Subject
Qurans
Type
kitap
Language
Arabic
Digital
Yes
Manuscript
Yes
Physical Dimensions
24 ورقة 9 سطر ، المقاس الداخلي : 24x16,7 سم
Library
King Fahd National Laibrary
Record ID
6267d373-a775-3b3f-8c3d-b6711fc3da21
Library Location
King Faisal Center for Research and Islamic Studies
Notes
24 x 16.7 cm. The beginning of the manuscript: They will apologize to you if you return to them. Say, “Do not apologize, we will not believe in you.” [Al-Tawbah: 94] Humidity and wetness. The number of pamphlets is not clear and it is most likely four-letter. The stop symbols used are: (Ta J N Qaf R M La). The narration: Hafs on the authority of Asim, and he must adjust the reading in the Qur’an. There are those who set the word (Marjun) /and 4/ by adding a hamza to the reading. (Murju'un) Ibn Kathir, Abu Amr, Ibn Amir, Shu'bah, and Ya'qub, but it is in a handwriting different from the original writer's handwriting in the thickness of the pen and the color of the ink. It does not adhere to the drawing except rarely, and the commas are mostly Kufic, and it may be indicated by a comma that no one has prepared, as in /and 24/, line 9 (they announce). The script is old, of a large size, and neat, and some of the letters include some thuluth features. It tries to make the blocks equal on the pages, but it narrows the writing at the end of the lines and the pages are not oriented.||This is the entire eleventh part from Surah Al-Tawbah: 93 to Surah Hud: 5, but the beginning of the part in our Qur’an is from At-Tawbah: 92 one verse before this part, and the beginning of the part here is more elegant and better for the completeness of the meaning. He decorated the words of the Majesty (God) in this part by writing them in gold except in two places, so he wrote them in red /w 20/, line 1, and /v 23/, line 9. The omission who forgets to write it adds it in a footnote with dots from the place of the omission in a different handwriting by the copyist /f 6/, or he writes it above the line /f 8/, and there is a very new addition /f 10/, and what is close to this is what he does when he comes to the end of the line. So the space becomes tight for him to complete the word, so he writes some of it along with the line and the rest of it he adds in front of the line after the frame, as in (Sharkukum) /and 13/ /v. 24/. He may write the rest of the letters above the word itself, and this is very many in the part.||As for the addition, he tries to erase it, as happened in (from below it), then he tries to erase the word (from) because it is redundant /and 3/, and traces of the word remain. The section was divided into four sections: (Part) at the beginning, then (Part), then (Part), then (Part). He paid a lot of attention to the decoration of the part. The first part was written on the page in only 5 lines out of 9, and around the writing there were clouds with flowers. One line was written in black and one line in gilding around a delicate gilded frame, then blue, then red, a belt around it on both sides with a blue background, and on it were floral decorations of plant stems and roses in circular shapes, and the colors red, green, yellow, orange, and gold were used beautifully, then a wide upper and lower rectangle in the middle with gilding and writing in beautiful white. A glorification of the Qur’an in Surat Al-Waqi’ah, then fine frames in a wide frame with intensified decoration and columns that extend outwards in a beautiful and orderly manner.||The pages are framed with a golden frame outlined in black, then green, then red, then gold, all of which are outlined in black, then an outer black. The dividers are a circle surrounded by parts and circles in blue and gilded on the inside, without numbers. The information about the Surah takes up a line of space, with wide decoration on the sides, various decorations, and inside a golden background. The information about the Surah is written on top of it in white, so the name of the Surah, the revelation, then the beginning of the letters of the number of verses are written, and it is not completed because there is no space. The basmalah is on a separate line by itself. The paper is bleached to yellow and its workmanship is not free of impurities. The color of the paper is cloudy due to traces of small straw crumbs that appear brown, with the presence of wetness on the sides of the leaves. There were three leaves whose inner sides had separated due to the oxidation of the gilding, and we re-glued them together to restore them. There are decorations on the sides in the form of a circle, outlined in gold and in blue, and it is not a sign of the ten or the parties, but rather it is only a completion of the decoration. End of the manuscript: Except when they cover themselves with their clothes, He knows what they see and what they declare: He is All-Knowing of what is within the breasts [Hud: 50]
Yazı Tipi
نسخ عليه مسحة ثلث
