Subject
Qurans
Type
kitap
Language
Arabic
Digital
Yes
Manuscript
Yes
Physical Dimensions
360 ورقة 15 سطر ، المقاس الداخلي : 21,8x14,7 سم
Library
King Fahd National Laibrary
Record ID
97f8c862-4862-4ae5-e276-1bf3a39a20b8
Library Location
King Faisal Center for Research and Islamic Studies
Notes
A damp and wet floor, 21.8 x 14.7 cm. The beginning of the manuscript: In the name of God, the Most Gracious, the Most Merciful. Praise be to God, Lord of the Worlds, the Most Gracious, the Most Merciful, Owner of the Day of Judgment. You do we worship and You do we seek help. Guide us to the straight path, the path of those whom You have bestowed, not of those upon whom You have wrathed or gone astray. The first two pages are decorated with crude decorations above and below the text with a golden background without decorations, and it is better in contrast to Surat Al-Baqarah. The Surah information rectangle takes one line in which the name of the Surah and the number of verses are written. Its revelation and all of it may be written in red, and nothing may be written in it out of forgetfulness, as in Surat Maryam until the end of the Qur’an. It is most likely that the work was not finished in the Qur’an due to the significant deficiency in the line of information about the Surah, and the lack of decoration in the first two leaves. The number of verses in the Surah in Kufi is at most, but in Al Imran, Al-Nisa’, Al-Tawbah, Hud, and Yusuf, he mentioned numbers that none of the imams mentioned in the number. The verse breaks are mostly Kufi, but some may be neglected and some may be considered to contradict it. Its marking is a large gold dot. As for the exact wording, it agrees with the narration of Hafs on the authority of Asim. The verses connect from one page to another. In parts, the part number is written in red in the footnote. The Uthmanic script is not adhered to in writing the Qur’an. He used European paper until close to the last of the poets, then used local paper to write the rest of the Qur’an.||He took turns writing the Qur’an in two or three, even if the lines were very close together, and perhaps what supports this is the difference in the type of paper, and also the number of words in the lines and the movement of the pen in drawing the letters. He might omit sentences and then attach them in the footnote in the handwriting of the copyist and others. He may place pause marks in letters above the text in red, as well as a tidal mark. Q1/B and Q2/A are gold, and Q2/A is decorated with colorful floral and floral decorations. Q1/B is gold, the floor is unadorned. The text is written inside tables of red ink. The end of the manuscript: Say, I seek refuge in the Lord of the people, the King of the people, the God of the people, from the evil of the whisperer, the deceitful one who whispers in people’s breasts from Paradise and people.
Yazı Tipi
نسخ مجود
