Bowl

Title Bowl
Author Unknown
Publication Date: 1650
Publication Place Iran (made) -
Subject Ceramics
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions Diameter: 20.6cm, Height: 9.2cm
Library: Victoria and Albert Museum
Library Asset ID 1110-1883
Record ID 1110-1883
Library Location Middle East Section
Date 1650
Notes In the 16th century, ceramic production in Iran was on a modest scale, but when the capital moved to Isfahan around 1600, the production of luxury dishes and wall tiles in a wide variety of styles and techniques rapidly increased. The production of ceramic vessels cannot be attributed to a particular centre. The many techniques deployed included underglaze painting, coloured glazes and lustre, which was revived after 1650. Safavid potters created brilliantly coloured ceramics. The effect was often achieved with glazes of a single colour. Many of these wares have moulded or carved decoration, such as this little bowl.
Tarihsel bağlam Kirman monochromes were quite as distinguished as the polychrome or blue-and-white Kirman wares. The colour of the celadon-imitations varies according to firing.
Malzemeler ve teknikler Fritware, slip-painted, amber and cobalt glazed
Fiziksel açıklama Bowl, earthenware, with almost straight tapering sides, on the exterior below the rim is a band of seven-dot flowerheads in white slip, the interior with a flambe blue slip and the exterior with a similar subtly streaked brown slip, glaze covers over the footrim, presumably fired on spurs or unglazed ring.
Üslup Safavid
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Victoria and Albert Museum - Ottoman library catalog search Victoria and Albert Museum

Bowl

Author Unknown
Publication Date 1650
Publication Place Iran (made) -
Subject Ceramics
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions Diameter: 20.6cm, Height: 9.2cm
Library Victoria and Albert Museum
Library Asset ID 1110-1883
Record ID 1110-1883
Library Location Middle East Section
Date 1650
Notes In the 16th century, ceramic production in Iran was on a modest scale, but when the capital moved to Isfahan around 1600, the production of luxury dishes and wall tiles in a wide variety of styles and techniques rapidly increased. The production of ceramic vessels cannot be attributed to a particular centre. The many techniques deployed included underglaze painting, coloured glazes and lustre, which was revived after 1650. Safavid potters created brilliantly coloured ceramics. The effect was often achieved with glazes of a single colour. Many of these wares have moulded or carved decoration, such as this little bowl.
Tarihsel bağlam Kirman monochromes were quite as distinguished as the polychrome or blue-and-white Kirman wares. The colour of the celadon-imitations varies according to firing.
Malzemeler ve teknikler Fritware, slip-painted, amber and cobalt glazed
Fiziksel açıklama Bowl, earthenware, with almost straight tapering sides, on the exterior below the rim is a band of seven-dot flowerheads in white slip, the interior with a flambe blue slip and the exterior with a similar subtly streaked brown slip, glaze covers over the footrim, presumably fired on spurs or unglazed ring.
Üslup Safavid
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