Author
National Library of France, National Library of France, National Library of France, National Library of France
Publication Date
2025
Publication Place
-
National Library of France
Type
Book
Language
ara,ben,bre,bul,fra,nds,tam,zho
Digital
Yes
Manuscript
Yes
Pages Count
431
Library
Contacts au Catalogue Collectif de France (CCFr)
Library Asset ID
CYL
Record ID
eadbam:EADC:a19921951100046_FRBNFEAD00010333412
Library Location
National Library of France. Sound, video and multimedia department Research Library (Garden level)
Date
That. 1890-1940, Between 1900 and 1920
Notes
FRBAMCCFR-000088-01a.xml Other file(s) linked to this institution: FRBAMCCFR-000088-01c.xml FRBAMCCFR-000088-01d.xml FRBAMCCFR-000088-01e.xml FRBAMCCFR-000088-01f.xml FRBAMCCFR-000088-01g.xml FRBAMCCFR-000088-01h.xml FRBAMCCFR-000088-01i.xml FRBAMCCFR-000088-01j.xml FRBAMCCFR-000088-01k.xml FRBAMCCFR-000088-01l.xml FRBAMCCFR-000088-01m.xml FRBAMCCFR-000088-01n.xml FRBAMCCFR-000088-01o.xml FRBAMCCFR-000088-01p.xml FRBAMCCFR-000088-01q.xml. - Léon Azoulay - “The new era of sounds and noises, Museum and phonographic archives”, Bulletin of the Anthropological Society of Paris, year 1900, vol. 1, pp. 172-178. - Léon Azoulay - “On the constitution of a phonographic museum”, Bulletin of the Anthropological Society of Paris, year 1900, vol. 1, pp. 222-226. - Léon Azoulay - “On the manner in which the phonographic museum of the Anthropological Society was established”, Bulletin of the Anthropological Society of Paris, year 1901, vol. 2, pp. 305-320. - Léon Azoulay - “The Phonographic Museum of the Anthropological Society”, Bulletin of the Anthropological Society of Paris, year 1901, vol. 2, pp. 327-330. - Léon Azoulay - “Rectification of the report of the session of July 19”, Bulletin of the Anthropological Society of Paris, year 1901, vol. 2, pp. 436-439. - Léon Azoulay - “List of phonograms making up the Phonographic Museum of the Anthropological Society”, Bulletin of the Anthropological Society of Paris, year 1902, vol. 3, pp. 652-666. - Léon Azoulay - “An important step forward for phonographic museums. Electroplastic reproduction of phonograms. Unalterable metal molds. », Bulletin of the Anthropological Society of Paris, year 1902, vol. 3, pp. 787-794. - Léon Azoulay - “Regional museums and phonographic collections in France”, Bulletin of the Anthropological Society of Paris, year 1903, vol. 4, p. 536. - Léon Azoulay - “Applied linguistics. The linguistic test as a means of identifying individuals subjected to scientific research”, Bulletin of the Anthropological Society of Paris, year 1903, vol. 4, pp. 565-569. - Léon Azoulay - “Museums and phonographic archives before and since the founding of the phonographic museum of the anthropological society in 1900 (communication made at the meeting of November 2, 1941)”, Bulletin of the Anthropological Society of Paris, year 1911, vol. 2, pp. 450-457. - Tudi Crequer - Research Master's degree "Breton and Celtic", Rennes-2 University. "Léon Azoulay: kentañ sonenroller ar brezhoneg (1900)" [Léon Azoulay: first sound collector of the Breton language (1900)], presented in September 2021, under the direction of Hervé Bihan..:, 51 cylinders of Pathé or other types, the majority preserved in their original box (approximately recording). :, 51 cylinders of Pathé or other types, the majority preserved in their original box (approximately registration). The BnF keeps in its collections the cylinders recorded by Léon Azoulay during the Universal Exhibition of 1900 in Paris. These are a priori recordings after the 1900 collection (according to the few dates given by the collector). In fact, the cylinders presented here do not appear in the inventory that Azoulay drew up in the Journal de la Société d'Anthropologie de Paris in July 1902. In the bulletin of November 1902, Azoulay wrote a technical article on the latest advances in the phonogram entitled “An important progress for phonographic museums. Electroplastic reproduction of phonograms. Unalterable metal molds. ". This new technology would make it possible to copy original cylinders. Azoulay had already communicated in August 1902 on the subject. In the articles he published in 1902, Azoulay specified that after having contacted the American company which produced this new cylinder format, he decided for financial reasons to develop these technical tests himself and reported on them in the article cited above. In many cylinders of this unpublished collection, we can hear the voice of Doctor Azoulay who specifies that he carried out the "molding" and the "galvano[plasty]" himself. We therefore assume that the unpublished recordings in the collection presented here were partly made or modified to experiment with new techniques around the reproduction of the phonographic cylinder with the aim of allowing copies to be made. The collection is very varied, composed of traditional songs and music, declarations and communiqués, interviews for ethnographic and linguistic studies, prayers, stories, spontaneous words and technical tests. Ratings: CYL-378, CYL-380, CYL-385 to CYL-389, CYL-392 to CYL-395, CYL-401 to CYL-417, CYL-419 to CYL-422, CYL-424 to CYL-429, CYL-703, CYL-706, CYL-721.. The BnF keeps in its collections the cylinders recorded by Léon Azoulay during the Universal Exhibition of 1900 in Paris. These are a priori recordings after the 1900 collection (according to the few dates given by the collector). In fact, the cylinders presented here do not appear in the inventory that Azoulay drew up in the Journal de la Société d'Anthropologie de Paris in July 1902. In the bulletin of November 1902, Azoulay wrote a technical article on the latest advances in the phonogram entitled “An important progress for phonographic museums. Electroplastic reproduction of phonograms. Unalterable metal molds. ". This new technology would make it possible to copy original cylinders. Azoulay had already communicated in August 1902 on the subject. In the articles he published in 1902, Azoulay specified that after having contacted the American company which produced this new cylinder format, he decided for financial reasons to develop these technical tests himself and reported on them in the article cited above. In many cylinders of this unpublished collection, we can hear the voice of Doctor Azoulay who specifies that he carried out the "molding" and the "galvano[plasty]" himself. We therefore assume that the unpublished recordings in the collection presented here were partly made or modified to experiment with new techniques around the reproduction of the phonographic cylinder with the aim of allowing copies to be made. The collection is very varied, composed of traditional songs and music, declarations and communiqués, interviews for ethnographic and linguistic studies, prayers, stories, spontaneous words and technical tests. Ratings: CYL-378, CYL-380, CYL-385 to CYL-389, CYL-392 to CYL-395, CYL-401 to CYL-417, CYL-419 to CYL-422, CYL-424 to CYL-429, CYL-703, CYL-706, CYL-721.. Progressive online release of the different corpus of cylinders on our Gallica digital library (last update: January 2025)., Certain documents have also been reproduced on direct recording discs called "Pyrals", on magnetic audio tapes and on CD-R.. Progressive online posting of the different corpus of cylinders on our Gallica digital library (last update: January 2025)., Certain documents have also been reproduced on direct recording discs called "Pyrals", "Pyrals", on magnetic audio tapes and on CD-R.
Sample Text
The BnF keeps in its collections the cylinders recorded by Léon Azoulay during the Universal Exhibition of 1900 in Paris. These are a priori recordings after the 1900 collection (according to the few dates given by the collector). In fact, the cylinders presented here do not appear in the inventory that Azoulay drew up in the Journal de la Société d'Anthropologie de Paris in July 1902. In the bulletin of November 1902, Azoulay wrote a technical article on the latest advances in the phonogram entitled “An important progress for phonographic museums. Electroplastic reproduction of phonograms. Unalterable metal molds. ". This new technology would make it possible to copy original cylinders. Azoulay had already communicated in August 1902 on the subject. In the articles he published in 1902, Azoulay specified that after having contacted the American company which produced this new cylinder format, he decided for financial reasons to develop these technical tests himself and reported on them in the article cited above. In many cylinders of this unpublished collection, we can hear the voice of Doctor Azoulay who specifies that he carried out the "molding" and the "galvano[plasty]" himself. We therefore assume that the unpublished recordings in the collection presented here were partly made or modified to experiment with new techniques around the reproduction of the phonographic cylinder with the aim of allowing copies to be made. The collection is very varied, composed of traditional songs and music, declarations and communiqués, interviews for ethnographic and linguistic studies, prayers, stories, spontaneous words and technical tests. Ratings: CYL-378, CYL-380, CYL-385 to CYL-389, CYL-392 to CYL-395, CYL-401 to CYL-417, CYL-419 to CYL-422, CYL-424 to CYL-429, CYL-703, CYL-706, CYL-721.
Büyümeler
Fonds clos.
Biyografi veya Tarihçe
Les cylindres inédits de la Bibliothèque nationale de France sont regroupés en plusieurs corpus d'origines diverses. Le choix d'un classement par type de support a été décidé en raison de la particularité de ce support, pionnier des supports dans l'enregistrement sonore., Léon Azoulay (1862-19**), médecin et anthropologue français. Azoulay devient membre de la Société d’Anthropologie de Paris en 1900. Il œuvre pour la reconnaissance de l’apport de l’enregistrement sonore pour l’étude des langues, des musiques et plus généralement des cultures en ethnographie. Lors de l’Exposition Universelle de 1900 qui se tient à Paris, Azoulay enregistre sur cylindres les langues et musiques de toutes les cultures représentées. Son travail n’est que peu reconnu par la Société d’Anthropologie de Paris et Azoulay continue seul son travail de collecteur, non sans amertume. Il écrit cependant de nombreux articles sur des sujets variés dans le Journal de la Société. Des articles tant techniques - visant à améliorer les enregistrements phonographiques en expliquant les méthodes de moulage et de galvanoplastie propres au support cylindre - que scientifiques - des études sur la linguistique appliquée, sur la phonétique ou encore d’ordre anthropologiques sur la religion ou même portant sur l’analyse d’ossements - qui montrent un plein engagement en faveur de la modernisation des méthodes ethnographiques.
Biyografi veya Tarihçe (Liste)
Les cylindres inédits de la Bibliothèque nationale de France sont regroupés en plusieurs corpus d'origines diverses. Le choix d'un classement par type de support a été décidé en raison de la particularité de ce support, pionnier des supports dans l'enregistrement sonore., Léon Azoulay (1862-19**), médecin et anthropologue français. Azoulay devient membre de la Société d’Anthropologie de Paris en 1900. Il œuvre pour la reconnaissance de l’apport de l’enregistrement sonore pour l’étude des langues, des musiques et plus généralement des cultures en ethnographie. Lors de l’Exposition Universelle de 1900 qui se tient à Paris, Azoulay enregistre sur cylindres les langues et musiques de toutes les cultures représentées. Son travail n’est que peu reconnu par la Société d’Anthropologie de Paris et Azoulay continue seul son travail de collecteur, non sans amertume. Il écrit cependant de nombreux articles sur des sujets variés dans le Journal de la Société. Des articles tant techniques - visant à améliorer les enregistrements phonographiques en expliquant les méthodes de moulage et de galvanoplastie propres au support cylindre - que scientifiques - des études sur la linguistique appliquée, sur la phonétique ou encore d’ordre anthropologiques sur la religion ou même portant sur l’analyse d’ossements - qui montrent un plein engagement en faveur de la modernisation des méthodes ethnographiques.
Sınıflandırma
Les enregistrements ont été classés en fonction de l'attestation de leur provenance. Ainsi on trouve dans un dossier d'archives les cylindres qui ont sans nul doute été enregistrés par le docteur Azoulay et dans un autre dossier les enregistrements dont les sujets nous inclinent à penser qu'ils proviennent du même fonds sans pouvoir l'affirmer.
Erişim Koşulları
Cylindres originaux non communicables (sauf autorisation du Département Son, vidéo, multimédia). Les documents sonores numérisés sont consultables à partir des postes audiovisuels de la bibliothèque et selon les corpus à partir de notre bibliothèque numérique Gallica . Notices des cylindres consultables - selon les corpus - également à partir du Catalogue général. Pour toute question relative à ce fonds, veuillez vous adresser à la banque de la salle P ou adresser votre demande à l'adresse suivante : [email protected] patrimonial
Oluşturma
Instrument de recherche encodé en XML conformément à la DTD EAD, version 2002
İlişkili Belgeler
Les cylindres édités (éditions phonographiques) sont décrits au Catalogue général de la bibliothèque .
Tür ve Fiziksel Özellikler
Enregistrements sonores
Araştırma Aracının Başlığı
Manuscrits et fonds d'archives
Araştırma Aracının Dilleri
Instrument de recherche rédigé en
Edinme Yöntemleri (Alternatif Yazım)
Dates d'entrée variées dans les collections.
Alt Başlık
Département Son, vidéo, multimédia. Accès alphabétique aux fonds d'archives du département Son, vidéo, multimédia.
