The image of women in the poetry of Omar bin Abi Rabia
(صورة المرأة في شعر عمر بن ابي ربيعة)

Name: The image of women in the poetry of Omar bin Abi Rabia
Author: Odeh, Khalil

Title	The image of women in the poetry of Omar bin Abi Rabia
Title Original	صورة المرأة في شعر عمر بن ابي ربيعة
Author	Odeh, Khalil
Author Original	عوده، خليل
Publication Date:	1408
Publication Place	Beirut, Lebanon - Beirut, Lebanon: Dar Al-Kutub Al-Ilmiyyah
Subject	Criticism and interpretation, History and criticism
Type	Book
Language	Arabic
Digital	No
Manuscript	No
Pages Count	352
Physical Dimensions	352 صفحة
Library:	University of Minnesota Libraries
Library Asset ID	OCLC: 23141963, LCCN: 88963305
Record ID	cdi_globaltitleindex_catalog_434760199
Library Location	Request
Date	1408
Notes	Omar bin “Abi Rabia,” the greatest poetry poet in the history of Arabic literature, lived for love and nothing else, and gave his life to it, and made it his greatest pleasure and favorite game. His life was nothing but a long love story with many chapters and characters, and everything in his life was preparing the way for him to play the role of the “first boy” in the huge love play whose events were taking place on the stage of the Hijaz cities, in which the rich, beautiful, spoiled aristocratic boy lived, enjoying his youth to the fullest extent. He follows the beauties of his time, pursues them everywhere, sings of their beauty and his own, depicts his love for them and their love for him, and tells the flirtation and love that goes on between him and them. There were many beloved women in his life and love, and the names of many of them were mentioned in his stories and poetry. He explicitly mentions them in most of his places, and hides them in some of them. From the depths of the experience of love with multiple events and personalities, Omar was able to draw in his poetry an expressive picture of the world of love that... He lived in it and in the world of the woman for whom he lived. Thus, he was the most brilliant poet who drew a picture of a woman in his poetry, equal to the adored woman who passionately passionate about him, or the adoring woman whom he passionately passionate about, and for whom he recorded that new image by which he was known in the history of Arabic poetry. This picture that Omar drew of the woman in his poetry is the subject of this study, which came within four chapters through which the author tried to shed light on the poetry of Omar ibn Abi Rabi’ah. The first chapter in which the author talked about the role of women in Omar’s life in its three stages: Childhood, youth, and old age. As for the second chapter, the author devoted it to talking about the sensual image of women in Omar’s poetry. The third chapter deals with the moral image of women as opposed to the sensual image. The fourth chapter is devoted to studying the nature of the feminine atmosphere in general in Omar’s poetry. The author concluded his letter with a critical chapter in which he discussed some issues and presented some opinions that were expressed regarding Omar, his poetry, and his relationship with women. -- Bibliography: pages 343-350.
Baskı	الطبعة الأولى.

View in source University of Minnesota Libraries

University of Minnesota Libraries

The image of women in the poetry of Omar bin Abi Rabia

(صورة المرأة في شعر عمر بن ابي ربيعة)

Author Odeh, Khalil

Author Original عوده، خليل

Publication Date 1408

Publication Place Beirut, Lebanon - Beirut, Lebanon: Dar Al-Kutub Al-Ilmiyyah

Subject Criticism and interpretation, History and criticism

Type Book

Language Arabic

Digital No

Manuscript No

Pages Count 352

Physical Dimensions 352 صفحة

Library University of Minnesota Libraries

Library Asset ID OCLC: 23141963, LCCN: 88963305

Record ID cdi_globaltitleindex_catalog_434760199

Library Location Request

Date 1408

Notes Omar bin “Abi Rabia,” the greatest poetry poet in the history of Arabic literature, lived for love and nothing else, and gave his life to it, and made it his greatest pleasure and favorite game. His life was nothing but a long love story with many chapters and characters, and everything in his life was preparing the way for him to play the role of the “first boy” in the huge love play whose events were taking place on the stage of the Hijaz cities, in which the rich, beautiful, spoiled aristocratic boy lived, enjoying his youth to the fullest extent. He follows the beauties of his time, pursues them everywhere, sings of their beauty and his own, depicts his love for them and their love for him, and tells the flirtation and love that goes on between him and them. There were many beloved women in his life and love, and the names of many of them were mentioned in his stories and poetry. He explicitly mentions them in most of his places, and hides them in some of them. From the depths of the experience of love with multiple events and personalities, Omar was able to draw in his poetry an expressive picture of the world of love that... He lived in it and in the world of the woman for whom he lived. Thus, he was the most brilliant poet who drew a picture of a woman in his poetry, equal to the adored woman who passionately passionate about him, or the adoring woman whom he passionately passionate about, and for whom he recorded that new image by which he was known in the history of Arabic poetry. This picture that Omar drew of the woman in his poetry is the subject of this study, which came within four chapters through which the author tried to shed light on the poetry of Omar ibn Abi Rabi’ah. The first chapter in which the author talked about the role of women in Omar’s life in its three stages: Childhood, youth, and old age. As for the second chapter, the author devoted it to talking about the sensual image of women in Omar’s poetry. The third chapter deals with the moral image of women as opposed to the sensual image. The fourth chapter is devoted to studying the nature of the feminine atmosphere in general in Omar’s poetry. The author concluded his letter with a critical chapter in which he discussed some issues and presented some opinions that were expressed regarding Omar, his poetry, and his relationship with women. -- Bibliography: pages 343-350.

Baskı الطبعة الأولى.