Jar

Title Jar
Author Unknown
Publication Date: 1640
Publication Place Iran (made) -
Subject Palmettes Landscapes (Representations)
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions Height: 31.1cm, Diameter: 24.8cm
Library: Victoria and Albert Museum
Library Asset ID 391-1884
Record ID 391-1884
Library Location Middle East Section
Date 1640
Notes The decoration on this jar combines elements borrowed from Chinese blue and white export porcelain dating from around 1630-40, a period known as the "Transitional period" in recognition of the volatile period of transition from the Ming to the Qing dynasty when production was disrupted by politics, with traditional Islamic arabesque motifs found in bookbinding, manuscripts and textiles. The distinction is emphasised by the use of red slip.
Malzemeler ve teknikler Fritware with underglaze painting blue and red slip Fritware Painted Glazed
Fiziksel açıklama Jar, fritware, in baluster form with short neck, which is painted in cobalt blue with a band of X-shaped crosses in reserve at the neck (compare with 2728-1876) and the foot with triglyph repeats below a band of linked Chinese ruyi or lappets, and the ground scattered with Chinese Transitional period floating islands with Chinese pavilions on rocky outcrops, on the shoulders are four large elliptical panels with escalloped rims painted in red slip with traditional Islamic arabesques and split palmettes.
Üretim Register
View in source Victoria and Albert Museum Victoria and Albert Museum - Ottoman library catalog search
Victoria and Albert Museum - Ottoman library catalog search Victoria and Albert Museum

Jar

Author Unknown
Publication Date 1640
Publication Place Iran (made) -
Subject Palmettes Landscapes (Representations)
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions Height: 31.1cm, Diameter: 24.8cm
Library Victoria and Albert Museum
Library Asset ID 391-1884
Record ID 391-1884
Library Location Middle East Section
Date 1640
Notes The decoration on this jar combines elements borrowed from Chinese blue and white export porcelain dating from around 1630-40, a period known as the "Transitional period" in recognition of the volatile period of transition from the Ming to the Qing dynasty when production was disrupted by politics, with traditional Islamic arabesque motifs found in bookbinding, manuscripts and textiles. The distinction is emphasised by the use of red slip.
Malzemeler ve teknikler Fritware with underglaze painting blue and red slip Fritware Painted Glazed
Fiziksel açıklama Jar, fritware, in baluster form with short neck, which is painted in cobalt blue with a band of X-shaped crosses in reserve at the neck (compare with 2728-1876) and the foot with triglyph repeats below a band of linked Chinese ruyi or lappets, and the ground scattered with Chinese Transitional period floating islands with Chinese pavilions on rocky outcrops, on the shoulders are four large elliptical panels with escalloped rims painted in red slip with traditional Islamic arabesques and split palmettes.
Üretim Register
Victoria and Albert Museum - Ottoman library catalog search
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