Author
Claire Maglin-Rochette
Publication Date
late 19th - early 20th century / Late 19th - early 20th century
Type
Book
Language
Undetermined
Digital
Yes
Manuscript
No
Physical Dimensions
163 x 40 cm
Library
Sabancı University Sakıp Sabancı Museum
Library Asset ID
400-0027
Record ID
400-0027
Date
late 19th - early 20th century / Late 19th - early 20th century
Notes
This vase is a pair of vase with inventory number 400-0028. The lid, neck, body and foot of the vase are made of porcelain. These sections are connected to each other with gilded bronze parts. There are dark blue and gilded leaf decorations on the lid, neck and foot of the vase. The gilded bronze handle of the lid is in the shape of an inverted acorn. The gilded bronze base of the vase is decorated with horn-shaped cornucopia motifs and flower reliefs representing abundance and abundance.
The seal inside the cover has two interlocking letters "L" with the word "Sèvres" underneath. The letter “O” in the middle of this symbol, which typically indicates the production date of pieces from the Sèvres Porcelain Factory, corresponds to 1767. The composition surrounding the body bears the signature of "Claire Maglin-Rochette". Maglin Rochette is the daughter and student of A. Maglin, one of the artists of the Sèvres Porcelain Factory between the end of the 19th century and the beginning of the 20th century. The discrepancy between the date information under the cover and the period in which Maglin Rochette lived suggests that the porcelain vase and the painting on it may have been painted at different times.
On the body of the vase, a putto is seen standing on a pedestal. Putto (plural putti) is the name given to mythological figures depicted as chubby boys, usually naked and sometimes with wings. A female figure leaning on the pedestal hugs the feet of the putton and looks at his face. On the other side of the pedestal, there is another putto holding a flower wreath. On one side of this group, irises are seen, on the other side, flowers resembling lisianthus, and flying putti figures are seen in various parts of the vase. The fact that the putti figures on this vase, in which pastel pink, blue and green colors are used, are mostly carrying bows and arrows, points to the theme of love. These figures were frequently preferred by porcelain painters throughout the 19th century because they reflected the playful and romantic spirit of the Rococo style that emerged in the 18th century.
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This vase is one of a pair, with the other bearing the inventory number 400-0028. The lid, neck, body and foot of the vase are porcelain, and are connected to each other with gilt bronze elements. Its lid, neck and foot are adorned with dark blue and gilded foliate decorations. The gilt bronze finial on the lid of the vase is in the shape of an upside down acorn. Its gilt bronze plinth is decorated with horn-shaped cornucopia motifs symbolizing abundance and prosperity, as well as flower reliefs.
The stamp underneath the lid of the vase features two intertwined 'L's with the inscription 'Sèvres' underneath. The letter 'O' in the middle of the symbol, typically indicating the production dates of pieces from the Sèvres Porcelain Factory, referring to 1767. The composition surrounding the body of the vase is signed 'Claire Maglin-Rochette'. Maglin Rochette was the daughter and student of A. Maglin, an artist who worked at the Sèvres Porcelain Manufactory around the late nineteenth and early twentieth centuries. The discrepancy between the date indicated by the Sèvres mark and the period in which Maglin Rochette lived, suggests that the vase may have been decorated at a later date.
The body of the vase features a putto figure standing on a pedestal. The term putto (plural putti) denotes a mythological figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Next to the putto is a female figure, leaning on the pedestal and embracing the putto's feet while gazing up at his face. On the other side of the pedestal is another putto, holding a floral wreath. There are clusters of irises to the right of this group, and flowers reminiscent of lisianthus to the left. Flying putti figures complete the overall composition. The predominant use of pastel pinks, blues and greens, along with the putti carrying bows and arrows, suggest a romantic theme. Putti, embodying the playful and romantic spirit of the Rococo style which originated in the eighteenth century, were often preferred by porcelain painters throughout the nineteenth century.
Dönem
Fransız / French; Sèvres tarzı / Sèvres style
Kayıtlar
İmzalı: Claire Maglin-Rochette; Kapağın altındaki damga: iç içe geçmiş şekilde iki "L" / Sèvres
Teknik
Porselen, renkli mine, altın ve yaldızlı bronz / Porcelain, polychrome enamels, gold and gilt bronze
Telif Hakkı
© Sabancı Üniversitesi Sakıp Sabancı Müzesi. Tüm hakları saklıdır. / © Sabancı University Sakıp Sabancı Museum. All rights reserved.
