Author
Cokyarur, Mehmet Zahid
Subject
Arabic poetry
Type
Book
Language
ara,eng
Digital
Yes
Manuscript
No
Library
Royal Danish Library
Library Asset ID
ISSN: 2651-4559, EISSN: 2651-4567, DOI: 10.33718/tid.1375724
Record ID
cdi_doaj_primary_oai_doaj_org_article_3a5122c3099a48089c800e7e97efdbec
Library Location
DOAJ Directory of Open Access Journals, Central and Eastern European Online Library - CEEOL Journals, EBSCOhost Academic Search Complete
Notes
Tatrîz, which is included in the category of artistic arts in Arabic literature, first appeared on the stage of history as one of the six arts mentioned by Abu Hilal al-Askerî (d. after 400/1009). In the ongoing process, it has undergone a significant change and transformation in terms of its nature. The historical serencam of art; In the first place, it developed as the ordering of words that are equivalent in prostration and meter before the rhyme, then listing more than one mubtada at the beginning of the word and listing an adjective in the news part in a way that is harmonious in meaning with the number of mubtadas. Although these early forms of tatrîz were applied especially in Arabic poetry of the Ottoman period, a new identity, also called teşcîr, defined as the reading of the beginning parts of the poem lines with the letters of a person's name or identity, has become abundantly encountered in poetry. This genre, which is mainly adapted to ghazal and sometimes eulogy-type poems, has been postponed, along with other literal arts, by some modern Arab literati on the grounds that the meaning is sacrificed to the wording or the richness and depth of the meaning are relegated to the background. The main theme of this research is the tatrîz texture in Aap poetry of the Ottoman period, and in the research, the new generation tatrîz character of the period was determined and the negative perspective against literal arts such as tatrîz art was evaluated specifically in this art.
Görüntüle
Trabzon ilahiyat dergisi (Online), 2023-12, Vol.10 (2), p.169-194
