Author
Assouane, Mohamed-Karim
Publication Place
Sylvains les Moulins -
Sculpture
Subject
Aesthetics, Drama, Theater, War
Type
Book
Language
ara,fra
Digital
Yes
Manuscript
No
Library
Royal Danish Library
Library Asset ID
ISSN: 1958-5160, EISSN: 2260-5029
Record ID
cdi_doaj_primary_oai_doaj_org_article_fe711b2e6dae41abb873f50022dc0f80
Library Location
DOAJ Directory of Open Access Journals, ProQuest Central
Notes
The theme of the Algerian war of national liberation is an omnipresent problem in almost all French-language Algerian theater texts, but the work of Mohamed Boudia (1932-1973) is marked by its specificity in terms of its very genesis. The two plays making up the work of the founder of the post-independence national theater were, in fact, texts approved and validated for publication by the Cultural and Information Commission of the FLN in Tunis, in the midst of the armed insurrection and will be published by the publisher of La Cité, Lausanne-Suisse, whose director (Niels Andersen) is an activist for the Algerian cause. Births and The Olivier are above all a theme of the aesthetics of incarceration.
Telif Hakkı
Copyright Gerflint 2017
Görüntüle
Synergies Algérie, 2017, Vol.24 (24), p.105-119
