Plaque

Title Plaque
Author 'Abd Al-Rahman Ibn Zayyan (maker)
Publication Place Cuenca (made, probably) -
Subject Islam
Type Other
Language Undetermined
Digital Yes
Manuscript No
Library: Victoria and Albert Museum
Library Asset ID 4075-1857
Record ID 4075-1857
Library Location Middle East Section
Notes Small carved ivory plaque which would once have formed the front wall of a casket. It features decoration of an upside-down heart-shaped palmette which forms the base of a tree, whose branches develop into scrolling roundels inhabited by symmetrically-placed gazelles (on the bottom) and birds (at the centre), with a crown of leaves at the top. The animals hold plant shoots in their mouths, which is a characteristic of ivories produced under the patronage of the taifa rulers of Toledo, as is the heart-shaped palmette. The style of the carving is very similar to that on the 'Palencia casket', which is now in the Museo Arqueológico Nacional (Madrid). This was signed by the craftsman, 'Abd al-Rahman ibn Zayyan, and dated 441 AH / 1049-50 AD. The centre of production was at Cuenca, a small town near Toledo, as we know from the inscriptions on other extant ivories from this workshop. The small rectangular box near the top of the plaque would originally have been left uncarved, and the casket's lockplate would have been attached here. However, this plain area of ivory was recarved at a later date, probably in the 13th century, to bear the bust of an angel giving a blessing. This speaks of the survival of this object, which must have found its way into the Treasury of some Cathedral in Northern Spain. This was the means of preservation of many ivory caskets made in Al-Andalus, and several were 'restored' by having missing sections replaced by enamel plaques.
Malzemeler ve teknikler Carved ivory Ivory Carved
Fiziksel açıklama Small carved ivory plaque which would once have formed the front wall of a casket. It features decoration of an upside-down heart-shaped palmette which forms the base of a tree, whose branches develop into scrolling roundels inhabited by symmetrically-placed gazelles (on the bottom) and birds (at the centre), with a crown of leaves at the top. The animals hold plant shoots in their mouths, which is a characteristic of ivories produced under the patronage of the taifa rulers of Toledo, as is the heart-shaped palmette. The style of the carving is very similar to that on the 'Palencia casket', which is now in the Museo Arqueológico Nacional (Madrid). This was signed by the craftsman, 'Abd al-Rahman ibn Zayyan, and dated 441 AH / 1049-50 AD. The centre of production was at Cuenca, a small town near Toledo, as we know from the inscriptions on other extant ivories from this workshop. The small rectangular box near the top of the plaque would originally have been left uncarved, and the casket's lockplate would have been attached here. However, this plain area of ivory was recarved at a later date, probably in the 13th century, to bear the bust of an angel giving a blessing. This speaks of the survival of this object, which must have found its way into the Treasury of some Cathedral in Northern Spain. This was the means of preservation of many ivory caskets made in Al-Andalus, and several were 'restored' by having missing sections replaced by enamel plaques.
Üretim This plaque is very similar in style to the objects made in the workshop of 'Abd al-Rahman ibn Zayyan, whose signature is found on the 'Palencia casket', made at Cuenca in 441 AH / 1049-50 AD, now in the Museo Arqueológico Nacional (Madrid).
Üslup Taifa Al-Andalus
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Victoria and Albert Museum - Ottoman library catalog search Victoria and Albert Museum

Plaque

Author 'Abd Al-Rahman Ibn Zayyan (maker)
Publication Place Cuenca (made, probably) -
Subject Islam
Type Other
Language Undetermined
Digital Yes
Manuscript No
Library Victoria and Albert Museum
Library Asset ID 4075-1857
Record ID 4075-1857
Library Location Middle East Section
Notes Small carved ivory plaque which would once have formed the front wall of a casket. It features decoration of an upside-down heart-shaped palmette which forms the base of a tree, whose branches develop into scrolling roundels inhabited by symmetrically-placed gazelles (on the bottom) and birds (at the centre), with a crown of leaves at the top. The animals hold plant shoots in their mouths, which is a characteristic of ivories produced under the patronage of the taifa rulers of Toledo, as is the heart-shaped palmette. The style of the carving is very similar to that on the 'Palencia casket', which is now in the Museo Arqueológico Nacional (Madrid). This was signed by the craftsman, 'Abd al-Rahman ibn Zayyan, and dated 441 AH / 1049-50 AD. The centre of production was at Cuenca, a small town near Toledo, as we know from the inscriptions on other extant ivories from this workshop. The small rectangular box near the top of the plaque would originally have been left uncarved, and the casket's lockplate would have been attached here. However, this plain area of ivory was recarved at a later date, probably in the 13th century, to bear the bust of an angel giving a blessing. This speaks of the survival of this object, which must have found its way into the Treasury of some Cathedral in Northern Spain. This was the means of preservation of many ivory caskets made in Al-Andalus, and several were 'restored' by having missing sections replaced by enamel plaques.
Malzemeler ve teknikler Carved ivory Ivory Carved
Fiziksel açıklama Small carved ivory plaque which would once have formed the front wall of a casket. It features decoration of an upside-down heart-shaped palmette which forms the base of a tree, whose branches develop into scrolling roundels inhabited by symmetrically-placed gazelles (on the bottom) and birds (at the centre), with a crown of leaves at the top. The animals hold plant shoots in their mouths, which is a characteristic of ivories produced under the patronage of the taifa rulers of Toledo, as is the heart-shaped palmette. The style of the carving is very similar to that on the 'Palencia casket', which is now in the Museo Arqueológico Nacional (Madrid). This was signed by the craftsman, 'Abd al-Rahman ibn Zayyan, and dated 441 AH / 1049-50 AD. The centre of production was at Cuenca, a small town near Toledo, as we know from the inscriptions on other extant ivories from this workshop. The small rectangular box near the top of the plaque would originally have been left uncarved, and the casket's lockplate would have been attached here. However, this plain area of ivory was recarved at a later date, probably in the 13th century, to bear the bust of an angel giving a blessing. This speaks of the survival of this object, which must have found its way into the Treasury of some Cathedral in Northern Spain. This was the means of preservation of many ivory caskets made in Al-Andalus, and several were 'restored' by having missing sections replaced by enamel plaques.
Üretim This plaque is very similar in style to the objects made in the workshop of 'Abd al-Rahman ibn Zayyan, whose signature is found on the 'Palencia casket', made at Cuenca in 441 AH / 1049-50 AD, now in the Museo Arqueológico Nacional (Madrid).
Üslup Taifa Al-Andalus
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