Author
Hussein, Malikah
Publication Place
Algeria -
University of Algiers 2 Abo El Kacem Saadallah, Faculty of Arabic Language and Literature and Oriental Languages
Type
Book
Language
ara,eng,fra
Digital
Yes
Manuscript
No
Library
Royal Danish Library
Library Asset ID
ISSN: 2437-0274, EISSN: 2437-1076
Record ID
cdi_emarefa_primary_1472263
Library Location
DOAJ Directory of Open Access Journals
Notes
The Palace of Aziza Bint Al-Sultan is considered an example of the palaces built in the city of Algiers. It constitutes the last witness to what was known as the garden and represents a testimony to what the luxurious palaces were like in the city of Algiers in the Ottoman era. This historical landmark, symbolized by its relationship with the garden, has undergone many demolitions and transformations, since the French era. This state of decline and abandonment became apparent after independence, when it witnessed many missions. Thus, restoration work was very urgent to protect this palace. The main aim of these works was to restore the original aspect of the palace. This article thus presents the authenticity of the Aziza Palace through its composition because it reflects the luxurious architecture, through its history because it summarizes the history of the entire city of Algiers, especially its relationship with Genena, which was demolished in the French era. Thus, the palace constitutes the memory of the city of Algiers. The restoration work was very important not only in preserving the Aziza Palace, which is considered the last witness to El Geneina, but also in discovering the various architectural places that make up this palace, namely the Douira, especially the bathroom, which is considered the most distinctive place for the palace and all the palaces of the city of Algiers, and thus in restoring its original appearance, which dates back to that Ottoman era. This article confirms, therefore, that the restoration of historical monuments is an essential and indispensable process, to confirm the historical, cultural and architectural passion, not only of Algiers, but of all of Algeria. The Aziza Bent es Soltan palace is considered a sample of the palaces built in the medina of Algiers. It is the last witness of what was the Jenina and represents a testimony of what were the palatine mansions of the medina of Algiers in the ottoman era. This historical monument, emblematic by its relationship with the Jenina, has undergone several demolitions and transformations, and this, since the French era. This state of degradation and abandonment was accentuated, after independence, when it experienced several assignments. However, restoration work has been of great urgency for the safeguarding of this palace. These works had as their main objective the restitution of the original aspect of the palace. This article thus presents the originality of the Aziza palace through its composition because it reflects the palatial architecture, by its history because it summarizes that of the entire medina of Algiers and in particular its relationship with the Jenina which was demolished in the French era. the palace thus constitutes the memory of the medina of Algiers. The restoration works were very important not only in the preservation of the Aziza palace, considered the last witness of the Jenina, but also in the discovery of the different architectural spaces constituting this palace, namely the Douera and in particular the Hammam considered as a most characteristic space of the palace and all the palaces of the medina of Algiers and thus in the restitution of its original aspect dating back to the ottoman era. This article affirms, therefore, that the restoration of historical monuments is an indispensable and primordial operation, for the affirmation of the historical, cultural and architectural identity, not only of Algiers but of all Algeria. The palace of Aziza Bent es Soltan is set as a corner of the palaces that live in the city of Algeria. It consists of a different time of day that left Djénina and représente a time of day that left the demeures of the Palatines of the city of Algeria in the Ottoman Empire. This historic monument, emblematic of its relationship with Djénina, has many more demolition and transformations, etc., due to the French era. This degradation and accent will be added after the start, if there are more influences. This means that restorative activities come with a great urgency for saving this place. This travaux ont eu as the main object if the restitution of the aspect originel of the palais. This article has been published since the original palais moved to the composition of the car to replace the palatial architecture, due to the car's history, which is located in the city of Algeria and in detail its rapport to Djénina, which has a small size in the country. française. The palace contains the memory of the city of Algeria. The restoration work is very important in the maintenance of the Palais Aziza, as follows the date of the Djénina, but also in the discovery of the different spaces of the architects and residents of the Palais, to save the house and in detail. The hammam is arranged as a space with the most distinctive features of the palais and all of the palais in the city of Algeria and also in the restoration of its original aspect in the Ottoman era. This article affirms that the restoration of historical monuments is an indispensable and primary operation, for the confirmation of the identity of history, culture and architecture, as unique to Algeria as it is to Algeria.
Görüntüle
Aleph (Alger. En ligne), 2023, Vol.10 (2), p.179-210
