Author
Al-Manawi, Muhammad Abdul Raouf bin Taj Al-Arifin bin Ali, d. 1031 AH.
Author Original
المناوي، محمد عبد الرؤوف بن تاج العارفين بن علي، ت هـ
Publication Date
Thursday 25 Ramadan 1145 AH.
Publication Place
-
Al-Manawi, Muhammad Abdul Raouf bin Taj Al-Arifin bin Ali, d. 1031 AH.
Subject
Hidden sciences
Type
Book
Language
Arabic
Digital
Yes
Manuscript
Yes
Pages Count
153
Physical Dimensions
عدد الأوراق : 153 ؛ عدد الأسطر : 23 ؛ المقاس : 21 × 15.5 سم.
Library
King Fahd National Laibrary
Record ID
464e4814-0b62-4e28-a4b1-b3ddb1519ac3
Library Location
Imam Muhammad bin Saud Islamic University
Date
Thursday 25 Ramadan 1145 AH.
Notes
A good copy belonged to Ahmed Khairy, may God have mercy on him and us. He acquired it in the year 1353 AH, and he completed, with his elegant handwriting, what had been omitted from folios 2-7, 37, and 127, in addition to the index that he appended to the end of them, and the restriction of the revision, which he called a correction, which is: ((I revised the verses of this poem on the printed copy, and he found in this copy some verses in addition to those, and in that copy he found some verses in addition to these.. and the revision was kinder. Khayri Bi Al-Buhaira, one of the works of Egypt on Wednesday the 13th of Muharram in the year 1355 AH..)), its title was given as the Divine Grants in one copy and the title of the Divine Fouads was mentioned in another copy (catalog of the Egyptian House of Books 1/340 and 2/120 without an author), and Brockelmann pointed out that it was given the title of the Divine Fouads in two copies in the Egyptian House of Books (Appendix 2/175). Al-Manawi explained the poem by Omar ibn Al-Muzaffar bin Omar Al-Qurashi, known as Ibn Al-Wardi, who died in the year 749 AH (Brockelmann 2/140, and its appendix 2/174) in The Interpretation and Interpretation of Dreams, in which the text was written in black, tangy, dark viscous ink in general, and the copyist used red ink in writing the verses of the arjuza and some paragraphs of poverty in explanation and teaching on the titles of the chapters and so on, on a french-made, satin white ink in which parallel lines and the trademark watermark appear. It is three consecutive crescents.
Metin Başı (İncipit)
((الحمد لله الذي علمنا من تأويل الأحاديث.. وبعد فهذا شرح وجيز على الألفية الوردية في علم التعبير يبين مراده ويوضح مفاده ويذكر ما فاته وسميته المنح الإلهية بشرح الألفية الوردية.))
Yazı Tipi
نسخ تدويني متوسط الجودة
Metin Sonu (Explicit)
((... وهذا تمام الألفية الوردية : - يا جانياً منها ثمار جهدي~لا تنسني من دعوة في لحدي - ثم الصلاة والسلام الأبدي~على النبي المصطفى محمد - واجعل محمد النبي ذخري~في هذه الدنيا ويوم الحشر))