Digital Narrative: Mechanisms for producing digital narrative
(السردية الرقمية آليات انتاج السرد الرقمي)

Name: Digital Narrative: Mechanisms for producing digital narrative
Author: Sawaleh, Wahiba

Title	Digital Narrative: Mechanisms for producing digital narrative
Title Original	السردية الرقمية آليات انتاج السرد الرقمي
Author	Sawaleh, Wahiba
Author Original	صوالح، وهيبة
Publication Date:	1438
Publication Place	Damascus, Syria - Damascus, Syria: Nineveh House for Studies, Publishing and Translation
Subject	Computer network resources, History and criticism
Type	Book
Language	Arabic
Digital	No
Manuscript	No
Pages Count	520
Physical Dimensions	520 صفحة
Library:	University of Minnesota Libraries
Library Asset ID	ISBN: 9933580590, ISBN: 9789933580599, OCLC: 1022978815
Record ID	cdi_globaltitleindex_catalog_140484251
Library Location	Request
Date	1438
Notes	Just as every generation has its critics, each stage of scientific research has its own researchers who are keeping pace with the historical moment, and if digital writing has found its way into the academy through researchers who initially investigated criticism in its traditional sense based on the literary product (paper in particular), it (digital) has imposed its creative realization so that it has its young researchers (children of the academy) to be the orbit of their investigation as it is the most important event in the context of their critical experience. Hence this scientific thesis that presents itself in print to Arabic readers, emerging from the womb of the academy and announced A generation of researchers realizes the nature of its stage and achieves the rules of its journey in a world that is changing rapidly, which makes grasping its details a challenge that is added to the challenges of scientific effort and cognitive awareness of the requirements of scientific research. The real addition - from my point of view - to this study does not lie in theorizing and trying to discover the categories of criticism in the texts in question, as much as the addition lies in its ability to read texts according to its awareness of the concept of digitality and its aesthetic laws that are still under discovery, which makes it a first step in a long road that the researcher begins with work that has a scientific nature and her effort is counted. Her professors are credited with their belief in development, and her university is credited with that modern vision that makes it adopt everything new in scientific research, as there are Arab universities that have not yet accepted this type of studies. In her founding work, the researcher has surrounded many aspects of digital writing, which holds her subsequent responsibility through deeper studies, broader areas, and details that would achieve a cognitive and scientific stream of digital studies in the field of narration in particular, that field closest to digital as a technology that imposes its aesthetic laws on the one hand. On the other hand, it is a myth of the modern era that imposes itself on all areas of life. -- Bibliography: p. 511-520.
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University of Minnesota Libraries

Digital Narrative: Mechanisms for producing digital narrative

(السردية الرقمية آليات انتاج السرد الرقمي)

Author Sawaleh, Wahiba

Author Original صوالح، وهيبة

Publication Date 1438

Publication Place Damascus, Syria - Damascus, Syria: Nineveh House for Studies, Publishing and Translation

Subject Computer network resources, History and criticism

Type Book

Language Arabic

Digital No

Manuscript No

Pages Count 520

Physical Dimensions 520 صفحة

Library University of Minnesota Libraries

Library Asset ID ISBN: 9933580590, ISBN: 9789933580599, OCLC: 1022978815

Record ID cdi_globaltitleindex_catalog_140484251

Library Location Request

Date 1438

Notes Just as every generation has its critics, each stage of scientific research has its own researchers who are keeping pace with the historical moment, and if digital writing has found its way into the academy through researchers who initially investigated criticism in its traditional sense based on the literary product (paper in particular), it (digital) has imposed its creative realization so that it has its young researchers (children of the academy) to be the orbit of their investigation as it is the most important event in the context of their critical experience. Hence this scientific thesis that presents itself in print to Arabic readers, emerging from the womb of the academy and announced A generation of researchers realizes the nature of its stage and achieves the rules of its journey in a world that is changing rapidly, which makes grasping its details a challenge that is added to the challenges of scientific effort and cognitive awareness of the requirements of scientific research. The real addition - from my point of view - to this study does not lie in theorizing and trying to discover the categories of criticism in the texts in question, as much as the addition lies in its ability to read texts according to its awareness of the concept of digitality and its aesthetic laws that are still under discovery, which makes it a first step in a long road that the researcher begins with work that has a scientific nature and her effort is counted. Her professors are credited with their belief in development, and her university is credited with that modern vision that makes it adopt everything new in scientific research, as there are Arab universities that have not yet accepted this type of studies. In her founding work, the researcher has surrounded many aspects of digital writing, which holds her subsequent responsibility through deeper studies, broader areas, and details that would achieve a cognitive and scientific stream of digital studies in the field of narration in particular, that field closest to digital as a technology that imposes its aesthetic laws on the one hand. On the other hand, it is a myth of the modern era that imposes itself on all areas of life. -- Bibliography: p. 511-520.

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