chandelier
(ثريا)

Title chandelier
Title Original ثريا
Publication Date: 690 AH / 1291 AD
Publication Place - Batha Museum; Fez
Subject Engraved and perforated brass.
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions القطر الأعلى: 67 سم؛ قطر القاعدة: 24.3 سم
Library: Museum With No Frontiers
Library Asset ID 824.4
Record ID object;ISL;ma;Mus01_C;20;ar
Library Location Batha Museum; Fez
Date 690 AH / 1291 AD
Notes This copper piece consists of a six-section hoop, placed on top of a cylinder supported by six stands. The collar, which is decorated with inscriptions and floral motifs linked to or independent of the inscriptions, serves as a plate on which the metal supports are fixed, on which the oil cups used as chandeliers are placed. The inscriptions are engraved on the two circular bands that define the area of ​​the chandelier. The inscription on the outer band, written in cursive letters, refers to religious phrases and incantations, and the history of the manufacture of the chandelier. While the inner band, inscribed with Kufic letters, combines religious expressions with floral decoration. Between the two bands is inserted a wide, cantilevered floral field, decorated with perforated and engraved, and furnished with palmettes on branches (simple symmetrical palmettes emanating from a bracket, and double palmettes with buds). The same decorative arrangement is present on the floor of the lifting cylinder. Between the two bands decorated with cursive inscriptions and containing votive phrases extends a wide, perforated band bearing a Kufic inscription and floral decorations radiating from a small branch. The stands, decorated with floral decoration, also include an engraved floral decoration on the floor of the corner, and an inscriptional decoration with a votive theme in the rectangular frame. This lighting device remains the simplified prototype of the dished chandeliers used in the Almohad era until the beginning of the twentieth century to illuminate mosques and prayer halls in schools. These chandeliers represented decorations for holy places, and were elaborately decorated, especially during the Marinid periods. The chandeliers of the Taza Mosque and those in the Attarine Madrasa in Fez constitute the best examples of this.
Sample Text Naima El Khatib-Boujibar "Soraya" in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;ma;Mus01_C;20;ar
View in source Museum With No Frontiers Museum With No Frontiers - Ottoman library catalog search
Museum With No Frontiers - Ottoman library catalog search Museum With No Frontiers

chandelier

(ثريا)
Publication Date 690 AH / 1291 AD
Publication Place - Batha Museum; Fez
Subject Engraved and perforated brass.
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions القطر الأعلى: 67 سم؛ قطر القاعدة: 24.3 سم
Library Museum With No Frontiers
Library Asset ID 824.4
Record ID object;ISL;ma;Mus01_C;20;ar
Library Location Batha Museum; Fez
Date 690 AH / 1291 AD
Notes This copper piece consists of a six-section hoop, placed on top of a cylinder supported by six stands. The collar, which is decorated with inscriptions and floral motifs linked to or independent of the inscriptions, serves as a plate on which the metal supports are fixed, on which the oil cups used as chandeliers are placed. The inscriptions are engraved on the two circular bands that define the area of ​​the chandelier. The inscription on the outer band, written in cursive letters, refers to religious phrases and incantations, and the history of the manufacture of the chandelier. While the inner band, inscribed with Kufic letters, combines religious expressions with floral decoration. Between the two bands is inserted a wide, cantilevered floral field, decorated with perforated and engraved, and furnished with palmettes on branches (simple symmetrical palmettes emanating from a bracket, and double palmettes with buds). The same decorative arrangement is present on the floor of the lifting cylinder. Between the two bands decorated with cursive inscriptions and containing votive phrases extends a wide, perforated band bearing a Kufic inscription and floral decorations radiating from a small branch. The stands, decorated with floral decoration, also include an engraved floral decoration on the floor of the corner, and an inscriptional decoration with a votive theme in the rectangular frame. This lighting device remains the simplified prototype of the dished chandeliers used in the Almohad era until the beginning of the twentieth century to illuminate mosques and prayer halls in schools. These chandeliers represented decorations for holy places, and were elaborately decorated, especially during the Marinid periods. The chandeliers of the Taza Mosque and those in the Attarine Madrasa in Fez constitute the best examples of this.
Sample Text Naima El Khatib-Boujibar "Soraya" in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;ma;Mus01_C;20;ar
Museum With No Frontiers - Ottoman library catalog search
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