Author
Abdullah Effendi Al-Rumi
Author Original
عبدالله افندي الرومي
Publication Place
-
Abdullah Effendi Al-Rumi
Subject
Fatwas | jurisprudence
Type
kitap
Language
Arabic
Digital
Yes
Manuscript
Yes
Physical Dimensions
163 ورقة 25 سطر ، المقاس الداخلي : 21,5x13,5 سم
Library
King Fahd National Laibrary
Record ID
dc426359-a903-c3d5-c1e0-41ec59924022
Library Location
King Faisal Center for Research and Islamic Studies
Notes
The first and second pages are braided with gold water, and the first page is decorated with gold and ornate drawings. The first and second pages are braided, and its skin is also braided with gold water. 23 x 14.8 cm. The beginning of the manuscript: Praise be to God, Lord of the Worlds, and prayers and peace be upon our master Muhammad, his family, and all his companions. After that, the enthusiasm for fatwas became famous among people and gained it among the elite and the common people. However, negligent writers and erroneous copyists distorted many of the phrases. I wanted to return these issues to their place. It has traces of earth and light wetness. It has few explanations and comments. Copied by: Sulaiman bin Muhammad Shamdana Zadeh. End of the manuscript: And so at the end of the abstract from the inheritance of the lamb, a clear sea in the section on funerals from the Book of Prayers, as well as in the Tatar Khaniyah. It was stated in Al-Mujtaba and Al-Nihayah that the ruling of two years is the maximum, and it appears in the summary, a clear sea in the section on proving lineage from the Book of Divorce, and we restricted it to the less because if it came Born for more than two years from the time of death, his lineage as such is not proven in Al-Bada’i’, and I have not seen a statement of two years, and it should be like the most, as previously stated in his theorization, Bahr Min Al-Mahal, it is fallow. It was done with the help of God Almighty. It is preceded by an index of the book’s chapters and chapters: The top of the first page was decorated with colorful and gilded drawings and decorations, and “In the Name of God, Most Gracious, Most Merciful” was placed between these drawings in black ink. The title of the first chapter was also placed in red ink between two gilded tables. I put red lines under some phrases. Its leaves are broken. I wrote paragraph headings, book titles, and chapters in red ink.
Yazı Tipi
نستعليق