Author
Jaloul, Rayan Abdel Majeed
Type
Book
Language
Arabic
Digital
Yes
Manuscript
No
Library
Royal Danish Library
Library Asset ID
ISSN: 1818-5010
Record ID
cdi_almandumah_primary_1516906
Library Location
DOAJ Directory of Open Access Journals
Notes
Takhmis is a type of poetic art that prevailed in the literature of the Mamluk and Ottoman eras. This research sheds light on the experiences of two Sufi poets. Ibn Siwar al-Dimashqi (677 AH), and Abd al-Ghani al-Nabulsi (1143 AH), and here comes the importance of research in tracing the quincunx poetry of these two poets in order to reveal the dialectic of the relationship between quincunx and the Sufi language in achieving harmony and harmony between the voices of the Sufis on the one hand, and the specificity of the Sufi language in responding to the doctrinal content on the other hand. The research found that there is a dialectical relationship between knowledge and art within the framework of Sufi quincunx, which manifests itself in the characteristic of transcendence. But on the other hand, this transgression remained limited to the previous circle of meter and rhyme, while preserving the doctrinal content as well. Hence, the artistic heritage attraction and the cognitive response achieved harmony between the voices of Ibn Siwar and Al-Nabulsi in the art of quintuple, which made the relationship between two present texts the relationship of the original to the branch, within the framework of productive reception.
Görüntüle
Majallat Jāmiʻat Dimashq lil-ādāb wa-al-ʻulūm al-insānīyah, 2024, Vol.40 (2), p.13-26
