Wall painting fragment

Title Wall painting fragment
Author Unknown (makers)
Publication Date: 836
Publication Place Samarra (made) -
Subject Architecture Paintings
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions Height: 11-11.5cm, Width: 6cm, Depth: 2.5cm
Library: Victoria and Albert Museum
Library Asset ID A.44-1922
Record ID A.44-1922
Library Location Middle East Section
Date 836
Notes Part of a frieze, plaster, polychrome painted; Iraq (Samarra), 836-900.
Sample Text Transliteration,
Tarihsel bağlam Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved stucco and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved stucco panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.
Malzemeler ve teknikler Gypsum plaster, painted Plaster Painted
Fiziksel açıklama Fragment of a frieze, plaster, the slightly curved surface painted in black on a bright yellow ground over a thick white plaster undercoat. It is painted on a thick white ground approximately 0.3cm in thickness. The reverse impressed with herringbone woven reed mat.
Üslup Abbasid
View in source Victoria and Albert Museum Victoria and Albert Museum - Ottoman library catalog search
Victoria and Albert Museum - Ottoman library catalog search Victoria and Albert Museum

Wall painting fragment

Author Unknown (makers)
Publication Date 836
Publication Place Samarra (made) -
Subject Architecture Paintings
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions Height: 11-11.5cm, Width: 6cm, Depth: 2.5cm
Library Victoria and Albert Museum
Library Asset ID A.44-1922
Record ID A.44-1922
Library Location Middle East Section
Date 836
Notes Part of a frieze, plaster, polychrome painted; Iraq (Samarra), 836-900.
Sample Text Transliteration,
Tarihsel bağlam Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved stucco and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved stucco panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.
Malzemeler ve teknikler Gypsum plaster, painted Plaster Painted
Fiziksel açıklama Fragment of a frieze, plaster, the slightly curved surface painted in black on a bright yellow ground over a thick white plaster undercoat. It is painted on a thick white ground approximately 0.3cm in thickness. The reverse impressed with herringbone woven reed mat.
Üslup Abbasid
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