Author
Muhammad, Iman Salah Hamed
Type
Book
Language
Arabic
Digital
Yes
Manuscript
No
Library
Royal Danish Library
Library Asset ID
ISSN: 2356-9654
Record ID
cdi_almandumah_primary_939210
Library Location
DOAJ Directory of Open Access Journals
Notes
Islamic art is considered one of the most important arts, rich in unique character, and has its own philosophy that is linked to the objective reality of the teachings of the Islamic religion and derives its basic characteristics from these teachings. The product of Islamic art and the broad Islamic civilization was a large inheritance of shapes, decorations and distinctive elements that were found on the walls of mosques, palaces and castles, in ancient monumental houses and shrines, as well as in ceramic tiles, utensils and carpets, the styles of which varied and differed according to the eras that we inherited, such as (the Umayyad - Fatimid - Mamluk - Ayyubid - Ottoman eras). They were a reflection of the civilizations of those eras and had an impact on various Arab cultures, as Islamic arts carried on It contains a wealth of data that the Islamic artist exploited and produced in exquisite artistic images. We also find him mastering the use of plastic patterns of decorations, colours, lighting, shadow and light, harmony between elements and vocabulary, superimposed and simple relationships, diversity, depth, overlap, patterning, bifurcation, repetition, and relationships of mass and space, while preserving the great feature that distinguishes this ancient art, which is unity and originality, which has made this cultural heritage a source of inspiration for many designers of all specialties. In general, and textile printing designers in particular, as the decorative elements on printed fabrics vary between geometric and floral elements, the designer can draw inspiration from designs by studying what is around him, infer new things, and create realistic and tangible designs for products with functional and aesthetic qualities. Elements of Islamic art, such as (plant decorations - geometric decorations - domes - muqarnas - star bowls - epigraphic decorations...) are a cultural wealth that must be studied, analyzed, and their plastic and aesthetic values highlighted through innovative designs to be applied to furnishing fabrics and pendants, as the Egyptian and Arab market is still rare in designs that carry the authentic Islamic character with a contemporary developed thought that works to keep pace with development and serve the innovative process. Within the framework of creative thought and arts development, the process aims to combine the use of elements of Islamic art and hand-printed techniques such as (stencils - knotting and tying - batik - flat shabloons...) and to re-present them in a new design formulation and to strive to improve printed textile products in order to maintain the creative and aesthetic level and thus enrich the Arab cultural identity.
Görüntüle
Majallat al-ʻimārah wa-al-funūn wa-al-ʻulūm al-insānīyah, 2019 (13), p.13-28
