Holy Quran
(قرآن كريم)

Title Holy Quran
Title Original قرآن كريم
Subject Qurans
Type Book
Language Arabic
Digital Yes
Manuscript Yes
Physical Dimensions 614 ورقة 11 سطر ، المقاس الداخلي 19,3x12,3 سم
Library: King Fahd National Laibrary
Record ID a95dadda-fba5-2aff-6d8c-49cfb4460a10
Library Location King Faisal Center for Research and Islamic Studies
Notes The first two pages contain the writing, and on the right is a rectangular column along the length of the paper, surrounding the writing and inside it are branching flowers, surrounded by a gilded half dome at the top and a half at the bottom, a dome in the corners, and a dome on the outer side, all of which are gilded, drawn inside with a fine black pen with very high and very wonderful skill. And between the domes are lamps with their sides at the beginning of the table, Yunus, Al-Isra’, Al-Shu’ara’, Al-Saffat, and the end of the Qur’an, which is the division that was known. During the era of the Companions, the Qur’an was divided into seven sections, combined with the phrase (My mouth is longing).||The space between the domes and the lamps was colored blue, with gilded flowers written in black inside. These paintings are all very valuable artistic masterpieces, had it not been for the reaction of the ink that began to tear the leaves. Each Qur’an contains a light brown background with writing on it, surrounded by gold clouds framed by fine black lines from which emerge like hairs. All pages of the Qur’an are decorated. The writing is surrounded by a blue line, then a gilded line, then a black line, then a space of (1.5 cm) between it and the outer frame. The outer frame has two black lines with gilding in between, and in the upper right corner the part and its number are written, and in the outer left corner the name of the surah is written from beginning to end in blue. Surrounding this writing in the two corners is a gilded decoration framed in black. Many of the pages are covered with a transparent cover, combined with the binding.||It adheres to the Uthmani style, and writes punctuation marks above the words in red. The Surah information line contains the name of the Surah, its revelation, and the number of its verses, with a blue gilded background and decoration on both sides. Divider markers are a gilded circle framed in black. It relies on the Kufic counting, and its exact setting is based on the narration of Hafs on the authority of Asim. He places the end of the rak'ah with the letter (A) in red in the footnotes, as well as the word (prostration) for prostrations, and he decorates the beginnings, halves, and quarters of the parts and writes on the decoration, except that in a quarter of the part he writes (one-third of it), and this is an error. At the beginning of the part, he frames the line, fills it with gold, and writes in blue the beginning of the part in thuluth script. Your love with heels has two tongues as markers to stop between the pages. External size: 19.3 x 12.3 cm. The beginning of the manuscript: In the name of God, the Most Gracious, the Most Merciful. Praise be to God, Lord of the Worlds, the Most Gracious, the Most Merciful. The end of the manuscript: From heaven and people
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Holy Quran

(قرآن كريم)
Subject Qurans
Type Book
Language Arabic
Digital Yes
Manuscript Yes
Physical Dimensions 614 ورقة 11 سطر ، المقاس الداخلي 19,3x12,3 سم
Library King Fahd National Laibrary
Record ID a95dadda-fba5-2aff-6d8c-49cfb4460a10
Library Location King Faisal Center for Research and Islamic Studies
Notes The first two pages contain the writing, and on the right is a rectangular column along the length of the paper, surrounding the writing and inside it are branching flowers, surrounded by a gilded half dome at the top and a half at the bottom, a dome in the corners, and a dome on the outer side, all of which are gilded, drawn inside with a fine black pen with very high and very wonderful skill. And between the domes are lamps with their sides at the beginning of the table, Yunus, Al-Isra’, Al-Shu’ara’, Al-Saffat, and the end of the Qur’an, which is the division that was known. During the era of the Companions, the Qur’an was divided into seven sections, combined with the phrase (My mouth is longing).||The space between the domes and the lamps was colored blue, with gilded flowers written in black inside. These paintings are all very valuable artistic masterpieces, had it not been for the reaction of the ink that began to tear the leaves. Each Qur’an contains a light brown background with writing on it, surrounded by gold clouds framed by fine black lines from which emerge like hairs. All pages of the Qur’an are decorated. The writing is surrounded by a blue line, then a gilded line, then a black line, then a space of (1.5 cm) between it and the outer frame. The outer frame has two black lines with gilding in between, and in the upper right corner the part and its number are written, and in the outer left corner the name of the surah is written from beginning to end in blue. Surrounding this writing in the two corners is a gilded decoration framed in black. Many of the pages are covered with a transparent cover, combined with the binding.||It adheres to the Uthmani style, and writes punctuation marks above the words in red. The Surah information line contains the name of the Surah, its revelation, and the number of its verses, with a blue gilded background and decoration on both sides. Divider markers are a gilded circle framed in black. It relies on the Kufic counting, and its exact setting is based on the narration of Hafs on the authority of Asim. He places the end of the rak'ah with the letter (A) in red in the footnotes, as well as the word (prostration) for prostrations, and he decorates the beginnings, halves, and quarters of the parts and writes on the decoration, except that in a quarter of the part he writes (one-third of it), and this is an error. At the beginning of the part, he frames the line, fills it with gold, and writes in blue the beginning of the part in thuluth script. Your love with heels has two tongues as markers to stop between the pages. External size: 19.3 x 12.3 cm. The beginning of the manuscript: In the name of God, the Most Gracious, the Most Merciful. Praise be to God, Lord of the Worlds, the Most Gracious, the Most Merciful. The end of the manuscript: From heaven and people
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