Author
Hegazy, Ahmed Hamed Muhammad
Publication Place
Cairo, Egypt -
Badr University in Cairo
Type
Book
Language
ara,eng
Digital
Yes
Manuscript
No
Library
Royal Danish Library
Library Asset ID
ISSN: 2636-4239, EISSN: 2636-4247, DOI: 10.21608/tjhss.2022.269459
Record ID
cdi_emarefa_primary_1454775
Library Location
DOAJ Directory of Open Access Journals
Notes
This research dealt with the art of the message and identified the writer (Al-Khashab), the sender, the addressee, the intercessor (Al-Aidarous), and the intercessor (Murtaza Al-Zubaidi). It presented the text of the message, explaining the keenness of writers on love relationships and social cohesion, analyzing the content and artistic structure of the message in its historical, social, linguistic, pictorial, and musical contexts. It explained that literature in the Ottoman era still had vitality and life, and a nature that rejected affectation and aversion to stagnation and backwardness. This paper deals with "the art of the message" and it introduces al-Khashab, the writer (the sender and the addressee), al-Eidrou's, the intercessor (Ash-Shafi'i), and Murtada al-Zubaidi, the acceptor of intercession (Almashfü'u Indahu). The paper represents the text of the “message” and shows how the writers care about love relations and social correlation. It also analyzes the content and the artistic form of the “message” within historical, social, linguistics, descriptive, and musical contexts. the research paper proves that literature during the Ottoman era is still alive and lively, rejects fake Pretence, and detests backwardness and recession.
Görüntüle
Transcultural Journal of Humanities and Social Sciences, 2022, Vol.3 (4), p.179-198