Establishing and confirming the architecture of the Al-Sada Al-Wafiyya Mosque
(إنشاء وثبوت عمارة مسجد السادة الوفائية)

Name: Establishing and confirming the architecture of the Al-Sada Al-Wafiyya Mosque
Author: He didn't know

Title	Establishing and confirming the architecture of the Al-Sada Al-Wafiyya Mosque
Title Original	إنشاء وثبوت عمارة مسجد السادة الوفائية
Author	He didn't know
Author Original	لم يعرف
Publication Date:	1192 AH.
Publication Place	- He didn't know
Subject	History and biographies
Type	kitap
Language	Arabic
Digital	Yes
Manuscript	Yes
Pages Count	32
Physical Dimensions	عدد الأوراق : 32 ؛ عدد الأسطر : 11 ؛ المقاس : 19.3 × 15 سم.
Library:	King Fahd National Laibrary
Record ID	02ac1c8b-0cb2-4d96-99e7-ad70397dfea2
Library Location	Imam Muhammad bin Saud Islamic University
Date	1192 AH.
Notes	A recent copy proving the construction of the Al-Sada Al-Wafia Mosque in Cairo, entered the possession of Ahmed Khairy in the year 1369 AH, by purchase from Sheikh Abdul Hamid Al-Shimi Al-Qahri Al-Azhari, may God have mercy on him [I saw this sheikh and visited him twice in his house in the year 1393 AH, and he was sick]. Ahmed Khairy followed it with brief biographies of Sultan Abdul Hamid, Izzat Muhammad Pasha, Abu Al-Anwar Al-Sadat, Ali Wafa, and Ibn Arabi. And Al-Shaarani and a sentence from Al-Wafa, which he quoted from the book Manahil Al-Safa in the translation of Al-Wafa by Hassan bin Ali Al-Awdi Al-Badri, the reciter, who died in the year 1214 AH [Brockelmann 2/294 and Kahhala 3/257], and he appended it with an index of the contents of the copy and an explanation of the copy itself and what he did in it in terms of correcting errors and establishing some useful comments needed for clarification, all of that in Ahmed Khairy’s clear, beautiful handwriting, the text in which he wrote in black ink. Dark watery tanzanite on a white, satin, glossy rug, known to typographers as “cochet” paper. The copyist used gold ink to draw the dividing points between sentences, and Ahmed Khairy used red ink to form [idioms] of some words of the text, especially Qur’anic verses and references to his comments in the footnotes.
Metin Başı (İncipit)	((الحمد لله الذي أسرى بعبده ليلاً من المسجد الحرام إلى المسجد الأقصى وزين السماء الدنيا بمصابيح النجوم الزاهرة ...))
Yazı Tipi	نسخ ورَّاقي واضح جميل
Metin Sonu (Explicit)	((... طلب منه مولانا الأستاذ الشيخ محمد أبو الأنوار ابن وفا المشار إليه أعلاه إجراء ما يقتضيه الشرع الشريف في شأن ذلك ... وأمر بكتابة ذلك وقيده بسجل الديوان العالي ليراجع به عند الاحتياج إليه وعلى ما جرى وقع التحرير))

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King Fahd National Laibrary

Establishing and confirming the architecture of the Al-Sada Al-Wafiyya Mosque

(إنشاء وثبوت عمارة مسجد السادة الوفائية)

Author He didn't know

Author Original لم يعرف

Publication Date 1192 AH.

Publication Place - He didn't know

Subject History and biographies

Type kitap

Language Arabic

Digital Yes

Manuscript Yes

Pages Count 32

Physical Dimensions عدد الأوراق : 32 ؛ عدد الأسطر : 11 ؛ المقاس : 19.3 × 15 سم.

Library King Fahd National Laibrary

Record ID 02ac1c8b-0cb2-4d96-99e7-ad70397dfea2

Library Location Imam Muhammad bin Saud Islamic University

Date 1192 AH.

Notes A recent copy proving the construction of the Al-Sada Al-Wafia Mosque in Cairo, entered the possession of Ahmed Khairy in the year 1369 AH, by purchase from Sheikh Abdul Hamid Al-Shimi Al-Qahri Al-Azhari, may God have mercy on him [I saw this sheikh and visited him twice in his house in the year 1393 AH, and he was sick]. Ahmed Khairy followed it with brief biographies of Sultan Abdul Hamid, Izzat Muhammad Pasha, Abu Al-Anwar Al-Sadat, Ali Wafa, and Ibn Arabi. And Al-Shaarani and a sentence from Al-Wafa, which he quoted from the book Manahil Al-Safa in the translation of Al-Wafa by Hassan bin Ali Al-Awdi Al-Badri, the reciter, who died in the year 1214 AH [Brockelmann 2/294 and Kahhala 3/257], and he appended it with an index of the contents of the copy and an explanation of the copy itself and what he did in it in terms of correcting errors and establishing some useful comments needed for clarification, all of that in Ahmed Khairy’s clear, beautiful handwriting, the text in which he wrote in black ink. Dark watery tanzanite on a white, satin, glossy rug, known to typographers as “cochet” paper. The copyist used gold ink to draw the dividing points between sentences, and Ahmed Khairy used red ink to form [idioms] of some words of the text, especially Qur’anic verses and references to his comments in the footnotes.

Metin Başı (İncipit) ((الحمد لله الذي أسرى بعبده ليلاً من المسجد الحرام إلى المسجد الأقصى وزين السماء الدنيا بمصابيح النجوم الزاهرة ...))

Yazı Tipi نسخ ورَّاقي واضح جميل

Metin Sonu (Explicit) ((... طلب منه مولانا الأستاذ الشيخ محمد أبو الأنوار ابن وفا المشار إليه أعلاه إجراء ما يقتضيه الشرع الشريف في شأن ذلك ... وأمر بكتابة ذلك وقيده بسجل الديوان العالي ليراجع به عند الاحتياج إليه وعلى ما جرى وقع التحرير))