Subject
Qurans
Type
kitap
Language
Arabic
Digital
Yes
Manuscript
Yes
Physical Dimensions
306 ورقة 15 سطر ، المقاس الداخلي 17,7x13,7 سم
Library
King Fahd National Laibrary
Record ID
6d45a4ec-e95e-7e91-cb89-6b9023f1557a
Library Location
King Faisal Center for Research and Islamic Studies
Notes
External size: 17.7 x 13.7 cm. The beginning of the manuscript: Praise be to God, Lord of the Worlds, the Most Gracious, the Most Merciful, Owner of the Day of Judgment. Thee we worship and Thee we seek help. Guide us to the straight path, the path of those upon whom Thou hast bestowed blessings, not those upon whom wrath is incurred nor those who go astray. All the leaves are braided in gold and framed with red ink. Five-sided notebooks. The narration is Hafs on the authority of Asim. The drawing is not very adherent to it. The number is mostly Kufic and has He made a mistake in writing the general outline of the number of verses in the Surah, and he also made a mistake in specifying some places. He decorated the page of Al-Fatihah and the beginning of Al-Baqarah with a wide outer frame from which short blue lines emanated outward and long lines, and in the rectangle there were plant stems in blue, orange and gold, but the oxidation of the gold color removed much of the decoration on the page, so a green space remained, then a yellow frame with dots inside it, a horizontal rectangle upper and lower with an orange frame, then gold, then blue, and the decoration was gone from Inside them and between the rectangle is a circle on which the verses were written in the middle of clouds that were golden, and in the corners were floral decorations, of which not much remains.||The dividers are a black, gilded circle in the middle, then four dots around it, orange on the right and left sides, and blue above and below the frame of the pages, a thin red rectangle, then a double black rectangle, then a wide gold, then black. The parts are a golden circle with appendages emerging from it, then a long black line at the bottom with blue lines that are shorter than it at the top, like it. The information line of the Surah is decorated with a golden frame outlined in black that contains the name of the Surah and the number of verses. It may be placed at the end of the page, as in: Al-An’am, Al-Anfal, Al-Tawbah, Yunus, Al-Hajj, Al-Mu’minun, Al-Shaara’, Al-Sajdah, Al-Ahzab, Fussilat, Al-Shura, Al-Jathiya, Muhammad, may God bless him and grant him peace, Al-Naba’, Al-Takathar, and Al-Fil. When he writes the numbers of verses in the Surah, he does not connect the numbers with the letter (waw), but rather writes the numbers consecutively, and places it in a line. One.||The Basmalah may be written at the end of the page, as in An-Nisa’, An-Nur, An-Naml, Al-Muthannah, Al-Taghabun, Al-Talaq, Al-Haqqa, and Al-Kawthar. He divides the part into (part), then (party), then (party), then (party). He writes it in the footnote in red. He writes (n) under the letter after the noun. He uses symbols to stop over the words in red: (La T C M S Q Z Q F). Notes are written under some words, such as (qasr) (madd) (baalf) (connected) (maqta’) (qat’) (mammad) (wasl) (facilitation) (with a fatḥa ta’) in red. The pages are oriented and each part takes ten pages, and it may decrease slightly and increase in the first and last parts. The spaces are not consistent on the pages. It may expand the words or narrow them. The omission is written between the lines or at the end of the line, and the omission may be replaced with a contemporary script, and as for the addition by mistake, it is written over it with an error.||He wrote (Allahu Akbar) at the end of the morning to the last of the people. At the end of the surah in red in the footnote. There is a variation in the thickness of the pen, between thin and slightly thicker, which the eye cannot mistake, and the calligrapher is one, who may write the word (Kufi) above the cut letters at the beginning of the surahs. See the beginning of Al-A`raf. He varied in naming some of the surahs: (Fatir = the angels), (Ghafir = the believer), (Fussilat = prostration), (Al-Takir = swarming), (Al-Muttafafin = the slight), (Al-Sharh = Al-Inshirah), (Al-Zalzala = earthquake) and (Al-Masad = Tibet).||At the end of page /Z 251/ he left a blank line and decorated it with the same line as the information line of the Surah, but it is empty and he did not write anything. Some of the names of the surahs are written contrary to what we write, such as (Hud = the Hood) and (Al-Isra = the Prisoners). The pages were numbered incorrectly and were dropped. I deleted them and renumbered them. Some papers were out of place because the binding thread broke. Paper with a bright, satin yellow color, some of which are thick and some of which are thin. Humidity and wetness did not affect the text. Q1/B, 2/A are gilded and decorated with floral and floral shapes in red and green in a form surrounding the Qur’anic text. Written inside an oval shape. Copy: Sayyed Muhammad al-Rasikh. End of the manuscript: Say, “I seek refuge in the Lord of the people, the King of the people, the God of the people, from the evil of the whisperer, the deceitful one who whispers into the breasts of the people from Paradise and the people.” Peace be upon the messengers, and praise be to God, Lord of the worlds
Yazı Tipi
نسخ جميل
