Author
Sheikh-Hishma, Lina
Author Original
الشيخحشمة، لينا
Publication Date
1437
Publication Place
Haifa -
Haifa: Everything Library
Subject
Censorship, History and criticism
Type
Book
Language
Arabic
Digital
No
Manuscript
No
Pages Count
483
Physical Dimensions
483 صفحة
Library
University of Minnesota Libraries
Library Asset ID
ISBN: 9657753058, ISBN: 9789657753057, OCLC: 973674334, LCCN: 2020519795
Record ID
cdi_globaltitleindex_catalog_143659650
Library Location
Request
Date
1437
Notes
Recently, by the “Al-Qasimi Academy for the Arabic Language” and the “Everything Library” in occupied Haifa, Dr. Lina Al-Sheikh Hishmah’s book was published under the title: “Prison Literature in Egypt, Syria, and Iraq: Freedom and Censorship,” and it came in (484 pages of medium size), and it is an amended version of the doctoral thesis prepared and submitted by the Syrian writer in the year 2014 to the Department of Arabic Language and Literature at the University of Haifa. The book addresses, between its two covers, the subject of freedom. Creativity and the Forbidden Trinity: Politics, Religion and Sex in a Time of Tyranny, in our Arab world in general, and in Egypt, Syria and Iraq in particular. In it, the researcher delves into the topics of the intellectual, censorship, and prison literature, which is what she devoted the first chapter to. While she focused in the second chapter on Egypt, Syria, and Iraq. In the first chapter, she dealt with: the periods of rule of leaders Gamal Abdel Nasser, Anwar Sadat, and the ousted president, Mohamed Hosni Mubarak, and how each of them dealt with intellectuals, creators, censorship, repression, and imprisonment, and how the powers of political, social, and religious censorship were used during the reign of each of the three rulers. The second chapter is devoted to For Syria during the period of Baath rule, in which we were afflicted by Assad, father and son, highlighting the censorship, torture, repression, and killing that Syrian creators faced as a result of the activation of the three censorship authorities. In the third chapter, the author touched on the features of the relationship of the regime and censorship with the intellectual in Iraq under the rule of Saddam Hussein, and the means and means of political, social, and religious censorship. In the fourth chapter, she discussed the topic of women and creative freedom in Egypt, Syria, and Iraq, concluding here that women challenge the “male mentality” alongside tyrannical authority, while the creative challenges the authority of the tyrannical ruler. An uprising against institutional and self-censorship. The third chapter of the book included several sections. It discussed oppression and imprisonment in literary texts in Egyptian, Syrian, and Iraqi novels and texts, and the dialectical relationship between the jailer/prison and the prisoner. The characters, including: the executioner/investigator/of the jailer, the prisoner, and images of psychological and physical torture. The writer went into detail with precision and depth in detailing the multiple artistic levels in prison literature. Then study the previous topics in the novels of Egyptian, Syrian and Iraqi women writers. -- Bibliography: pages 443-483.
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