Mosque lamp
(مصباح المسجد)

Title Mosque lamp
Title Original مصباح المسجد
Author Philip Joseph Brocard
Author Original فيليب جوسيف بروكارد
Publication Date: 1867
Publication Place Paris, France - Sheikh Faisal bin Qassim Al Thani Museum
Subject Crystal, bronze: enamel inlay
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions قطر: 30 سم ارتفاع:39.5 سم
Library: Museum With No Frontiers
Library Asset ID FBQ.HH.391.1-2
Record ID object;EPM;qt;Mus22;30;ar
Library Location Sheikh Faisal bin Qassim Al Thani Museum
Date 1867
Notes This rose-coloured niche is a good example of the enamelled glassware that gained popularity in Europe in the 19th century as a reminder of the splendor and wonder of the Muslim Middle Ages. The Europeans were imitating the innovative Mamluk niche-making technique of gilding and polishing the glass in vibrant colors, which was widespread in the 13th and 14th centuries in Egypt and Syria. European replicas of blown lamps with rose tint and kufic calligraphy decorated in lustrous gold owe their spread in Europe to Philippe-Joseph Brocard, a famous craftsman from Paris fascinated by reviving the legacy of Mamluk lamps. Today, delicate glass pendants shine in mosques and museums in Europe and beyond as a reminder of the timeless influences of Islamic art.
Sample Text Sarah Schroeder “Mosque Lamp” in Explore Islamic Art Collections. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;EPM;qt;Mus22;30;ar
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Mosque lamp

(مصباح المسجد)
Author Philip Joseph Brocard
Author Original فيليب جوسيف بروكارد
Publication Date 1867
Publication Place Paris, France - Sheikh Faisal bin Qassim Al Thani Museum
Subject Crystal, bronze: enamel inlay
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions قطر: 30 سم ارتفاع:39.5 سم
Library Museum With No Frontiers
Library Asset ID FBQ.HH.391.1-2
Record ID object;EPM;qt;Mus22;30;ar
Library Location Sheikh Faisal bin Qassim Al Thani Museum
Date 1867
Notes This rose-coloured niche is a good example of the enamelled glassware that gained popularity in Europe in the 19th century as a reminder of the splendor and wonder of the Muslim Middle Ages. The Europeans were imitating the innovative Mamluk niche-making technique of gilding and polishing the glass in vibrant colors, which was widespread in the 13th and 14th centuries in Egypt and Syria. European replicas of blown lamps with rose tint and kufic calligraphy decorated in lustrous gold owe their spread in Europe to Philippe-Joseph Brocard, a famous craftsman from Paris fascinated by reviving the legacy of Mamluk lamps. Today, delicate glass pendants shine in mosques and museums in Europe and beyond as a reminder of the timeless influences of Islamic art.
Sample Text Sarah Schroeder “Mosque Lamp” in Explore Islamic Art Collections. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;EPM;qt;Mus22;30;ar
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