The art of the Maqamat in Arabic literature in Egypt in the Ottoman era: The Sassanian Maqamat by Shihab al-Khafaji as an example

Name: The art of the Maqamat in Arabic literature in Egypt in the Ottoman era: The Sassanian Maqamat by Shihab al-Khafaji as an example
Author: Hegazy, Ahmed Hamed Muhammad

Title	The art of the Maqamat in Arabic literature in Egypt in the Ottoman era: The Sassanian Maqamat by Shihab al-Khafaji as an example
Author	Hegazy, Ahmed Hamed Muhammad
Publication Place	Cairo, Egypt - Badr University in Cairo
Type	Book
Language	ara,eng
Digital	Yes
Manuscript	No
Library:	Royal Danish Library
Library Asset ID	ISSN: 2636-4239, EISSN: 2636-4247, DOI: 10.21608/tjhss.2022.269458
Record ID	cdi_emarefa_primary_1454774
Library Location	DOAJ Directory of Open Access Journals
Notes	Al-Shihab Al-Khafaji was able to move forward with the art of Maqamat, and he went a long way indicating that this art was still characterized by vitality and quality in the Ottoman era. It was an extension of the Maqamats of Badi’ al-Zaman, Al-Hariri, Al-Suyuti and others, and it came with a great deal of eloquence and ingenuity that expressed social life. Al-Shihab was a rebel against the corruptions of society, criticizing pretenders of knowledge and mocking the state’s mufti and its Sufis. al-Shehab al-Khafagi was able to develop the art of al-Maqama and he worked hard to prove that this art was valid and lively during the ottoman era. Consequently, it was an extension to other Maqamas by Ba’dei al-Zaman, al-Hariri, al-Sutii, and others. The art of al-Maqama was full of rhetoric and ingenuity that depicts the social life. al-Khafagi was rebellious against societal corruption, criticizing knowledge pretenders, and sarcastic of the Mufti’s state and its Sufis.
Görüntüle	Transcultural Journal of Humanities and Social Sciences, 2022, Vol.3 (4), p.154-178

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Royal Danish Library

The art of the Maqamat in Arabic literature in Egypt in the Ottoman era: The Sassanian Maqamat by Shihab al-Khafaji as an example

Author Hegazy, Ahmed Hamed Muhammad

Publication Place Cairo, Egypt - Badr University in Cairo

Type Book

Language ara,eng

Digital Yes

Manuscript No

Library Royal Danish Library

Library Asset ID ISSN: 2636-4239, EISSN: 2636-4247, DOI: 10.21608/tjhss.2022.269458

Record ID cdi_emarefa_primary_1454774

Library Location DOAJ Directory of Open Access Journals

Notes Al-Shihab Al-Khafaji was able to move forward with the art of Maqamat, and he went a long way indicating that this art was still characterized by vitality and quality in the Ottoman era. It was an extension of the Maqamats of Badi’ al-Zaman, Al-Hariri, Al-Suyuti and others, and it came with a great deal of eloquence and ingenuity that expressed social life. Al-Shihab was a rebel against the corruptions of society, criticizing pretenders of knowledge and mocking the state’s mufti and its Sufis. al-Shehab al-Khafagi was able to develop the art of al-Maqama and he worked hard to prove that this art was valid and lively during the ottoman era. Consequently, it was an extension to other Maqamas by Ba’dei al-Zaman, al-Hariri, al-Sutii, and others. The art of al-Maqama was full of rhetoric and ingenuity that depicts the social life. al-Khafagi was rebellious against societal corruption, criticizing knowledge pretenders, and sarcastic of the Mufti’s state and its Sufis.

Görüntüle Transcultural Journal of Humanities and Social Sciences, 2022, Vol.3 (4), p.154-178