Clarifying the goals by explaining the guidance of the archer [Manuscrito]
(إيضاح المرامي بشرح هداية الرامي )

Title Clarifying the goals by explaining the guidance of the archer [Manuscrito]
Title Original إيضاح المرامي بشرح هداية الرامي
Author Muḥyī l-Dīn al-Salṭī (d. ca. 1692).
Publication Date: 1684
Subject Weapons -- Islamic countries -- History -- Manuscripts, Islamic countries -- Military history -- Manuscripts
Type Book
Language Arabic
Digital No
Manuscript No
Pages Count 148
Library: Red de Bibliotecas y Archivos del CSIC
Record ID 34CSIC_ALMA_DS21111766900004201
Library Location School of Arabic Studies
Date [1684] 1095 AH
Notes Contenido: Īḍāh al-marāmī bi-šarḥ hidāyat al-rāmī [GAL, S II, pág. 490]. Título transliterado: Īḍāh al-marāmī bi-šarḥ hidāyat al-rāmī, Distribución: 1 col. (The folios that are distributed in 2 columns.) For 19 pages per page, except for 1 v folio that has 15 pages., Material: Paper, Tinta: New and Roja, Inscription: (After the basmalah) The poor man says to his Master, the Giver, Muhyi al-Din ibn Abi Bakr Taqi al-Din al-Salti, the servant of ways and manners. In Damascus, the Levant, Explicit: The expressions here have been shortened when I saw that Sunday was short, and it was from the grace of God, Blessed and Most High, that every difficult thing was easy for me in that. ---- This is an auction for the editing of its original, and it is all from me and to me at the end of the sacred month of Dhul-Qi’dah, which is one of the months of the year one thousand ninety-five, at the hands of its author and illustrator, the poor and despicable Muhyi al-Din Ibn Taqi al-Din, the sheikh of the literature of Damascus, the Levant, al-Dimashqi and al-Salti ---- He pardoned them and his generosity and all Muslims, Amen. Illustrations: Enter oraciones, a modo de signo de puntuación, se utiliza en tinta roja la coma árabe (پ). Por otro lado, como decorativo elemento se utiliza un guión encima de algunos vocales. Algunas of the text and the color of the mayor in the tinta roja, where there is a tinta azul, because there is a large number of shades of paint in the tint, and the color of the tint is more intense., Tip of the size: 15 cuads. There are many different folios available at home and in the restroom. Interiors: There is a text box and a cubicle, in a blanket: 3 in a blanket: 146 square meters. 2 folios in a large number of which the house, houses, mutiladas, sueltas: Últimos del volumen folios, H faltan o añadidas: No, Foliación: Sin original foliación. New foliage on a nearby tin can also be removed. Removal: Removal into a nearby tin (there are many places in the tinta roja) in the lower margin of the todos in other folios, except in the 145v., Sign. cuad.: No, Pautado: Linea tirada cuando se trata de texto en prosa y a 2 col. When the text is in the poem; Escrito en Marco de fina roja. No more., Filigrana: Use the armrests on a lazo and horizontal orientation in the interior and the Corona virus, and then return the stick to the superior part. There are many different places on the outside, the centro containing the “BG” letters in may, the primera that contains the cruz gótica and the tercera vacía. These circles are rematadas in the superior part for the tres cruces unidas por una linear horizontal in the inferior part., Signatura antigua: VOL. XV ; A-5-15, Anotaciones: The mismo copista como de una mano posterior, son escasas correcciones en los márgenes en tinta negra la mayoría y en tinta roja en algunos casos esporádicos. They are in contact with other people in the taps for nearby people in the Arab world; The original one who guarded the principio entered the castellano with the text: “Inédito. Once in the folio 1r debajo del título en francés, donde, en nueve níneas se describe el manuscrito en cuestión. Part of this text that appears in the folio. They are in conflict with marginal and marginal comments in the content of the opera.. Título transliterado: Īḍāh al-marāmī bi-šarḥ hidāyat al-rāmī, Distribution: 1 col. (The folios that are distributed in 2 columns.) For 19 pages per page, except for 1 v folio that has 15 pages., Material: Paper, Tinta: New and Roja, Inscription: (After the basmalah) The poor man says to his Master, the Giver, Muhyi al-Din ibn Abi Bakr Taqi al-Din al-Salti, the servant of ways and manners. In Damascus, the Levant, Explicit: The expressions here have been shortened when I saw that Sunday was short, and it was from the grace of God, Blessed and Most High, that every difficult thing was easy for me in that. ---- This is an auction for the editing of its original, and it is all from me and to me at the end of the sacred month of Dhul-Qi’dah, which is one of the months of the year one thousand ninety-five, at the hands of its author and illustrator, the poor and despicable Muhyi al-Din Ibn Taqi al-Din, the sheikh of the literature of Damascus, the Levant, al-Dimashqi and al-Salti ---- He pardoned them and his generosity and all Muslims, Amen. Illustrations: Enter oraciones, a modo de signo de puntuación, se utiliza en tinta roja la coma árabe (پ). Por otro lado, como decorativo elemento se utiliza un guión encima de algunos vocales. Algunas of the text and the color of the mayor in the tinta roja, where there is a tinta azul, because there is a large number of shades of paint in the tint, and the color of the tint is more intense., Tip of the size: 15 cuads. There are many different folios available at home and in the restroom. Interiors: There is a text box and a cubicle, in a blanket: 3 in a blanket: 146 square meters. 2 folios in a large number of which the house, houses, mutiladas, sueltas: Últimos del volumen folios, H faltan o añadidas: No, Foliación: Sin original foliación. New foliage on a nearby tin can also be removed. Removal: Removal into a nearby tin (there are many places in the tinta roja) in the lower margin of the todos in other folios, except in the 145v., Sign. cuad.: No, Pautado: Linea tirada cuando se trata de texto en prosa y a 2 col. When the text is in the poem; Escrito en Marco de fina roja. No more., Filigrana: Use the armrests on a lazo and horizontal orientation in the interior and the Corona virus, and then return the stick to the superior part. There are many different places on the outside, the centro containing the “BG” letters in may, the primera that contains the cruz gótica and the tercera vacía. These circles are rematadas in the superior part for the tres cruces unidas por una linear horizontal in the inferior part., Signatura antigua: VOL. XV ; A-5-15, Anotaciones: The mismo copista como de una mano posterior, son escasas correcciones en los márgenes en tinta negra la mayoría y en tinta roja en algunos casos esporádicos. They are in contact with other people in the taps for nearby people in the Arab world; The original one who guarded the principio entered the castellano with the text: “Inédito. Once in the folio 1r debajo del título en francés, donde, en nueve níneas se describe el manuscrito en cuestión. Part of this text that appears in the folio. They are in conflict with each other and marginal comments on the content of the opera.. Other sources: No. Encuadernación: Cartona with solapa of cierre and carton forrada on colorado paper and lomos in the marrón sobre carton. He comes across a ring with a ring that says and autor in the letters that may appear: “Mohhy the Din. Arms of Guerre. Ms. Arab.” Description: Catalog of the exhibition celebrations with motivation of the cincuentenario: 1932-1982, Granada, 1982, 17; Castillo Castillo, C., Manuscritos arábigos que se conservan en la Escuela de Estudios Árabes de Granada. In: History of Islam 11 (1984), 232-233; Castilla Brazales, J.; Guardiola Gónzález, M.D., Jerga de cazadores in an Arabic language written in the text XVII.- En: Al-Andalus Magreb, vol. 2 (1994), 55-82, Edition: No. Description: Catalog of the exhibition celebrations with motivation of the cincuentenario: 1932-1982, Granada, 1982, 17; Castillo Castillo, C., Manuscritos arábigos que se conservan en la Escuela de Estudios Árabes de Granada. In: History of Islam 11 (1984), 232-233; Castilla Brazales, J.; Guardiola Gónzález, M.D., Jerga de cazadores in an Arabic language written in the text XVII.- En: Al-Andalus Magreb, vol. 2 (1994), 55-82, Edition: No
Sample Text Contents: Īḍāh al-marāmī bi-sharḥ hidāyat al-rāmī [GAL, S II, pág. 490]
Edinme Procedencia: No consta. Ingreso: No consta
Atıf Notu Catálogo de la Exposición celebrada con motivo del cincuentenario: 1932-1982, Granada, 1982 p. 17, Manuscritos arábigos que se conservan en la Escuela de Estudios Árabes de Granada p. 232-233, Jerga de cazadores en un manuscrito árabe inédito del siglo XVII
Dil Notu Arabe Escritura oriental
Seri/Tarihçe Serie: Manuscripta
View in source Red de Bibliotecas y Archivos del CSIC Red de Bibliotecas y Archivos del CSIC - Historical works, archives, and periodicals search engine
Red de Bibliotecas y Archivos del CSIC - Historical works, archives, and periodicals search engine Red de Bibliotecas y Archivos del CSIC

Clarifying the goals by explaining the guidance of the archer [Manuscrito]

(إيضاح المرامي بشرح هداية الرامي )
Author Muḥyī l-Dīn al-Salṭī (d. ca. 1692).
Publication Date 1684
Subject Weapons -- Islamic countries -- History -- Manuscripts, Islamic countries -- Military history -- Manuscripts
Type Book
Language Arabic
Digital No
Manuscript No
Pages Count 148
Library Red de Bibliotecas y Archivos del CSIC
Record ID 34CSIC_ALMA_DS21111766900004201
Library Location School of Arabic Studies
Date [1684] 1095 AH
Notes Contenido: Īḍāh al-marāmī bi-šarḥ hidāyat al-rāmī [GAL, S II, pág. 490]. Título transliterado: Īḍāh al-marāmī bi-šarḥ hidāyat al-rāmī, Distribución: 1 col. (The folios that are distributed in 2 columns.) For 19 pages per page, except for 1 v folio that has 15 pages., Material: Paper, Tinta: New and Roja, Inscription: (After the basmalah) The poor man says to his Master, the Giver, Muhyi al-Din ibn Abi Bakr Taqi al-Din al-Salti, the servant of ways and manners. In Damascus, the Levant, Explicit: The expressions here have been shortened when I saw that Sunday was short, and it was from the grace of God, Blessed and Most High, that every difficult thing was easy for me in that. ---- This is an auction for the editing of its original, and it is all from me and to me at the end of the sacred month of Dhul-Qi’dah, which is one of the months of the year one thousand ninety-five, at the hands of its author and illustrator, the poor and despicable Muhyi al-Din Ibn Taqi al-Din, the sheikh of the literature of Damascus, the Levant, al-Dimashqi and al-Salti ---- He pardoned them and his generosity and all Muslims, Amen. Illustrations: Enter oraciones, a modo de signo de puntuación, se utiliza en tinta roja la coma árabe (پ). Por otro lado, como decorativo elemento se utiliza un guión encima de algunos vocales. Algunas of the text and the color of the mayor in the tinta roja, where there is a tinta azul, because there is a large number of shades of paint in the tint, and the color of the tint is more intense., Tip of the size: 15 cuads. There are many different folios available at home and in the restroom. Interiors: There is a text box and a cubicle, in a blanket: 3 in a blanket: 146 square meters. 2 folios in a large number of which the house, houses, mutiladas, sueltas: Últimos del volumen folios, H faltan o añadidas: No, Foliación: Sin original foliación. New foliage on a nearby tin can also be removed. Removal: Removal into a nearby tin (there are many places in the tinta roja) in the lower margin of the todos in other folios, except in the 145v., Sign. cuad.: No, Pautado: Linea tirada cuando se trata de texto en prosa y a 2 col. When the text is in the poem; Escrito en Marco de fina roja. No more., Filigrana: Use the armrests on a lazo and horizontal orientation in the interior and the Corona virus, and then return the stick to the superior part. There are many different places on the outside, the centro containing the “BG” letters in may, the primera that contains the cruz gótica and the tercera vacía. These circles are rematadas in the superior part for the tres cruces unidas por una linear horizontal in the inferior part., Signatura antigua: VOL. XV ; A-5-15, Anotaciones: The mismo copista como de una mano posterior, son escasas correcciones en los márgenes en tinta negra la mayoría y en tinta roja en algunos casos esporádicos. They are in contact with other people in the taps for nearby people in the Arab world; The original one who guarded the principio entered the castellano with the text: “Inédito. Once in the folio 1r debajo del título en francés, donde, en nueve níneas se describe el manuscrito en cuestión. Part of this text that appears in the folio. They are in conflict with marginal and marginal comments in the content of the opera.. Título transliterado: Īḍāh al-marāmī bi-šarḥ hidāyat al-rāmī, Distribution: 1 col. (The folios that are distributed in 2 columns.) For 19 pages per page, except for 1 v folio that has 15 pages., Material: Paper, Tinta: New and Roja, Inscription: (After the basmalah) The poor man says to his Master, the Giver, Muhyi al-Din ibn Abi Bakr Taqi al-Din al-Salti, the servant of ways and manners. In Damascus, the Levant, Explicit: The expressions here have been shortened when I saw that Sunday was short, and it was from the grace of God, Blessed and Most High, that every difficult thing was easy for me in that. ---- This is an auction for the editing of its original, and it is all from me and to me at the end of the sacred month of Dhul-Qi’dah, which is one of the months of the year one thousand ninety-five, at the hands of its author and illustrator, the poor and despicable Muhyi al-Din Ibn Taqi al-Din, the sheikh of the literature of Damascus, the Levant, al-Dimashqi and al-Salti ---- He pardoned them and his generosity and all Muslims, Amen. Illustrations: Enter oraciones, a modo de signo de puntuación, se utiliza en tinta roja la coma árabe (پ). Por otro lado, como decorativo elemento se utiliza un guión encima de algunos vocales. Algunas of the text and the color of the mayor in the tinta roja, where there is a tinta azul, because there is a large number of shades of paint in the tint, and the color of the tint is more intense., Tip of the size: 15 cuads. There are many different folios available at home and in the restroom. Interiors: There is a text box and a cubicle, in a blanket: 3 in a blanket: 146 square meters. 2 folios in a large number of which the house, houses, mutiladas, sueltas: Últimos del volumen folios, H faltan o añadidas: No, Foliación: Sin original foliación. New foliage on a nearby tin can also be removed. Removal: Removal into a nearby tin (there are many places in the tinta roja) in the lower margin of the todos in other folios, except in the 145v., Sign. cuad.: No, Pautado: Linea tirada cuando se trata de texto en prosa y a 2 col. When the text is in the poem; Escrito en Marco de fina roja. No more., Filigrana: Use the armrests on a lazo and horizontal orientation in the interior and the Corona virus, and then return the stick to the superior part. There are many different places on the outside, the centro containing the “BG” letters in may, the primera that contains the cruz gótica and the tercera vacía. These circles are rematadas in the superior part for the tres cruces unidas por una linear horizontal in the inferior part., Signatura antigua: VOL. XV ; A-5-15, Anotaciones: The mismo copista como de una mano posterior, son escasas correcciones en los márgenes en tinta negra la mayoría y en tinta roja en algunos casos esporádicos. They are in contact with other people in the taps for nearby people in the Arab world; The original one who guarded the principio entered the castellano with the text: “Inédito. Once in the folio 1r debajo del título en francés, donde, en nueve níneas se describe el manuscrito en cuestión. Part of this text that appears in the folio. They are in conflict with each other and marginal comments on the content of the opera.. Other sources: No. Encuadernación: Cartona with solapa of cierre and carton forrada on colorado paper and lomos in the marrón sobre carton. He comes across a ring with a ring that says and autor in the letters that may appear: “Mohhy the Din. Arms of Guerre. Ms. Arab.” Description: Catalog of the exhibition celebrations with motivation of the cincuentenario: 1932-1982, Granada, 1982, 17; Castillo Castillo, C., Manuscritos arábigos que se conservan en la Escuela de Estudios Árabes de Granada. In: History of Islam 11 (1984), 232-233; Castilla Brazales, J.; Guardiola Gónzález, M.D., Jerga de cazadores in an Arabic language written in the text XVII.- En: Al-Andalus Magreb, vol. 2 (1994), 55-82, Edition: No. Description: Catalog of the exhibition celebrations with motivation of the cincuentenario: 1932-1982, Granada, 1982, 17; Castillo Castillo, C., Manuscritos arábigos que se conservan en la Escuela de Estudios Árabes de Granada. In: History of Islam 11 (1984), 232-233; Castilla Brazales, J.; Guardiola Gónzález, M.D., Jerga de cazadores in an Arabic language written in the text XVII.- En: Al-Andalus Magreb, vol. 2 (1994), 55-82, Edition: No
Sample Text Contents: Īḍāh al-marāmī bi-sharḥ hidāyat al-rāmī [GAL, S II, pág. 490]
Edinme Procedencia: No consta. Ingreso: No consta
Atıf Notu Catálogo de la Exposición celebrada con motivo del cincuentenario: 1932-1982, Granada, 1982 p. 17, Manuscritos arábigos que se conservan en la Escuela de Estudios Árabes de Granada p. 232-233, Jerga de cazadores en un manuscrito árabe inédito del siglo XVII
Dil Notu Arabe Escritura oriental
Seri/Tarihçe Serie: Manuscripta
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