with full Tiberian vocalisation and cantillation (gaʿya is rare; rafe occurs over quiescent he and alef), masora parva and magna (often in the form of micrographic geometric designs, flora and even fauna). The stars of David (which occur occasionally at the end of books, for instance, at the end of Leviticus, f. 89v), seder and paraša markers in the Pentateuch are all gilded or rubricated. Other rubrics (e.g. the rubric noting the middle of a biblical book) are also treated decoratively (e.g., the micrographic lion at the end of the book of Daniel, f. 315v). The word in the text to which masoretic notes refer is marked with two tiny supralinear dots, side by side. Omissions from the text are given by the naqdan (presumably) in the margin, using larger letters than the masora and marking them with a supralinear dot, for example לשרת at Exodus 39:26, f. 66v. Crude taggim (‘crowns’) have been added to a number of letters in Genesis 1, including בראשית. These are probably not the work of the original scribe or naqdan. The pentateuchal text and non-poetic hagiographa are written throughout in 2 columns, with the exception of the poetical parts of the Torah, which are written either text over space (The Song of the Sea, Exodus 15:1-18, ff. 47r-v) or space over space (The Song of Moses, Deuteronomy 32:1-43, ff. 143v-144v). Schiller-Szinessy (vol. i p. 24) writes: ‘The text is a model of beauty and correctness and in strict accordance with the מסרת.’ | Condition: Stained and some leaves are damaged on the outer or lower margins; some repairs | Layout: 26 lines in 2 columns; pricked in the inner margins, and probably originally in the outer margins too. | more | less
Parçası Olduğu Hebrew Manuscripts Collection
Malzeme Parchment
Digital Library of the Middle East - Ottoman library catalog search
Digital Library of the Middle East You are being redirected...

Please wait