[DE-BSB] Cod.sanskr. 173(2

Title [DE-BSB] Cod.sanskr. 173(2
Publication Place Bavarian State Library Munich - Bavarian State Library Munich
Type kitap
Language Sanskrit
Digital Yes
Manuscript Yes
Library: Qalamos
Library Asset ID Cod.sanscr. 173(2
Record ID DE12Book_manuscript_00009122
Library Location Bavarian State Library Munich
Notes A manuscript of the entire Mahābhārata except the last two Parva, Mahāprasthānika and Svargārohaṇa, which are found in the Calcutta and Bombay editions. It's open Tissue paper written in long narrow strips, and originally consisted of three rollers, of which the first and third are longer and larger at the entrance Miniature paintings, the former decorated with ten, the latter with five. Also Smaller paintings are not only found at the beginning of the majority of the Parva (main sections), but in various places the text is somewhat interrupted by them. Around the To make it easier to use, the three main roles, without prejudice to the text, are in 8 smaller departments were broken down. The respective length of the 8 parts and which ones The three rolls they came from can be determined from the microfilm available not determine. The script is Devanāgarī, but so meticulous that it applies to many Places can hardly be read without a magnifying glass. A date couldn't be set yet be discovered in it. According to the information provided by the seller, it comes from it from Gwalior, the residence of the Mahratt prince Scindia, and was founded in 1788 by the It was acquired by the English resident there, James Anderson, and has been privately owned ever since been. The order of the individual parva of the great epic is not always the same in the two complete editions of the work that appeared in Calcutta and Bombay are. There are also not insignificant differences in details, so far the roles have been examined so far. This is how, for example, B. I, 55 b - 93 of the Calcutta edition; in verse 17 (Ādiparva) stands for ṛṣaya ūcuḥ: Śaunaka uvāca; also the first half of The Śloka in question is different. The small variations in expression are countless. As far as correctness is concerned, it leaves much to be desired; but she is in Overall, tolerable. The three rolls together contain 17 Parva, which are in the following order find yourself first role. Length 44.28 m. 1) Ādiparva, length of the bare text 6.70 m, with ten Paintings at the entrance with a length of 1.23 m depicting the ten incarnations (Avatāras) of Viṣṇu, beginning with the Matsya-avatāra and ending with the Kalki-avatāra. 2) Sabhā-parva, length 3.30 m. 3) Āraṇyaka-parva (usually called Vana-p.), L. 9 4) Virāṭa-parva, L. 2.50 m. 5) Udyoga-parva, L. 5.20 m. 6) Droṇa-parva, L. 7.50 m. 7) Bhīṣma, L. 4.68 m. 8) Karṇa-parva, L. 5.40 m. In the two printed texts Droṇa follows Bhiṣma, while the former precedes here.
Sınıf numarası Cod.sanscr. 173(2
Koleksiyon Bayerische Staatsbibliothek München
Editör Import BSB MARC
Lisans CC0 1.0
Düzenleme durumu finished
Qalamos - Ottoman library catalog search Qalamos

[DE-BSB] Cod.sanskr. 173(2

Publication Place Bavarian State Library Munich - Bavarian State Library Munich
Type kitap
Language Sanskrit
Digital Yes
Manuscript Yes
Library Qalamos
Library Asset ID Cod.sanscr. 173(2
Record ID DE12Book_manuscript_00009122
Library Location Bavarian State Library Munich
Notes A manuscript of the entire Mahābhārata except the last two Parva, Mahāprasthānika and Svargārohaṇa, which are found in the Calcutta and Bombay editions. It's open Tissue paper written in long narrow strips, and originally consisted of three rollers, of which the first and third are longer and larger at the entrance Miniature paintings, the former decorated with ten, the latter with five. Also Smaller paintings are not only found at the beginning of the majority of the Parva (main sections), but in various places the text is somewhat interrupted by them. Around the To make it easier to use, the three main roles, without prejudice to the text, are in 8 smaller departments were broken down. The respective length of the 8 parts and which ones The three rolls they came from can be determined from the microfilm available not determine. The script is Devanāgarī, but so meticulous that it applies to many Places can hardly be read without a magnifying glass. A date couldn't be set yet be discovered in it. According to the information provided by the seller, it comes from it from Gwalior, the residence of the Mahratt prince Scindia, and was founded in 1788 by the It was acquired by the English resident there, James Anderson, and has been privately owned ever since been. The order of the individual parva of the great epic is not always the same in the two complete editions of the work that appeared in Calcutta and Bombay are. There are also not insignificant differences in details, so far the roles have been examined so far. This is how, for example, B. I, 55 b - 93 of the Calcutta edition; in verse 17 (Ādiparva) stands for ṛṣaya ūcuḥ: Śaunaka uvāca; also the first half of The Śloka in question is different. The small variations in expression are countless. As far as correctness is concerned, it leaves much to be desired; but she is in Overall, tolerable. The three rolls together contain 17 Parva, which are in the following order find yourself first role. Length 44.28 m. 1) Ādiparva, length of the bare text 6.70 m, with ten Paintings at the entrance with a length of 1.23 m depicting the ten incarnations (Avatāras) of Viṣṇu, beginning with the Matsya-avatāra and ending with the Kalki-avatāra. 2) Sabhā-parva, length 3.30 m. 3) Āraṇyaka-parva (usually called Vana-p.), L. 9 4) Virāṭa-parva, L. 2.50 m. 5) Udyoga-parva, L. 5.20 m. 6) Droṇa-parva, L. 7.50 m. 7) Bhīṣma, L. 4.68 m. 8) Karṇa-parva, L. 5.40 m. In the two printed texts Droṇa follows Bhiṣma, while the former precedes here.
Sınıf numarası Cod.sanscr. 173(2
Koleksiyon Bayerische Staatsbibliothek München
Editör Import BSB MARC
Lisans CC0 1.0
Düzenleme durumu finished
Qalamos - Ottoman library catalog search
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